Directed by
| Stephen Tolkin | ||
Writing Credits (in alphabetical order)
| David Odell | ... | (writer) |
Cast (in credits order)
| Maxwell Caulfield | ... | Timothy Danforth | |
| Ferdy Mayne | ... | Old Man (as Ferdinand Mayne) | |
 |
David Sage | ... | Lawyer |
| Geno Silva | ... | Guard | |
Produced by
| Ooty Moorehead | ... | producer |
| Richard P. Rubinstein | ... | executive producer |
| Anthony Santa Croce | ... | supervising producer |
| Diane Vilagi | ... | coordinating producer |
Cinematography by
| Karen Grossman | ||
Editing by
| Terry Blythe | ||
Casting By
| Gary Oberst | ||
Production Design by
| Don Day | ||
Art Direction by
| Daniel Frey | ||
Set Decoration by
| Shirley Starks | ||
Costume Design by
| Gini Kramer | ||
Makeup Department
| Nancy Cassett | ... | makeup artist |
| Gioia DeBlasio | ... | special makeup effects artist (as Gioia Moore) |
| Bryan Moore | ... | special makeup effects artist |
| Melanie Moore | ... | special makeup effects artist |
| Dick Smith | ... | special effects makeup consultant |
Production Management
| Mitchell Galin | ... | executive in charge of production |
| Kate Heyhoe | ... | unit manager |
Second Unit Director or Assistant Director
| Sarah Addington | ... | second assistant director |
| Jan Ervin | ... | first assistant director |
Art Department
| Phil Brandes | ... | assistant art director |
| Virginia Capobianco | ... | property master (as Ginnie Durden) |
| Morgan James | ... | on-set dresser |
| Jerry Mackey | ... | lead person |
Sound Department
| Dwayne S. Henkel | ... | boom operator |
| Ken Segal | ... | sound mixer |
Camera and Electrical Department
| Brian Crane | ... | best boy electric |
| David W. Donoho | ... | key grip |
| Rob Forrest | ... | dolly grip (as Robert Forrest) |
| Greg Kidd | ... | second assistant camera |
| Joey Maxwell | ... | gaffer |
| Patrick Maxwell | ... | grip (as Pat Maxwell) |
| David Salamone | ... | electrician |
| Joel Sussman | ... | still photographer |
| Thomas Yatsko | ... | first assistant camera (as Tom Yatsko) |
Casting Department
| Judith Poppe | ... | casting assistant |
Costume and Wardrobe Department
| Kelly White | ... | assistant costume designer |
Editorial Department
| Todd Felker | ... | assistant editor |
Music Department
| Richard Davis | ... | composer: additional music |
| Robert Harari | ... | music supervisor |
| Donald Rubinstein | ... | composer: opening music |
Script and Continuity Department
| Lou Ann Quast | ... | script coordinator |
Additional Crew
| Michael Brandes | ... | production liaison |
| Chris Dotterweich | ... | assistant production accountant |
| Dani Eslin | ... | production accountant |
| Stephen Garvey | ... | story assistant |
| Stacy Hagen | ... | production coordinator |
| Linda Housworth Klipper | ... | assistant: Mitchell Galin (as Linda Housworth) |
| Rosane McCarron | ... | assistant: Richard P. Rubinstein |
| Ginger McGuire | ... | production controller |
| Gary Parker | ... | set production assistant |
| Gwynn Press | ... | creative coordinator |
| Neal Marshall Stevens | ... | creative consultant (as Neal Stevens) |
Thanks
| Tom Allen | ... | dedicated to the memory of |
