| Gérard Depardieu | ... | Alain Moreau | |
| Cécile De France | ... | Marion | |
| Mathieu Amalric | ... | Bruno | |
| Christine Citti | ... | Michèle | |
| Patrick Pineau | ... | Daniel | |
| Alain Chanone | ... | Philippe Mariani | |
| Christophe | ... | Himself / En personne | |
| Jean-Pierre Gos | ... | Le maire | |
| rest of cast listed alphabetically: | |||
| Camille De Pazzis | ... | Jennifer | |
| Antoine de Prekel | ... | Martin | |
| Marie Kremer | |||
| Alain Kruger | ... | The doctor | |
| Catherine Salviat | |||
| Grégory Valais | ... | Fabrice | |
Directed by | |||
| Xavier Giannoli | |||
Writing credits(in alphabetical order) | ||
| Xavier Giannoli | writer | |
Produced by | |||
| Luc Besson | .... | executive producer | |
| Jean Coulon | .... | associate producer | |
| Michel de Wouters | .... | associate producer | |
| Pierre-Ange Le Pogam | .... | producer | |
| Mehdi Sayah | .... | assistant producer | |
| Edouard Weil | .... | producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Yorick Le Saux | |||
Film Editing by | |||
| Martine Giordano | |||
Casting by | |||
| Antoinette Boulat | |||
Production Design by | |||
| François-Renaud Labarthe | |||
Art Direction by | |||
| Emmanuelle Cuillery | |||
Costume Design by | |||
| Nathalie Benros | |||
Production Management | |||
| Martin Allegaree | .... | unit manager trainee | |
| Mederic Bourlat | .... | production manager | |
| Gregory Bruneau | .... | assistant unit manager | |
| Sébastien Delepine | .... | unit manager trainee | |
| Amélie Melkonian | .... | assistant production manager | |
| Guinal Riou | .... | assistant unit manager | |
| Grégory Valais | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Dominique Delany | .... | first assistant director | |
| Ludovic Giraud | .... | third assistant director | |
| Bosco Justine | .... | assistant director | |
Art Department | |||
| Emmanuelle Cuillery | .... | assistant art director | |
Sound Department | |||
| Gabriel Hafner | .... | sound | |
| Erwan Kerzanet | .... | boom operator | |
| François Musy | .... | sound | |
| Renaud Musy | .... | sound assistant | |
Camera and Electrical Department | |||
| Emile Dubuisson | .... | first assistant camera | |
Editorial Department | |||
| Basile Belkhiri | .... | assistant editor: avid | |
| Mathilde Delacroix | .... | color timer | |
| Marie-Julie Maille | .... | assistant editor | |
Music Department | |||
| Jean-Yves d'Angelo | .... | music arranger: songs | |
| Jérôme Lateur | .... | music supervisor | |
| Vincent Lebegue | .... | music legal coordinator | |
| Elise Luguern | .... | music production supervisor | |
| Alexandre Mahout | .... | music assistant | |
Other crew | |||
| Patrick Boshart | .... | location scout | |
| Myriam Bruguière | .... | press attache | |
| Nathalie Choukroun-Lacoste | .... | legal assistant | |
| Olivier Guigues | .... | press attache | |
| Clémentine Harland | .... | production coordinator | |
| Thomas Percy | .... | press attache | |
| Leila Smith | .... | production assistant | |
| Élodie Van Beuren | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| corny loser? | mannoe |
| Live from Cannes | gbelin |
| Quand j'etais chanteur | cityoflightscityofangels |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
After seeing the trailer I didn't expect to enjoy this movie. Lesson: don't judge a movie by its trailer.
Although it is a fairly corny affair, the setting is an unusual one, the performances and production values are high, and the script unexpectedly funny.
However, without a star of considerable magnitude the entire soufflé would fall flat. Fortunately the great Depardieu is on hand, his giant presence matched by his lightness of touch. It's curious how the old American lions - de Niro, Pacino and the others - don't seem to be able to both play their image while sending it up at the same time: they only manage one thing or the other. In this modest movie, Depardieu is both himself and something of a parody of himself. The result is two-for-the-price-of-one enjoyment.
The songs he sings - very well - are all genuine French pop songs which themselves border on self-parody, in the way that so many country-and western songs do - a seam of humour richly mined by Altman in Nashville. There's nothing so subtle here: Quand J'Etais Chanteur is so loosely woven that close scrutiny would unravel it. But for all that, it's surprisingly enjoyable.