'Sabrina' had long, long outgrown its premise by this stage, but it was one of those shows that did just about enough to last another year, when really it should've probably ended at the end of S4.
Having left us at the end of S6 with a perfectly good cliff-hanger, again a change in creative personnel meant that the show gets rebooted again.
So, the cliff-hanger gets quickly forgotten. The beloved Aunt's are now packed off to the Other Realm (code for the actresses playing them realising that they don't fit into this bizarre 'Sabrina at college' spin-off esque show) and once everything is reset, we're off again hoping nobody noticed.
It's a patchy transition at best, but the shows best asset was always Melissa Joan Hart, and her likability just about manages to keep this on track. Just.
Having left us at the end of S6 with a perfectly good cliff-hanger, again a change in creative personnel meant that the show gets rebooted again.
So, the cliff-hanger gets quickly forgotten. The beloved Aunt's are now packed off to the Other Realm (code for the actresses playing them realising that they don't fit into this bizarre 'Sabrina at college' spin-off esque show) and once everything is reset, we're off again hoping nobody noticed.
It's a patchy transition at best, but the shows best asset was always Melissa Joan Hart, and her likability just about manages to keep this on track. Just.
