Stop-Loss (2008)

User Rating:

6.6/10   

Director:

Kimberly Peirce

Writers (WGA):

Mark Richard (written by) &
Kimberly Peirce (written by)

Release Date:

28 March 2008 (USA)

Genre:

Drama | War

Tagline:

The bravest place to stand is by each other's side.

Plot:

A veteran soldier returns from his completed tour of duty in Iraq, only to find his life turned upside down when he is arbitrarily ordered to return to field duty by the Army.

Plot Keywords:

Iraq War | Honor | Texas | Loss Of Son | Urban Warfare

Awards:

2 wins & 3 nominations

Cast

Ryan Phillippe	...	SSgt. Brandon King
Joseph Gordon-Levitt	...	Tommy Burgess
Rob Brown	...	Isaac 'Eyeball' Butler
Channing Tatum	...	Sgt. Steve Shriver
Victor Rasuk	...	Pvt. Rico Rodriguez
Terry Quay	...	Al 'Preacher' Colson
Matthew Scott Wilcox	...	Harvey 'Rabbit' Lankford
Connett Brewer	...	Curtis (as Connett M. Brewer)
Timothy Olyphant	...	Lt. Col. Boot Miller
Josef Sommer	...	Senator Orton Worrell
Linda Emond	...	Ida King
Ciarán Hinds	...	Roy King
Mamie Gummer	...	Jeanie
Abbie Cornish	...	Michelle
Alex Frost	...	Shorty Shriver

Also Known As:

Untitled Kimberly Peirce Project (USA) (working title)

MPAA:

Rated R for graphic violence and pervasive language. (re-rating; originally also some strong sexuality)

Runtime:

112 min

Country:

USA

Language:

English

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Ireland:15A | USA:R (certificate #43629) | Australia:MA | Sweden:15 | Netherlands:16 | Argentina:16 | Finland:K-15 | Singapore:M18 | South Korea:18 | New Zealand:R16

Filming Locations:

Austin, Texas, USA

Company:

Paramount Pictures

Trivia:

The title refers to a provision in all military service contracts that says a service member can be involuntarily extended beyond their discharge (from active duty) date, and at times beyond their final discharge from service date, according to the needs of the service.

Goofs:

Revealing mistakes: When Sgt. King visits Rico, as he pushes his wheel chair out of the sun you can clearly see a bulge in Rico's t-shirt where his real arm is resting.

Quotes:

[from trailer]
Brandon King: With the shortage of guys and no draft, they're shipping back soldiers who's supposed to be gettin' out.

Movie Connections:

Featured in "Siskel & Ebert & the Movies: (2008-03-29)" (2008)

I'm getting out!

Director Kimberly Peirce ("Boys Don't Cry") brings another powerfully charged film of such raw emotion that upon later reflection of the movie I felt like I had witnessed real events.

Stop-Loss follows the fictional story of a soldier, Brandon King (Ryan Philippe), who has returned home after a tour in Iraq. His contract is up and he just about to get out when he is stop-lossed (a "fine-print" section in all soldiers' contracts that gives the President the power to extended soldier's contracts in time of war). He refuses to be shipped back to Iraq, and goes AWOL in search of his state's senator for help. What follows is his road trip to fight the stop-loss as well as showing the devastating affects his fellow soldiers (Channing Tatum, Joseph Gordon-Levitt) experience from the horrible war. Its' acting, directing, and writing had such a feeling of authenticity, and combined with the fact that 81,000 of our brave soldiers have already been stop-lossed since Spetember 11,2001, this film feels like a true story.

One thing that made this film succeed so well was it's director was a woman, and she was able to make a movie were you could feel and see the emotions these guys were feeling even as they would desperately try and mask them.

The acting was extraordinary from the three main soldiers, most notably Ryan Philippe who is so gritty and real in his performance that he seems like he actually is a marine. Channing Tatum gives a genuine performance, but Joseph Gordon-Levitt's is the most haunting of the trio as a soldier who fights his Post Traumatic Stress Disorder with excessive amounts of booze and slowly slips into a deep hole of despair.

This films is not a propaganda piece, it simply portrays something that is going on right now. It brings up many good points, but never bashes you with a certain viewpoint but leaves it to you to decide. This is such emotionally powerful, deeply moving film, the best film I have seen since the year started, and destined to be one of my favorites from this year.