Directed by
John Gray |
Writing Credits (in alphabetical order)
Edithe Swensen | ... | (writer) |
Cast (in credits order)
Silvana Gallardo | ... | Sarah McPherson | |
Kim Johnston Ulrich | ... | Madeline Wescott (as Kim Ulrich) | |
Billy Drago | ... | Richard | |
Erik Holland | ... | Doctor |
Produced by
Erica Fox | ... | co-producer |
Richard P. Rubinstein | ... | executive producer |
Anthony Santa Croce | ... | producer |
Cinematography by
Tony Cutrono |
Editing by
Christopher Roth |
Casting By
Jean Scoccimarro |
Production Design by
Don Day |
Art Direction by
Daniel Frey |
Set Decoration by
Claire Jenora Bowin |
Costume Design by
Fionn |
Makeup Department
Shari Bender | ... | assistant makeup artist |
Nancy Cassett | ... | makeup artist |
Rick Lazzarini | ... | special makeup effects |
Dick Smith | ... | special effects makeup consultant |
Production Management
Mitchell Galin | ... | executive in charge of production |
Greg Schorer | ... | post-production supervisor |
Tony To | ... | production manager |
Diane Vilagi | ... | production executive |
Lorie Zerweck | ... | unit manager |
Second Unit Director or Assistant Director
Chris Bongirne | ... | second assistant director |
John E. Vohlers | ... | first assistant director |
Brenda White | ... | second second assistant director |
Art Department
Kevin Bebout | ... | leadman |
Virginia Capobianco | ... | on-set dresser (as Ginnie Durden) |
Ray Dorn | ... | construction supervisor |
Peter Devaney Flanagan | ... | assistant props (as Peter Devaney) |
Marie Hind | ... | construction assistant |
Michelle Marini | ... | assistant set dresser |
Joey Melore | ... | artist |
David H. Soloman | ... | property master |
Sound Department
Andrew Adams | ... | boom operator (as Andy Adams) |
Robert J. Anderson Jr. | ... | sound mixer |
Special Effects by
Kevin McCarthy | ... | special mechanical effects |
Camera and Electrical Department
Michael Cardone | ... | first assistant camera |
Melissa Cohen | ... | still photographer |
Ron Cragg | ... | electrician |
Michael Listorti | ... | key grip |
Gary Molyneux | ... | dolly grip |
Neal Sheridan | ... | grip |
Stephen Sheridan | ... | second assistant camera |
Ron N. Sill | ... | chief lighting technician |
Sue Story | ... | best boy electric |
Animation Department
Tayk Kim | ... | animation director |
Casting Department
Marion Wright | ... | casting assistant |
Costume and Wardrobe Department
Lila Berkheim | ... | costumer |
Suzanne Cornick | ... | costumer: 18th century gowns |
Sandrine Deschamp | ... | costumer: 18th century gowns |
Editorial Department
Mark Abellera | ... | assistant editor |
David Gordon | ... | assistant editor |
Robert Valenzi | ... | post-production assistant |
Music Department
Parmer Fuller | ... | composer: additional music |
Robert Harari | ... | music supervisor |
Donald Rubinstein | ... | composer: opening music |
Script and Continuity Department
Mellanie Bradfield | ... | script supervisor |
Annie Welles | ... | script supervisor |
Additional Crew
James Beaton III | ... | production assistant |
Gia Civerolo | ... | production secretary |
Anita Fox | ... | production assistant |
Robin Ginsberg | ... | production accountant |
Linda Housworth Klipper | ... | assistant: Mitchell Galin (as Linda Housworth) |
Jeff Mackler | ... | publicist |
Rosane McCarron | ... | assitant: Richard P. Rubenstein |
Ginger McGuire | ... | production controller |
Beth Miller | ... | story assistant (as Beth Schroeder) |
Gwynn Press | ... | creative coordinator |
Thanks
Tom Allen | ... | dedicated to the memory of |