1-20 of 46 articles from 2009 « Prev | Next »
11 November 2009 5:42 PM, PST | The Guardian - Film News | See recent The Guardian - Film News news »
Film buffs in the soft south know more than they realise about Glasgow North East. Criminologists know more than they would like to. So do poverty analysts and critics of the former Commons Speaker, Michael Martin, whose enforced resignation triggered the contest in this traditional Labour stronghold.
Home to Barlinnie, Scotland's largest prison, it remains close to the top of many indices of deprivation, low skills and car ownership, high unemployment and social housing. The constituency also contains the Red Road high-rise flats, a 1960s symbol of renewal soon to be demolished. The heroine of Andrea Arnold's award-winning 2006 thriller, Red Road, worked in a local block.
After 74 years of unbroken Labour hegemony in this estates-dominated corner of outer Glasgow, the collapse of railway manufacture, plus a disgraced local MP, it sounds like a recipe for change. That is certainly what the Snp has been campaigning for, though privately party »
- Michael White
22 October 2009 6:39 PM, PDT | blogs.suntimes.com/ebert | See recent Roger Ebert's Blog news »
Tina Mabry's "Mississippi Damned," an independent American production, won the Gold Hugo as the best film in the 2009 Chicago International Film Festival, and added Gold Plaques for best supporting actress (Jossie Thacker) and best screenplay (Mabry). It tells the harrowing story of three black children growing up in rural Mississippi in circumstances of violence and addiction. The film's trailer and an interview with Mabry are linked at the bottom.
Kylee Russell in "Mississippi Damned"
The win came over a crowed field of competitors from all over the world, many of them with much larger budgets. The other big winner at the Pump Room of the Ambassador East awards ceremony Saturday evening was by veteran master Marco Bellocchio of Italy, who won the Silver Hugo as best director for "Vincere," the story of Mussolini's younger brother. Giovanna Mezzogiorno and Filippo Timi won Silver Hugos as best actress and actor, »
- Roger Ebert
22 October 2009 1:48 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
Can the media alter the public's perception of an actor? I believe so - that's why we have the likes of Megan Fox hugging the headlines and getting the covers of men's magazines, while a lot of more talented young actresses could not even manage to get featured and have interviews. If you think about it, what has she done in the movies to deserve so much publicity and attention? - - -
- - - Some may argue, 'hey, don't blame her, she's just good at playing the Hollywood game, and she got a shrewd agent managing her career!'. That maybe so and yes, I agree when others say 'she'll not last another year - others will soon take over'. There are those who may say 'Agents and talent managers always take care of their wards - that's why stars have a public image and a private one'. »
- modelwatcher@gmail.com (Jed Medina)
22 October 2009 1:48 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
Can the media alter the public's perception of an actor? I believe so - that's why we have the likes of Megan Fox hugging the headlines and getting the covers of men's magazines, while a lot of more talented young actresses could not even manage to get featured and have interviews. If you think about it, what has she done in the movies to deserve so much publicity and attention? - - -
- - - Some may argue, 'hey, don't blame her, she's just good at playing the Hollywood game, and she got a shrewd agent managing her career!'. That maybe so and yes, I agree when others say 'she'll not last another year - others will soon take over'. There are those who may say 'Agents and talent managers always take care of their wards - that's why stars have a public image and a private one'. »
- modelwatcher@gmail.com (Jed Medina)
22 October 2009 1:48 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
Can the media alter the public's perception of an actor? I believe so - that's why we have the likes of Megan Fox hugging the headlines and getting the covers of men's magazines, while a lot of more talented young actresses could not even manage to get featured and have interviews. If you think about it, what has she done in the movies to deserve so much publicity and attention? - - -
- - - Some may argue, 'hey, don't blame her, she's just good at playing the Hollywood game, and she got a shrewd agent managing her career!'. That maybe so and yes, I agree when others say 'she'll not last another year - others will soon take over'. There are those who may say 'Agents and talent managers always take care of their wards - that's why stars have a public image and a private one'. »
- modelwatcher@gmail.com (Jed Medina)
22 October 2009 1:48 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
Can the media alter the public's perception of an actor? I believe so - that's why we have the likes of Megan Fox hugging the headlines and getting the covers of men's magazines, while a lot of more talented young actresses could not even manage to get featured and have interviews. If you think about it, what has she done in the movies to deserve so much publicity and attention? - - -
- - - Some may argue, 'hey, don't blame her, she's just good at playing the Hollywood game, and she got a shrewd agent managing her career!'. That maybe so and yes, I agree when others say 'she'll not last another year - others will soon take over'. There are those who may say 'Agents and talent managers always take care of their wards - that's why stars have a public image and a private one'. »
- modelwatcher@gmail.com (Jed Medina)
22 October 2009 1:48 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
Can the media alter the public's perception of an actor? I believe so - that's why we have the likes of Megan Fox hugging the headlines and getting the covers of men's magazines, while a lot of more talented young actresses could not even manage to get featured and have interviews. If you think about it, what has she done in the movies to deserve so much publicity and attention? - - -
- - - Some may argue, 'hey, don't blame her, she's just good at playing the Hollywood game, and she got a shrewd agent managing her career!'. That maybe so and yes, I agree when others say 'she'll not last another year - others will soon take over'. There are those who may say 'Agents and talent managers always take care of their wards - that's why stars have a public image and a private one'. »
- modelwatcher@gmail.com (Jed Medina)
15 October 2009 10:18 AM, PDT | bloody-disgusting.com | See recent Bloody-Disgusting.com news »
Comedown, an urban horror pic set in London, is the latest project of producers Dominic Norris ("Guilty Hearts") and Gareth Wiley ("Vicky Cristina Barcelona"). The pic, which takes place in a condemned tower block, was penned by Steven Kendall and will be helmed by Menhaj Huda, whose first feature "Kidulthood" won him recognition. It's about six youths who are targeted by a psychopath when trying to set up a relay aerial for a local pirate radio station. Cast includes Geoff Bell from Guy Ritchie's "RocknRolla" and Martin Compston ("Red Road"). Norris said, "Comedown will be a tense and truly terrifying film that will take audiences on a journey with a set of characters they wouldn't necessarily expect to be rooting for." London-based sales outfit Av Pictures has picked up worldwide sales rights to the pic and will be launching it to buyers at Afm. »
14 October 2009 8:41 AM, PDT | HollywoodChicago.com | See recent HollywoodChicago.com news »
Chicago – The second week of The 45th Chicago Film Festival kicks off tonight (or tomorrow depending on how you look at the fest that runs from the 8th to the 22nd) and the upcoming weekend features just as much and arguably more interesting films unspooling at the AMC River East than the first. Highlights include one of the best animated films of the year, a bittersweet romance starring two living legends, a remastered classic, and works from a few of the best voices in international cinema today.
We’ve worked our way through dozens of films this year, but even we couldn’t get to all of them and a few weren’t even shown in the screening room in time for our deadline. So this week’s Ciff preview works a little differently. The first page features the best of what we’ve seen. Take our word. These are worth your time. »
- adam@hollywoodchicago.com (Adam Fendelman)
13 October 2009 10:56 AM, PDT | SoundOnSight | See recent SoundOnSight news »
Fish Tank Directed by Andrea Arnold The UK has a proud tradition of social realist cinema, pioneered by the so-called British New Wave in the mid-1960's and the grimly dour, class conscious debuts of Karel Reisz, Tony Richardson and Lindsay Anderson. Although the contemporary British film industry primarily serves as an adjunct to the Hollywood blockbuster machine, keeping their immensely skilled technicians and Rada-trained actors with roofs over their heads with the likes of the Bond and Potter franchises, occasionally a small, modestly ambitious UK film manages to get local funding and connects with a domestic audience. Last year it was Shifty, a lean, compact tale of 24 hours in the life of a London crack dealer which echoed the work of both Alan Clarke and Ken Loach, and once again this year mockney gun-play, racially neutered middle class rom-coms and elegant yet tedious 19th century period drama did not »
- John
12 October 2009 7:29 AM, PDT | Screenrush | See recent Screenrush news »
There was a time, not so long ago, when the British film ilm industry was a sickly thing. A few headline-grabbing productions asides, most British films were disdained by critics and shunned by audiences. The industry was routinely said to be in crisis; obituaries were written, last rites administered.
Flash forward to 2009 and the situation is radically different. British film is in robust health, both commercially and artistically . and frequently at the same time.
Looking For Eric is a useful example. Directed by Ken Loach, it is the story of a depressed Mancunian postman who turns his life around with help from the most unlikely of life-coaches: Eric Cantona. True, 'King Eric' may only be a hallucination but he's real enough to get our hero back on track just in time for the year's happiest ending. No wonder it was so acclaimed at the year's Cannes Film Festival, nor that »
14 September 2009 8:28 AM, PDT | t5m.com | See recent t5m.com news »
Stepping up to make the first film in Lars Von Trier's proposed Advanced Party trilogy, Andrea Arnold delivered a powerhouse of a debut feature film in Red Road, one which the Von had to admit in his gruff monotone, "...had massive balls". Though the other films (all to be set in Scotland, feature the same cast and to be written and directed by first time directors) are yet to be made, Arnold has set up a film to beat and in Fish Tank has once again produced a very real, darkly funny and ultimately hopeful portrait of small time England. Like her Oscar winning short Wasp, Arnold's second feature proper, is part Ken Loach social-realism, part Lynne Ramsey dreamer tale but with a voice all of its own. Shot with a serene grit in a 1:1 square format by Arnold regular Robbie Ryan. Every nuance of harsh beauty is »
- Neil Innes
12 September 2009 6:58 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
Regarded as one of the most innovative British filmmakers today - Andrea Arnold got that distinction via the film, Red Road - which also happens to be her first feature film. At the recent Cannes, her second feature was received with criticial praise, Fish Tank. The Times Online was very generous about her new film and I quote:
- - -
- - - It's only her second feature film, but with Fish Tank, the British director Andrea Arnold demonstrates that she more than deserves her place in a Cannes competition lineup that includes work from some of the most celebrated directors currently working. And it's fitting that her picture screens alongside the latest from Ken Loach - there is an obvious debt here to his brand of compassionate naturalism. Arnold builds on the humanistic, low key intimacy of her feature debut, Red Road, which won the Jury prize at »
12 September 2009 6:58 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
Regarded as one of the most innovative British filmmakers today - Andrea Arnold got that distinction via the film, Red Road - which also happens to be her first feature film. At the recent Cannes, her second feature was received with criticial praise, Fish Tank. The Times Online was very generous about her new film and I quote:
- - -
- - - It's only her second feature film, but with Fish Tank, the British director Andrea Arnold demonstrates that she more than deserves her place in a Cannes competition lineup that includes work from some of the most celebrated directors currently working. And it's fitting that her picture screens alongside the latest from Ken Loach - there is an obvious debt here to his brand of compassionate naturalism. Arnold builds on the humanistic, low key intimacy of her feature debut, Red Road, which won the Jury prize at »
12 September 2009 6:58 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
Regarded as one of the most innovative British filmmakers today - Andrea Arnold got that distinction via the film, Red Road - which also happens to be her first feature film. At the recent Cannes, her second feature was received with criticial praise, Fish Tank. The Times Online was very generous about her new film and I quote:
- - -
- - - It's only her second feature film, but with Fish Tank, the British director Andrea Arnold demonstrates that she more than deserves her place in a Cannes competition lineup that includes work from some of the most celebrated directors currently working. And it's fitting that her picture screens alongside the latest from Ken Loach - there is an obvious debt here to his brand of compassionate naturalism. Arnold builds on the humanistic, low key intimacy of her feature debut, Red Road, which won the Jury prize at »
12 September 2009 6:58 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
Regarded as one of the most innovative British filmmakers today - Andrea Arnold got that distinction via the film, Red Road - which also happens to be her first feature film. At the recent Cannes, her second feature was received with criticial praise, Fish Tank. The Times Online was very generous about her new film and I quote:
- - -
- - - It's only her second feature film, but with Fish Tank, the British director Andrea Arnold demonstrates that she more than deserves her place in a Cannes competition lineup that includes work from some of the most celebrated directors currently working. And it's fitting that her picture screens alongside the latest from Ken Loach - there is an obvious debt here to his brand of compassionate naturalism. Arnold builds on the humanistic, low key intimacy of her feature debut, Red Road, which won the Jury prize at »
10 September 2009 2:20 PM, PDT | Filmofilia | See recent Filmofilia news »
Take a look at fantastic trailer for “Fish Tank” directed and written by Andrea Arnold.
“Fish Tank” tells the story of 15-year-old Mia whose life is turned on its head when her mother brings home a new boyfriend.
This is the latest movie from Arnold, Academy Award-winning British filmmaker (Best Short Film “Wasp”). She won 2006 Cannes Jury Prize for “Red Road.” “Fish Tank” is screened at this year’s Cannes Film Festival in competition and also won Jurry Prize.
Following his acclaimed central performance in “Hunger,” Michael Fassbender (”300,” “Inglourious Basterds“) stars opposite talented newcomer Katie Jarvis. The movie also stars BAFTA-nominated Kierston Wareing (Ken Loach’s “It’s a Free World“), Harry Treadaway (”Control,” “Brothers of the Head“) and 12 year old Rebecca Griffiths making her film debut.
“Fish Tank” will be released in UK theaters on September 11th, 2009 and it will be presented at the Toronto Film Festival.
No word »
- Fiona
10 September 2009 7:00 AM, PDT | Slash Film | See recent Slash Film news »
One of the things I really love about my film festival trips is that I get to discover some great small indie gems to share with you guys. Films that probably wouldn't otherwise get exposure on a mainstream film blog like /Film. The film which most fits that bill from this year's Telluride Film Festival is a coming of age movie titled Fish Tank. The film is from Academy Award-winning short film writer and director Andrea Arnold, who won the 2006 Cannes Jury Prize with Red Road. Here is the official plot synopsis for Fish Tank: In Fish Tank (which is not about Fish or tanks for that matter), 15 year old Mia's life is turned on its head when her mom brings home a new boyfriend. Arnold casts the same unflinching, unprejudiced gaze and touches on the themes of her Oscar-winning short Wasp to create an original and unsettling tale »
- Peter Sciretta
9 September 2009 12:02 AM, PDT | Rotten Tomatoes | See recent Rotten Tomatoes news »
Having bagged an Oscar for her short film Wasp and a Cannes Jury Prize for her debut feature Red Road, Andrea Arnold concretes her status as one of Britain's hottest new directors with Fish Tank. Harsh, delicate, funny and oh-so-real, this powerful tower-block drama creeps up on you with a startling emotional wallop. Breathtaking in her first ever acting role, Essex girl Katie Jarvis plays a sweary, spiky 15-year-old who dreams of being hip-hop dancer but finds herself drawn towards her single mum's new boyfriend (the superb Michael Fassbender). The heat is just around the corner... »
5 September 2009 9:38 AM, PDT | The Movie Fanatic | See recent The Movie Fanatic news »
In Part 2 of tMF's 50 Essential Foreign Films, we're listing down our UK Top 10. This means the list is not limited to English films and include movies which essentially are either about the whole United Kingdom or predominantly so or about someone from London, Edinburgh, Cardiff, Belfast or from any other places in the UK.
- - -
- - - Taking note of how to define what is a British Film. Aside from the British Film Institute, there are a lot of lists that feature British cinema's best. There is one particular issue that The Guardian pointed out, which at some point, was an important consideration in our own list of 10. A few days ago, The Observer published the Best British Films poll, to which it was pointed out:
... how to define a British film. Did it need to be shot here? Funded here? Feature predominantly British talent, in front and behind the camera? »
1-20 of 46 articles from 2009 « Prev | Next »
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