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World Trade Center (2006)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
9 August 2006 (USA)
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Tagline:
The World Saw Evil That Day. Two Men Saw Something Else. more
Plot:
Two Port Authority police officers become trapped under the rubble of the World Trade Center. full summary | add synopsis
Awards:
2 wins
&
6 nominations
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NewsDesk:
(35 articles)
Cage's Onscreen Brother Arrested
(From WENN. 9 July 2009, 5:11 AM, PDT)
Stone Directs Anti-War Ad
(From WENN. 23 April 2007)
(From WENN. 9 July 2009, 5:11 AM, PDT)
Stone Directs Anti-War Ad
(From WENN. 23 April 2007)
User Comments:
Good intentions and some powerful moments but overall a disappointment
more (551 total)
Cast
(Cast overview, first billed only)| Nicolas Cage | ... | John McLoughlin | |
| Maria Bello | ... | Donna McLoughlin | |
| Connor Paolo | ... | Steven McLoughlin | |
| Anthony Piccininni | ... | JJ McLoughlin | |
| Alexa Gerasimovich | ... | Erin McLoughlin | |
| Morgan Flynn | ... | Caitlin McLoughlin | |
| Michael Peña | ... | Will Jimeno | |
| Armando Riesco | ... | Antonio Rodrigues | |
| Jay Hernandez | ... | Dominick Pezzulo | |
| Joe Starr | ... | Subway Rider | |
| Jon Bernthal | ... | Christopher Amoroso | |
| William Jimeno | ... | Port Authority Officer (as Will Jimeno) | |
| Nick Damici | ... | Lieutenant Kassimatis | |
| Jude Ciccolella | ... | Inspector Fields | |
| Martin Pfefferkorn | ... | Homeless Addict #1 |
Additional Details
Also Known As:
September (USA) (working title)
Untitled Oliver Stone/September 11 Project (USA) (working title)
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Untitled Oliver Stone/September 11 Project (USA) (working title)
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MPAA:
Rated PG-13 for intense and emotional content, some disturbing images and language.
Parents Guide:
Runtime:
129 min
Country:
Language:
Colour:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Ireland:12A |
Singapore:PG |
USA:PG-13 (certificate #42823) |
UK:12A |
Finland:K-11 |
Argentina:16 |
Canada:14A (Nova Scotia) |
Canada:PG (Alberta/British Columbia/Manitoba/Ontario) |
Netherlands:12 |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
Portugal:M/12 |
Australia:M |
Hong Kong:IIA |
Italy:T |
Spain:13 |
Argentina:13 |
Peru:14 |
Philippines:PG-13 |
South Korea:12 |
Malaysia:U |
Brazil:12 |
Sweden:11
Filming Locations:
Company:
Fun Stuff
Trivia:
Goofs:
Anachronisms: During an establishing shot at the beginning of the film, a Honda Element can easily be seen driving past an intersection. This car was introduced in 2003, so there couldn't have been one present in New York in 2001.
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Quotes:
[first lines]
Radio announcer: You give us 22 minutes, we'll give you the world
[1010 WINS Radio]
Radio announcer: .
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Radio announcer: You give us 22 minutes, we'll give you the world
[1010 WINS Radio]
Radio announcer: .
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Movie Connections:
Featured in Visual and Special Effects (2006) (V)
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Soundtrack:
Theme from Starsky & Hutch (Gotcha)
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FAQ
What's the music from the trailer?more
more (551 total)
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I honestly didn't think it was very good at all, though I respect the intentions of the filmmakers. Whatever one wants to say about Oliver Stone, he showed a commitment to faithfully telling the story of these two Port Authority cops trapped in the wreckage of the World Trade Center and their worried wives.
I liked a lot of the scenes in the beginning, the little mundane details like when Michael Pena's character is going about his everyday street beat. But the scenes at the WTC itself are really awkward, especially the cross-cutting between real footage and the actors. They just don't match, neither the film stocks nor the actors' reactions. A couple of moments with Pena standing there on the concourse were effective in creating a sense of horrific surrealism, and the moments right before the collapse were sudden and chilling...but overall it was not as powerful as I was expecting. For a film called World Trade Center, I guess I was expecting a little more context and not something focused so narrowly on these two Port Authority cops and an ex-Marine from Connecticut (as the only person outside these two cops' families whose story is told in the film, the focus on him reeks of jingoism in a GI Joe/Rambo vein).
I know it's a little unfair to compare this to United 93, but I need to in order to illustrate the point. U93 told a specific story (the experience of the passengers on the plane) and placed it within a context (what was happening with air traffic control and the military). The lessons that are demonstrated in the actions of the passengers are enhanced by contrasting them with the helplessness of the "professionals" responsible for their safety. It's telling a dramatically powerful story, conveying a theme , AND providing a larger historical context of what happened that day. Oliver Stone, by comparison, has failed to effectively tie the experiences of these two trapped cops with the larger events of the day, and his film suffers as a result. And in the end the film largely shortchanges the stories of the 2749 families who didn't get good news that day.
OK, so the film focuses on a narrow story of these two trapped cops and their families (and the gung ho marine, but he has limited screen time). Was their story well told? The scenes amidst the wreckage were compelling, but the back-and-forth with their wives became annoyingly schmaltzy. Yes, Maggie Gyllenhaal gave a strong performance as the pregnant wife and a lot of the moments with her family (esp the brief scene with the Colombian mother-in-law praying) were emotionally poignant, but so much of the family stuff was lame melodrama. And to be honest, even Maggie's performance was a little generic. I understand that these characters are all closely based on real life, but it still felt very Lifetime movie of the week. As for Maria Bello in the role of the other wife, I loved her in A History of Violence, but she was bland in this. The kid actors playing her children were mostly awful, and the film dragged whenever their story was on the screen. The resolution is mostly handled well, I really like what Oliver Stone is trying to convey about these small gestures of heroic goodness in the face of such desolation. But the power of these scenes is undermined by his tendency to pour on the sappiness while largely ignoring the greater horror of the day. It feels like a soap opera set against the greatest tragedy of our age, and that just doesn't work for me.
In short...not intense enough, not enough context, too much melodrama, not enough of a sense of reverence for what happened, highly impressive job of recreating the debris field, a charismatic performance from Maggie, overall a mediocre film.