"Murder, She Wrote" Murder in High "C" (TV Episode 1995) Poster

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7/10
"When They Stalk an Opera Star ~ Makes No Difference, Near or Far ~ Threats of Strangulation in Her Dreams May Come Through"
WeatherViolet28 April 2010
Jerrold L. Ludwig, who has been writing for television since 1967, and producing programs since the 1970's, pens this script, for "Murder in High C," his third of seven "MSW" episodes. For Season Twelve, Jerrold also serves as a series Co-producer.

Four "MSW" episodes are set in Italy: Sicily (#6.22) (Hagarty Book-end), Milan (#9.1), Genoa (#11.14) and Rome (#12.8) although many others contain characters of Italian-American descent. In (#10.9), Jessica returns to NYC from a three-week tour of Italy, but this does not coincide with an Italian-setting episode.

Lorenzo Caccialanza guests as the good-natured Inspector Piero Amato in two of these (#11.14) and (#12.8) although he is billed as Amati in the latter. Lorenzo portrays an efficient and capable law enforcement officer, a refreshing change from the "MSW" norm, in which hapless police officers often jump to wrong conclusions and issue false arrests. Lorenzo adds charm and sophistication.

Carol Lawrence delivers her fourth "MSW" performance among (#1.2), (#2.19), (#6.8 as an opera singer) and here in (#11.14) (also as a very capable opera soprano, coinciding with her spectacularly well-tuned voice, often associated with Musical genre film and television). Carol performs especially well here.

Genoa, Italy, a large metropolitan community in the northwestern reaches of the peninsula, hosts the Italian Opera Company, which rehearses for an opening night performance, while awaiting the arrival of its newest star, Andrea Beaumont (Khrystyne Haje), who is busy avoiding a stalker threatening to strangle her on this chilly, foggy evening. (Why anyone needs air conditioning remains another mystery.)

Andrea (whose name they pronounce here as "On-dray'-ya") Beaumont and her husband, Jonas Cole (John Getz), have invited their dear old friend Jessica Fletcher (Angela Lansbury) to Genoa, to hear Andrea's performance, after Jessica has helped to nab a New York City stalker, who has been imprisoned for threatening the life of Andrea. But now somebody is at it again in a suspected copycat version of the torment.

While Stella Knight (Carol Lawrence) rehearses on stage at the theatre, Jessica delights in listening to her performance. Vicki Lawson (Ely Pouget) arrives to assume the next seat, to ask whether or not Jessica has heard from Andrea, as baritone Paul Corelli (Charles Cioffi) assumes the next seat, to join in the discussion.

Conductor Drew Granger (Bruce Abbott) abruptly halts the rehearsal to lambaste Vicki, Paul and, especially, Jessica for interrupting the practice session. Drew has received an offer to to conduct elsewhere and behaves temperamentally toward the Italian Opera Company brass, for holding him to his contract.

Drew has a backstage confrontation over his contract with financial front Rudolfo Petrocelli (Robert Costanzo), who also disagrees with partner Carlo Rossi (Pierrino Mascarino) about various problems.

Inspector Piero Amato (Lorenzo Caccialanza) arrives to investigate a series of threatening telephone calls to Andrea, he displaying voice-prints from headquarters, at the request of Jessica and Jonas, who secures his wife inside their apartment, but invites the company to a cocktail reception to honor Andrea.

Back at the theatre, various arguments persist, and when gunshots are heard backstage, Jessica and Piero rush to discover Jonas' holding a pistol, while hovering over the body, and saying that he also heard the shots and ran back to find his own gun beside the body.

Jessica and Piero share a strong professional rapport as they investigate the murder, while threats to strangle Andrea continue.

But Jessica discovers evidence and soon believes that the murder has occurred much sooner than the time which the gunshots were heard, finding evidence that blanks were fired, that air conditioning has been set at a very cold temperature, and that a pen has left its impression in the carpet beneath the body of the "Murder in High C."

The cast is rounded out by Anthony Marciona as Stage Manager, Benito Prezia as Doctor, and Sam Ingraffia as Policeman.

This episode marks the first of two "MSW" appearances each for Lorenzo Caccialanza and John Getz, the second of three for Bruce Abbott, the third of three for Robert Costanzo, and the fourth of four for Carol Lawrence.
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6/10
Just okay
xbatgirl-300294 November 2022
Warning: Spoilers
I really hate detective shows where the police conveniently forget how to do their job when it suits the plot. Specifically here after the husband is caught over the dead body, insisting he didn't shoot anyone. It would be perfectly easy to do a paraffin test to check for gunpowder residue and rule him out. Jessica herself has suggested the police do it in other episodes. Here it's not mentioned, because the plot wouldn't work if it was done.

This was my main issue with this script, that various clues and red herrings were so clunky and obvious, they took you out of the story. Oh, one character has an insurance policy where he makes the most money if his singer can't perform. I'm sure that's not important. Or a character makes a very obvious call to a wrong number - I'm sure that wasn't a clue. People call wrong numbers all the time on tv (sarcasm). Add in all the yelling and over the top drama, partly due to Italian stereotypes, partly just attributed to opera. This show was a little headache inducing.

I liked seeing Khrystyne Haje, who I grew up watching on Head of the Class. She was well cast as an anxious diva. I especially also enjoyed Robert Costanzo, who is a "hey, it's that guy" type character actor who's been in everything and is always fun. Some of the other men were a bit interchangeable.

None of the acting itself was a problem for me. Like I said, all the yelling was more nerve wracking when maybe it could have been more campy fun. And the script lacked subtlety. Not the worst episode of the season, but I'd rank it towards the bottom overall.
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7/10
Murder in High C
coltras3531 July 2022
An opera singer tries to make her debut before a stalker can fulfill his promise to kill her. Could it be her New Year stalker or someone closer to her. This is an entertaining episode, the kind I like. I'm sucker for mystery's featuring sinister voices in the fog, anon threatening calls by that someone - of course, it's a nod to Doris Day film, Midnight Lace, which is a remake of Gaslight, a film that Angela Lansbury had starred in.
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Not an original for Murder, She Wrote
JWinPS30 November 2011
I have always enjoyed "Murder, She Wrote" episodes with Angela Lansbury as the main character, Jessica Fletcher. However, "Murder in High C" was a disappointment. A mysterious and obviously disguised voice in the Genoa fog speaks of imminent death to a beautiful opera singer. The woman in fear and shock tells others, her dutiful husband standing by her side in support. Then, the same voice with the same message comes via repeated phone calls. Murder attempts appear to take place. There is a prime suspect who could easily be the villain planning the crime. The prime suspect gets killed. The danger is over, or is it? It sounds like a great murder mystery. It is, but this "Murder, She Wrote" episode is not the original of this story. Watch the more gripping 1960 movie "Midnight Lace" with Doris Day, Rex Harrison, and Myrna Loy. The cities are different, London vs. Genoa. The beautiful woman is an heiress rather than an opera singer. But, the voice in the fog, on the phone, the murder attempts, and the would be villain getting killed are all there. And the danger being over? Well, you'll have to watch it to find out. Compare it to this "Murder, She Wrote" episode and see if you agree that "Murder in High C" is interesting, but "Midnight Lace" is far more satisfying.
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7/10
You know that in operas, just like in "Murder, She Wrote", somebody's gonna die!!
planktonrules15 August 2023
While it's not true every opera has someone or multiple people die in it (such in "The Barber of Seville"), in MOST there is lots of death, murder and/or suicide...just the sort of stuff you'd expect in an episode of "Murder, She Wrote"! So, it's not surprising that the two are combined in "Murder in High "C"".

Like nearly all episodes of the series, while the film is set abroad, it's filmed in California simply because that was a lot cheaper and easier than packing the crew off to Italy for this particular show. This might also explain the odd and sometimes absent 'Italian' accents you hear in the episode.

Jessica is in Genoa because her friend (one of about 23400) is the woman who is supposed to play the lead in some opera. However, someone appears to be stalking her....which unnerves her even more since a previous stalker was sent to prison for harassing her.

This is generally a good episode, though I think overusing the stereotype that Italians LOVE to scream isn't very helpful. But otherwise an enjoyable and interesting episode.
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9/10
Reviewers think they know it all....
appenzellar9 August 2021
I don't usually take the time to review, but I had to in this case. All these people griping that MSW ripped off this storyline are missing a key piece of evidence. "Murder in High C," is a classic nod to Lansbury's breakout role in 1944's "Gaslight," all the way down to the opera connection. So... who REALLY stole this plot?? If you haven't seen Bergman/Boyer and Lansbury in this film, check it out and you'll see what I mean!!
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8/10
Style and substance, fine episode.
Sleepin_Dragon2 March 2024
Jessica has travelled to Genoa, to watch American opera singer Andrea Beaumont perform. Beaumont is being plagued by a stalker, it appears her fallen understudy is the cause.

This is a quality episode, one that definitely has all of the flair and drama of the theatre, the crime fits the bill, the jealous understudy, the stalking, it all hangs together so well, all set to the passion of The Italian opera.

Just as they did in the previous episode, this episode pays homage to one of Lansbury's films, I got Gaslight vibes, and in truth I only re-watched that yesterday.

Really strong visuals, the sets and costumes are great, credit to the costume designers. The snippets of music are glorious, although I wish there'd been more of them.

I loved the performance of Lorenzo Caccialanza who played Inspector Amati, he was great. The entire cast did a great job.

8/10.
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4/10
Not a high note
TheLittleSongbird5 December 2017
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

Season 11 has been one of the weaker and more inconsistent 'Murder She Wrote' seasons. "Murder In High C" had one of the season's most intriguing premises, even if its originality is questioned, but sadly it's one of its lesser episodes and one of the biggest wastes of potential. Of the two opera-themed 'Murder She Wrote' episodes, "Murder in High C" is the vastly inferior one, the other being the melodramatic but very atmospheric and entertaining "When the Fat Lady Sings" from Season 6.

Lets start with the high points. Angela Lansbury as ever can do no wrong, while Lorenzo Caccialanza gives charming support as the inspector and Carol Lawrence gives a typically great performance. Krystyne Haje is a quite touching Andrea.

Production values are slick and stylish with a very atmospheric foggy setting in places. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.

On the other hand, the rest of the cast just don't pass muster. On one side of the acting spectrum there are over-compensators such as particularly Robert Costanzo, on the other side of it there are those with dull presences such as John Getz.

The mystery itself has no real surprises, some of it like the identity behind the threats and blackmail and that of the murderer were obvious to me actually. Showing the truth of the time frame of the murder prematurely took away from the mystery. What should have been creepy, as promised with the fog and the premise, instead had unintentional campiness and has one laughing rather than chilled. The dialogue doesn't flow as well as a vast majority of the show's episodes and is predictable and hammy.

In short, has a few good things but a disappointing episode and not a season or show high note when it had the potential to be. 4/10 Bethany Cox
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4/10
Midnight aria
bkoganbing2 March 2018
Watching this episode of Murder She Wrote I am in total agreement with the viewer who said this plot was totally ripped off from the Doris Day-Rex Harrison classic Midnight Lace.

Angela Lansbury has come to Genoa to see Khrystyne Haje make her debut in grand opera. In New York Jessica Fletcher was instrumental in catching a stalker that Haje had attracted. But now on the other side of the pond the threatening phone calls continue.

No need to go any further other than to say it's always a treat to hear Carol Lawrence sing even stretching her vocal talents to include grand opera. It was a good stretch.

If you saw Midnight Lace you know who did the deed.
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