An average episode that actually kills off its main guest star (Paul Hartman) within the first 5 minutes; so what's left?-- a semi-comatose police force (due to lack of sleep), and lots of big, ham-flavored Roger C.Carmel.
The whole Paul Hartman scene was really annoying; I don't care much for his acting anyway and, after his time-consuming drunk routine and the cheesy musical underscore, I can't say I was upset to see him knocked off so early.
The climatic scene near the end was puzzling; obviously, Horace MacMahon's big Police Stake-Out of the rail yard was poorly planned--- it took them WAY too long to get there to help poor Adam Flint. If it hadn't been for the huffin' 'n puffin', sleep-deprived Harry Bellaver--with a bullet in his shoulder to boot--Adam would have been beaten to death by big Roger C. But the scene was effective visually, thanks to its VERY low night lighting, which made it almost impossible to follow the action, as in a real-life situation.
Deduct a full rating-star for the overdone, caricatured cabbie's wife (who I thought at first was a "slumming" Shelley Winters), and the not-very-funny Dixieland band in the lock-up. Director William Conrad, who did a superb job in the recent "Precious Kettle of Fish" should have known better in both of these instances.
Harry Bellaver, charming as he is, seems too old to be put through all of the physical hardship of this show and "Precious Kettle". But..hey..it's only make-believe. LR
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