| Photos (see all 69 | slideshow) | Videos (see all 6 videos ) |
| Catherine Zeta-Jones | ... | Kate | |
| Aaron Eckhart | ... | Nick | |
| Abigail Breslin | ... | Zoe | |
| Patricia Clarkson | ... | Paula | |
| Jenny Wade | ... | Leah | |
| Bob Balaban | ... | Therapist | |
| Brian F. O'Byrne | ... | Sean | |
| Lily Rabe | ... | Bernadette | |
| Eric Silver | ... | John | |
| Arija Bareikis | ... | Christine | |
| John McMartin | ... | Mr. Peterson | |
| Celia Weston | ... | Mrs. Peterson | |
| Zoë Kravitz | ... | Charlotte | |
| Matthew Rauch | ... | Ken | |
| Dearbhla Molloy | ... | Anna | |
| Stephanie Berry | ... | School Principal Ellen Parker | |
| Matt Servitto | ... | Doctor | |
| Yevgeniy Dekhtyar | ... | Truffle Dealer | |
| Fulvio Cecere | ... | Fish Vendor Bob | |
| Ako | ... | Vegetable Vendor | |
| Frank Santorelli | ... | Lobster Vendor | |
| A.J. McCloud | ... | Line Cook A.J. | |
| Mario Morales | ... | Line Cook Mario | |
| Monica Trombetta | ... | Liz | |
| Sam Kitchin | ... | Mr. Mathews | |
| Rob Leo Roy | ... | Rare Steak Man | |
| Brian Luna | ... | Sous Chef Applicant #1 | |
| David Wheir | ... | Sous Chef Applicant #2 | |
| Joey Cee | ... | Sous Chef Applicant #3 | |
| Roxanna Hope | ... | Sous Chef Applicant #4 | |
| Katherine Sigismund | ... | Ken's Wife | |
| James Starace | ... | Waiter | |
| Jeanne Omlor | ... | Gigi the waitress | |
| Noah Petroski | ... | Sean's Twin | |
| Nicholas Petroski | ... | Sean's Twin | |
| Lorca Simons | ... | Rare Steak Woman | |
| Patrick Zeller | ... | Leah's Husband | |
| Gretchen Wiese | ... | Mrs. Matthews | |
| Ramon Fernandez | ... | Carlos | |
| Angel Rosa | ... | Busboy #1 | |
| Ignacio Heredero | ... | Busboy #2 | |
| Albert Martinez | ... | Busboy #3 | |
| Hani Shihada | ... | Chalk Artist | |
| Akira Takayama | ... | Produce Customer | |
| Henry Kwan | ... | Delivery Guy | |
| rest of cast listed alphabetically: | |||
| Philip Glass | ... | Man at bistro (uncredited) | |
| Tristan Laurence Perez | ... | Sous Chef #5 (uncredited) | |
Directed by | |||
| Scott Hicks | |||
Writing credits(WGA) | ||
| Carol Fuchs | (screenplay) | |
| Sandra Nettelbeck | (screenplay "Mostly Martha") | |
Produced by | |||
| Sergio Aguero | .... | producer | |
| Bruce Berman | .... | executive producer | |
| Susan Cartsonis | .... | executive producer | |
| Kerry Heysen | .... | producer | |
| Mari-Jo Winkler | .... | line producer | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| Stuart Dryburgh | |||
Film Editing by | |||
| Pip Karmel | |||
Casting by | |||
| Ronna Kress | |||
Production Design by | |||
| Barbara Ling | |||
Art Direction by | |||
| W. Steven Graham | |||
Set Decoration by | |||
| Leslie E. Rollins | |||
Costume Design by | |||
| Melissa Toth | |||
Makeup Department | |||
| Marjorie Durand | .... | key makeup artist | |
| Elisabeth Fry | .... | hair stylist: Aaron Eckhart | |
| Elisabeth Fry | .... | makeup artist: Aaron Eckhart | |
| Karyn Huston | .... | hair stylist: Catherine Zeta Jones | |
| Todd Kleitsch | .... | makeup department head | |
| Vincent Schicchi | .... | makeup artist | |
Production Management | |||
| Bill Daly | .... | post-production executive | |
| Erica Kay | .... | production supervisor | |
| Mark Scoon | .... | executive in charge of production | |
| Sylvia Walker-Wilson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Daniela Barbosa | .... | second second assistant director | |
| Nicole Feder | .... | dga trainee | |
| Aaron D. Forste | .... | key second assistant director: reshoots | |
| Peter Soldo | .... | second assistant director | |
Art Department | |||
| Anthony Baldasare | .... | assistant property master | |
| Roland Brooks | .... | charge scenic artist | |
| Liza Donatelli | .... | art department staff assistant | |
| Kathryn Freund | .... | props | |
| Gerard J. Furey | .... | set construction foreman | |
| Emily Gaunt | .... | camera scenic | |
| Edward A. Ioffreda | .... | graphic artist | |
| Derrick Kardos | .... | additional graphic designer | |
| Erik Knight | .... | art department coordinator | |
| Marion Kolsby | .... | assistant art director | |
| Ken Nelson | .... | construction coordinator | |
| Giovanni Rodriguez | .... | scenic artist | |
| James Sadek | .... | construction foreman | |
| Rodney Sterbenz | .... | on-set dresser | |
| Dave Weinman | .... | leadman | |
| Joan Winters | .... | graphic designer | |
Sound Department | |||
| Steve Burgess | .... | foley artist | |
| Steve Burgess | .... | foley supervisor | |
| Benjamin Cheah | .... | sound effects recordist | |
| Chris Goodes | .... | assistant re-recording mixer | |
| Kim Maitland | .... | sound recordist | |
| Andrew Neil | .... | sound effects editor | |
| Andrew Neil | .... | sound re-recording mixer | |
| Glenn Newnham | .... | sound effects editor | |
| Glenn Newnham | .... | supervising sound editor | |
| T.J. O'Mara | .... | sound mixer | |
| Dan Paikin | .... | boom operator | |
| Jamie Roden | .... | adr mixer | |
| Livia Ruzic | .... | dialogue editor | |
| Roger Savage | .... | sound re-recording mixer | |
| Mario Vaccaro | .... | foley artist | |
| Andy Wright | .... | assistant re-recording mixer | |
Special Effects by | |||
| Fred Buchholz | .... | special effects coordinator | |
| Richard Bryan Douglas | .... | special effects foreman | |
Visual Effects by | |||
| Dan Ashton | .... | film recording technician: Weta Digital | |
| Nick Booth | .... | film recording supervisor: Weta Digital | |
| Mark Chataway | .... | visual effects | |
| Marty Pepper | .... | visual effects | |
| Stephen Roucher | .... | film recording technician: Weta Digital | |
| Pete Williams | .... | film recording manager: Weta Digital | |
Stunts | |||
| Kacie Borrowman | .... | stunt double: Abigail Breslin | |
| Blaise Corrigan | .... | stunt coordinator | |
| Samantha MacIvor | .... | stunt driver | |
| Ian Mclaughlin | .... | stunt driver | |
Camera and Electrical Department | |||
| Sebastián Almeida | .... | assistant camera | |
| Keith Bunting | .... | dolly grip | |
| Anne Carson | .... | camera loader | |
| Stephen Consentino | .... | steadicam operator | |
| John Coots | .... | rigging electrician | |
| Gene Engels | .... | gaffer | |
| Michael Gallart | .... | electrician | |
| Damian Gonzales | .... | electrician | |
| Joel Holland | .... | key video assist operator | |
| Bruce MacCallum | .... | camera operator: lead camera | |
| Gus Magalios | .... | best boy grip | |
| Sal Martorano | .... | rigging electrician | |
| Tim McAuliffe | .... | electrician | |
| Frances 'Buddy' McBride | .... | rigging gaffer | |
| Paul C. McKenna | .... | crane technician: Technocrane | |
| Tim Metivier | .... | first assistant camera: "b" camera | |
| Tim Metivier | .... | steadicam assistant | |
| John Milcetic | .... | best boy electric | |
| Iris Ng | .... | rigging electrician | |
| Billy Patsos | .... | key rigging grip | |
| George Patsos | .... | key grip | |
| Roberto A. Quezada | .... | electrician | |
| Lewis Sadler | .... | electrician | |
| Mike Yurich | .... | grip | |
Casting Department | |||
| Matt Carr | .... | background casting assistant | |
| Barbara McNamara | .... | extras casting | |
| Courtney Sheinin | .... | casting associate | |
| Chelsea Watson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Arlynn Abseck | .... | set costumer | |
| Natalie Arango | .... | costumer | |
| Ellen Houlihan | .... | costume intern | |
| Leah Katznelson | .... | assistant costume designer | |
| Diana Pappas | .... | costume staff assistant | |
| Monica Ruiz-Ziegler | .... | additional costumer | |
| Stev Taylor | .... | set wardrobe | |
| Deirdre N. Williams | .... | costume supervisor | |
Editorial Department | |||
| Colette Birrell | .... | editorial production assistant | |
| David Birrell | .... | first assistant editor | |
| Louisa Forni | .... | post-production assistant | |
| James W. Harrison III | .... | apprentice editor | |
| Kevin L. James | .... | post-production coordinator | |
| Henry Karjalainen | .... | assistant editor | |
| Lisa Melodia | .... | post-production assistant | |
| Ryan Murphy | .... | assistant editor | |
| Marty Pepper | .... | colorist | |
Music Department | |||
| Nancy Allen | .... | assistant music editor | |
| Natalie Baartz | .... | music coordinator | |
| John Bissell | .... | music supervisor | |
| Michael Riesman | .... | conductor | |
| Peter Rotter | .... | orchestra contractor | |
| Tim Ryan | .... | music editor | |
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| Bella Martha | Raising Helen | The Nanny Diaries | Something New | The Heart of Me |
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Very likable even for a formula romcom, mainly because of the terrific casting and performances of the actors.
The forever beautiful and talented Catherine Zeta-Jones (Chicago, The Mask of Zorro) is spot on as Kate, a workaholic chef at hoity toity 22 Bleeker. Kate unexpectedly inherits her niece Zoe, played tremendously well by Abigail Breslin (Little Miss Sunshine). Real-life motherhood must have enabled Zeta-Jones to show her softer side with the restraint her character called for.
Aaron Eckhart (Thank You for Smoking, Black Dahlia) is Nick, the Italian-trained, opera-singing, charismatic new chef who invades Kate's precision-perfect French kitchen. Nick is Kate's quintessential opposite and eventually helps her sort out her trust issues and even enhances her parenting skills.
It is refreshing to see CZJ back on the silver screen where she belongs, and playing a non-glamorous character for once, even sans makeup in some scenes. At 38 years old, that is a brave feat indeed (and this courage is consistent with all the flawed characters she likes to play).
Her on screen chemistry with Eckhart is positively sizzling, and his cockiness to her coolness effectively makes you forget about the trite plot. While Zeta-Jones has also been criticized for being too beautiful for the role of a lonely chef, that is actually one of the ironies of life that this movie uncovers: beauty and talent doesn't really guarantee bliss.
Despite the awful MTV-like montage of the trio grocery shopping and the rest of the unspectacular elements, overall, the movie makes you feel for the characters. You leave the cinema all warm and fuzzy, and that makes the execution of No Reservations a success.