Gideon's Daughter (2005) (TV)

Director:

Stephen Poliakoff

Writer:

Stephen Poliakoff (writer)

Release Date:

March 2006 (USA)

Genre:

Drama

Plot:

Bill Nighy and Miranda Richardson star in a story of grief and celebrity, set in the intense spring...

Awards:

Won 2 Golden Globes. Another 2 wins & 3 nominations

Cast

Bill Nighy	...	Gideon Warner
Miranda Richardson	...	Stella
Emily Blunt	...	Natasha
Robert Lindsay	...	Sneath
Ronni Ancona	...	Barbara
Tom Hardy	...	Andrew
Tom Goodman-Hill	...	Dent
Joanna Page	...	Diane
David Westhead	...	Bill
Samantha Whittaker	...	Becca
Kerry Shale	...	Badalamenti
Daniel Mendoza	...	Badalamenti Spokesman
Cate Fowler	...	Council Leader
Michael Fitzpatrick	...	American Producer
Graham Cull	...	Hospital Stranger

Runtime:

105 min

Country:

UK

Language:

English

Colour:

Colour

Certification:

UK:15 | Australia:M

Filming Locations:

Edinburgh, Scotland, UK

Company:

BBC America

Goofs:

Continuity: During the cycle path protest, Stella puts her camera in its case, but in the next shot it is back out again.

Movie Connections:

Featured in The 64th Annual Golden Globe Awards (2007) (TV)

Middle Aged Male Fantasy of Breakdown and Life Affirmation

"Gideon's Daughter" brings to a TV film a trend that is mostly obvious in literary fiction – the middle-aged man who thinks he is the center of the universe and the whole world revolves around him, and faces some kind of break down if any of his women show a bit of independence.

Written and directed by playwright Stephen Poliakoff, he mines similar territory as Cheever, Updike, Ford, Amis, Roth, etc. thrust into the center of English celebrity and political culture. The theme is even awkwardly made redundant by an odd structure of having another middle-aged man tell the tale to another pretty young woman and a mysterious kid.

Here, Bill Nighy's media consultant only perceives such events as Princess Diana's death or the upcoming millennium in terms of how it affects him. In press interviews, Nighy has said that Poliakoff intentionally directed him to play the main character as "stripped" but one certainly doesn't see how this catatonic schmoozer even got to his professional pinnacle. His past and current sexual adventures certainly seem more male fantasy than anything based on his charisma of any kind.

Tom Hardy, who was quite captivating as Robert Dudley, Earl of Leicester in the recent Queen Elizabeth I mini-series, shows much more suitable feistiness, as a cross between Jeremy Piven's agent in "Entourage" and Bradley Whitford's canny adviser in "The West Wing."

Miranda Richardson has the stereotyped role we've seen many times before of the quirky stranger (she dresses like an old hippie) from another class and lifestyle, but with a pained past with a child, who tempts him to play hooky and more. It is startlingly different for this genre that she is close to age appropriate.

A creepy centerpiece, and repeating motif, is the consultant's daughter (Emily Blunt getting to show little of the passion she displayed in "My Summer of Love") singing a lovely ballad in tribute to philanderer Georges Simenon's suicidal daughter. The story is particularly weakened by not seeing more of Blunt's life when she's not being the adoring daughter.

I really didn't get that a neglectful father who suddenly discovers he has paternal feelings is then to be considered "obsessive" rather than finally normal, even as she's about to leave the nest. His growing realization of his feelings is the best part of the film but a theme that all parents and grown children need to reconcile as adults-to-adults just drifts off.