Directed by
| Charles S. Dubin | ||
Writing Credits
| Dean Hargrove | ... | (created by) |
| Robert Hamilton | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Richard Collins | ... | supervising producer |
| Dean Hargrove | ... | executive producer |
| Jeff Peters | ... | associate producer |
| Robert Schlitt | ... | producer |
| Fred Silverman | ... | executive producer |
| Joel Steiger | ... | producer |
Music by
| Robert Prince | ||
Cinematography by
| Frank Thackery | ... | director of photography |
Editing by
| Robert L. Kimble | ||
Casting By
| Dianne Young | ||
Art Direction by
| John D. Jefferies Sr. | ||
Set Decoration by
| Charles Graffeo | ||
Costume Design by
| Jean-Pierre Dorléac | ... | (as Jean Pierre Dorleac) |
Makeup Department
| Tony Lane | ... | makeup artist |
| Vivian McAteer | ... | hair stylist |
| Ric Sagliani | ... | makeup artist |
Production Management
| Hal Klein | ... | unit production manager |
| Mike Moder | ... | executive in charge of production |
Second Unit Director or Assistant Director
| Joe Candrella | ... | second assistant director (as J.J. Candrella) |
| Bob Mayberry | ... | first assistant director |
| Jeff Srednick | ... | second second assistant director |
Art Department
| Earl W. Huntoon Jr. | ... | property master (as Earl Huntoon) |
| Claudia Gilligan Ivanjack | ... | paint gang boss (uncredited) |
| Tom Ivanjack | ... | lead paint foreman (uncredited) |
Sound Department
| Rick Ash | ... | re-recording mixer |
| Mark Friedgen | ... | supervising sound editor |
| Glen Glenn | ... | re-recording |
| Thomas J. Huth | ... | re-recording mixer (as Tom Huth) |
| Robert J. Miller | ... | sound mixer |
| Stan Wetzel | ... | re-recording mixer |
| Paul E. Miller | ... | boom operator (uncredited) |
Stunts
| Bruce Paul Barbour | ... | stunt double: Andrew Divoff (uncredited) |
| Bob Herron | ... | stunt double: Andy Griffith (uncredited) |
Camera and Electrical Department
| Jiggs Garcia | ... | camera operator |
| Joe Garcia | ... | gaffer |
| Brian Smith | ... | key grip |
| Joseph T. Terranova | ... | assistant lighting technician (uncredited) |
Costume and Wardrobe Department
| Bretly W.R. Baughn | ... | costumer: men |
| Bill Smith | ... | costume supervisor: men |
| Audrey Tannenbaum | ... | costume supervisor: women |
| Constance West | ... | costumer: women |
Editorial Department
| Nell Banks | ... | assistant editor |
| Brad Blake | ... | director of post-production |
| William S. Kerr | ... | post-production coordinator |
| Tom Overton | ... | colorist (uncredited) |
Location Management
| Michael J. Burmeister | ... | location manager |
Music Department
| Dick DeBenedictis | ... | composer: Matlock theme (as Dick De Benedictis) |
| Stan Jones | ... | music editor |
| Ted Roberts | ... | music supervisor |
Script and Continuity Department
| Rosemary Dorsey | ... | script supervisor |
Transportation Department
| James AntĂșnez | ... | transportation coordinator (as Jimmy Antunez) |
Additional Crew
| Susan Bartholomew | ... | production auditor |
| Robin Bernheim | ... | executive story consultant |
| Donna Colabella | ... | production executive |
| Wayne Fitzgerald | ... | title designer: main title |
| Andy Griffith | ... | consultant |
| Richard O. Linke | ... | production consultant |
| Nora Reynolds | ... | production coordinator |
| Dennis Smith | ... | legal advisor |
