| Photos (see all 13 | slideshow) | Videos (see all 10 NEW) |
| Samuel Anderson | ... | Crowther | |
| James Corden | ... | Timms | |
| Stephen Campbell Moore | ... | Irwin | |
| Richard Griffiths | ... | Hector | |
| Frances de la Tour | ... | Mrs. Lintott | |
| Andrew Knott | ... | Lockwood | |
| Russell Tovey | ... | Rudge | |
| Jamie Parker | ... | Scripps | |
| Dominic Cooper | ... | Dakin | |
| Samuel Barnett | ... | Posner | |
| Sacha Dhawan | ... | Akhtar | |
| Clive Merrison | ... | The Headmaster | |
| Penelope Wilton | ... | Mrs. Bibby | |
| Adrian Scarborough | ... | Wilkes | |
| Georgia Taylor | ... | Fiona | |
| Maggie McCarthy | ... | Lollipop Lady | |
| Colin Haigh | ... | Oxford Porter | |
| Iain Mitchell | ... | Oxford Don | |
| David Killick | ... | Neighbouring Don | |
| Patrick Godfrey | ... | Sleeping Clergyman | |
| rest of cast listed alphabetically: | |||
| Craig Carruthers | ... | Postman (uncredited) | |
Directed by | |||
| Nicholas Hytner | |||
Writing credits | ||
| Alan Bennett | (screenplay) | |
| Alan Bennett | (play) | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| Andrew Dunn | (director of photography) | ||
Film Editing by | |||
| John Wilson | |||
Casting by | |||
| Toby Whale | |||
Production Design by | |||
| John Beard | |||
Set Decoration by | |||
| Joanne Woollard | |||
Costume Design by | |||
| Justine Luxton | |||
Makeup Department | |||
| Elaina Conneely | .... | hair stylist | |
| Elaina Conneely | .... | makeup artist | |
| Daniel Phillips | .... | hair designer | |
| Daniel Phillips | .... | makeup designer | |
| Karen Scott | .... | hair trainee | |
| Karen Scott | .... | makeup trainee | |
Production Management | |||
| Clare St. John | .... | post-production supervisor: DNA Films | |
| Maria Walker | .... | post-production supervisor | |
Art Department | |||
| James Collins | .... | art department assistant | |
| Bob Crowley | .... | designer: National Theatre production | |
| Rosie Goodwin | .... | assistant prop buyer | |
| Robert Judd | .... | prop hand | |
| Emily Lutyens | .... | assistant art director | |
| Harry Metcalfe | .... | construction manager | |
| Michael Povey | .... | prop hand | |
| Julian Searle | .... | property master | |
| Rebecca Thomas | .... | art department trainee: FT2 | |
Sound Department | |||
| Mark Appleby | .... | sound re-recording mixer | |
| Mat Bartram | .... | ProTools | |
| Paul Carr | .... | foley mixer | |
| Robert Farr | .... | adr mixer | |
| Charlotte Gray | .... | production sound trainee | |
| Sue Harding | .... | foley artist (as Susie Harding) | |
| Zane Hayward | .... | supervising sound editor | |
| John Midgley | .... | production sound recordist | |
| Clive Osborne | .... | production sound maintenance | |
| Jamie Roden | .... | adr mixer | |
| Joakim Sundström | .... | dialogue editor | |
| Andy Thompson | .... | sound re-recording mixer | |
Visual Effects by | |||
| Michael Deming | .... | digital film bureau | |
| Rob Gordon | .... | digital online editor | |
| John Palmer | .... | digital film bureau manager: Scanning and Laser record | |
| Rus Wetherell | .... | digital effects artist: CFX | |
Stunts | |||
| Rocky Taylor | .... | stunt double: Hector | |
Camera and Electrical Department | |||
| David Ashby | .... | grip | |
| Alex Bailey | .... | still photographer | |
| Harry Bowers | .... | second assistant camera | |
| David Churchyard | .... | camera loader: "b" camera | |
| Dermot Hickey | .... | first assistant camera: "a" camera | |
| Rupert Lloyd-Parry | .... | key grip (as Rupert Lloyd Parry) | |
| Andy Long | .... | gaffer | |
| Nathan Mann | .... | first assistant camera: "b" camera | |
| Joseph Mastrangelo | .... | camera trainee (as Joe Mastrangelo) | |
| Chris McAleese | .... | camera trainee | |
| Mark Milsome | .... | first assistant camera: "a" camera | |
| Daniel Rake | .... | trainee grip | |
| William Tracey | .... | rigging gaffer (as Bill Tracey) | |
| Gerry Vasbenter | .... | Steadicam operator | |
| Gerry Vasbenter | .... | camera operator | |
| Gerry Vasbenter | .... | camera operator: "b" camera | |
| Gerry Vasbenter | .... | director of photography: second unit | |
Casting Department | |||
| Alastair Coomer | .... | casting assistant: National Theatre | |
Costume and Wardrobe Department | |||
| Lucy Donowho | .... | wardrobe trainee | |
| Peter Halston | .... | wardrobe supervisor | |
| Carol Lingwood | .... | head of costume: National Theatre | |
Editorial Department | |||
| Matt Adams | .... | digital intermediate producer | |
| Chris Andrews | .... | negative cutter | |
| Sascha Dhillon | .... | first assistant editor | |
| Rob Gordon | .... | digital on-line editor | |
| Emily Greenwood | .... | assistant digital on-line editor | |
| Kelly Smith | .... | negative cutter | |
| Laurent Treherne | .... | digital intermediate technical director | |
Music Department | |||
| Simon Chamberlain | .... | music associate | |
| James Collins | .... | music engineer | |
| James Collins | .... | music scoring mixer | |
| Isobel Griffiths | .... | orchestra contractor | |
| Ian Neil | .... | music supervisor | |
| Emily Rogers | .... | music editor | |
| Richard Sisson | .... | musical director | |
Transportation Department | |||
| John Bailey | .... | facilities driver | |
| Bullet | .... | facilities driver | |
| Ken Clarke | .... | facilities driver | |
| John D'Arcy | .... | facilities driver | |
| Ben Dillon | .... | action vehicle coordinator | |
| Wayne Fleetwood | .... | facilities driver | |
| Dean Macey | .... | facilities driver | |
| Don McLean | .... | facilities driver | |
| Peter Veldhoen | .... | unit driver | |
| Nigel Venables | .... | facilities driver | |
Other crew | |||
| Luis Miguel Antunes | .... | catering assistant | |
| Lisa Armour-Brown | .... | catering assistant | |
| Gary Barnes | .... | location assistant: Yorkshire | |
| Isabel Begg | .... | head of business and legal affairs: BBC Films | |
| Carey Berlin | .... | assistant to executive producer | |
| James Biddle | .... | production coordinator | |
| Jason Breckenridge | .... | catering assistant | |
| Benjamin Collard | .... | catering assistant | |
| Rosamund Connelly | .... | catering assistant | |
| Raz Cunningham | .... | production assistant | |
| Jason Curtis | .... | health and safety officer | |
| Matt Curtis | .... | title designer | |
| Mark Cushman | .... | location assistant | |
| Maxine Davis | .... | production accountant | |
| Niamh Dilworth | .... | assistant to the directors: National Theatre | |
| Nicky Earnshaw | .... | assistant production coordinator | |
| Lyn Evans | .... | chaperone | |
| Marco Fugallo | .... | catering assistant | |
| Tilly Gerrard-Bannister | .... | floor trainee | |
| Keiko Hammonds | .... | catering assistant | |
| Frank Hannon | .... | catering assistant | |
| Linda Harman | .... | chaperone | |
| Jane Hawley | .... | production executive: BBC Films | |
| Sue Hills | .... | script supervisor | |
| Stephen Hussey | .... | chaperone | |
| Nicholas Hytner | .... | director: National Theatre | |
| Catherine T. James | .... | catering assistant | |
| Sylvan Janois | .... | catering assistant (as Sylvain Jamois) | |
| Steve Joberns | .... | auditor | |
| Georgina Kelly | .... | assistant production accountant | |
| Vanessa Kimberley | .... | chaperone | |
| Dick Knapman | .... | laboratory contact: Todd-AO | |
| Julis Lloyd | .... | chaperone | |
| Yoko Lytle | .... | production trainee | |
| Leila McAlister | .... | caterer | |
| Charles McDonald | .... | publicist | |
| Jacob Melton | .... | production assistant: DNA Films | |
| John Midgley | .... | provider: walkie talkies | |
| Liz Miller | .... | unit publicist | |
| Claire Mitchell | .... | assistant production accountant | |
| Derek Moss | .... | location security | |
| Kevin O'Shea | .... | insurance: Aon/Albert G Ruben (as Kevin O'shea) | |
| Emma Parker | .... | assistant: David Thompson | |
| Colin Pearce | .... | laboratory contact: Soho Images | |
| Tanya Phegan | .... | assistant to executive producer | |
| Laura Pomeroy | .... | catering assistant | |
| Rose Pomeroy | .... | catering assistant | |
| Carmen Saccone | .... | catering assistant | |
| Matthew Sanders | .... | unit publicist (as Matthew Saunders) | |
| Jaideep Shah | .... | production trainee | |
| Joanne Smith | .... | general manager: DNA Films | |
| Stevie Smith | .... | writer: quotes from "Voices Against England in the Night" | |
| Nick Starr | .... | executive director: National Theatre | |
| Nick Starr | .... | floor runner | |
| Ana Stillard | .... | chaperone | |
| Alex Sutherland | .... | location manager | |
| Kim Thomas | .... | chaperone | |
| Pamela Timmis | .... | chaperone | |
| Matthew Vizard | .... | production coordinator | |
| Jamie Voss | .... | production assistant | |
| Lisa Williams | .... | assistant to producer | |
| Jane Wright | .... | head of rights and commercial affairs: BBC Films | |
Thanks | |||
| W.H. Auden | .... | acknowledgment: quotations from "Musée des Beaux Arts" and "Lullaby" | |
| Gina Brown | .... | thanks: PFD | |
| Maria Dawson | .... | thanks: PFD | |
| A.E. Housman | .... | acknowledgment: quotations from "A Shropshire Lad" and "On Wenlock Edge the Wood's in Trouble" | |
| Peter Joly | .... | thanks: Goldcrest | |
| Anthony Jones | .... | thanks: PFD | |
| Phillip Larkin | .... | acknowledgment: quotations from "MCMXIV" | |
|
|
|
|
|
| Notes on a Scandal | If.... | Heavenly Creatures | Die Blechtrommel | Au revoir les enfants |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
| Add this title to MyMovies |
Anyone who can watch the rolling credits at the end of THE HISTORY BOYS without tearful eyes simply hasn't been paying attention to this intelligent, richly comic, philosophical and tender tale of eight boys ostensibly preparing for exams but also preparing for life. The writing by Alan Bennett closely adapted from his prize winning play that was on the boards of theaters around the globe before being captured for posterity on film is 'rich and strange' and so full of those values of achieving a true education that it serves not only the audience well but presents a gold standard for educators pondering how to transform their pupils into thinking, creative members of society.
Very briefly, THE HISTORY BOYS are eight brilliant but 'crass' young men in Cutler's Grammar School, each coming from backgrounds not considered 'quality' by the British class standards. These boys are rowdy but committed to gaining admission to Oxford - a step toward erasing their class standing and proving their worth. The headmaster (Clive Merrison), himself not too well educated, is bound to get these eight bright boys into the best schools and in that light he hires a new teacher Irwin (Stephen Campbell Moore) to buff the boys into a classy group who will be able to pass their essays and oral examinations. The existing teachers are the testy, frank Mrs. Lintott (a fine Frances de la Tour) and the massively obese Hector (Richard Griffiths in a stunning performance) who teaches 'general studies', a time when he lovingly coaxes the boys to embrace poetry, music, sentimentality, drama, art, and in general everything that allows them to take the moment and live it fully. The boys are torn between Irwin's pragmatic 'teach them how to take exams' approach Hector's teach them how to embrace intelligence and life. Hector is known among the boys for fondling and the knowledge is accepted by the lads until Hector is seen fondling one of the boys on his motorbike and reported. This opens all manner of avenues of introspection, one of the boys confides to Irwin that he is homosexual, another of the lads declares that Irwin is gay and attempts a physical liaison with him, and the permutations move an down the line. But the exams come and the joy of accomplishing goals puts a different twist on matters and the ending is a touching as any on film.
The entire cast is the original group that started the play and in addition to the fine performances by the adults, the boys are extraordinarily fine: Dominic Cooper (Dakin), Jamie Parker (Scripps), Samuel Barnett (Posner), James Corden (Timms), Sacha Dhawan (Akhtar), Samuel Anderson (Crowther), Russell Tovey (Rudge), and Andrew Knott (Lockwood). There is an obvious camaraderie among the actors that obviously grew from their long association with the roles. But the most impressive performance is the polished veteran actor Richard Griffiths who has created a role that will long remain in everyone's heart long after the movie has passed playing. For this viewer this is one of the very finest films of the past year! Highly Recommended. Grady Harp