| Photos (see all 13 | slideshow) | Videos (see all 10) |
| Samuel Anderson | ... | Crowther | |
| James Corden | ... | Timms | |
| Stephen Campbell Moore | ... | Irwin | |
| Richard Griffiths | ... | Hector | |
| Frances de la Tour | ... | Mrs. Lintott | |
| Andrew Knott | ... | Lockwood | |
| Russell Tovey | ... | Rudge | |
| Jamie Parker | ... | Scripps | |
| Dominic Cooper | ... | Dakin | |
| Samuel Barnett | ... | Posner | |
| Sacha Dhawan | ... | Akhtar | |
| Clive Merrison | ... | The Headmaster | |
| Penelope Wilton | ... | Mrs. Bibby | |
| Adrian Scarborough | ... | Wilkes | |
| Georgia Taylor | ... | Fiona | |
| Maggie McCarthy | ... | Lollipop Lady | |
| Colin Haigh | ... | Oxford Porter | |
| Iain Mitchell | ... | Oxford Don | |
| David Killick | ... | Neighbouring Don | |
| Patrick Godfrey | ... | Sleeping Clergyman | |
| rest of cast listed alphabetically: | |||
| Craig Carruthers | ... | Postman (uncredited) | |
Directed by | |||
| Nicholas Hytner | |||
Writing credits | ||
| Alan Bennett | (screenplay) | |
| Alan Bennett | (play) | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| Andrew Dunn | (director of photography) | ||
Film Editing by | |||
| John Wilson | |||
Casting by | |||
| Toby Whale | |||
Production Design by | |||
| John Beard | |||
Set Decoration by | |||
| Joanne Woollard | |||
Costume Design by | |||
| Justine Luxton | |||
Makeup Department | |||
| Elaina Conneely | .... | hair stylist | |
| Elaina Conneely | .... | makeup artist | |
| Daniel Phillips | .... | hair designer | |
| Daniel Phillips | .... | makeup designer | |
| Karen Scott | .... | hair trainee | |
| Karen Scott | .... | makeup trainee | |
Production Management | |||
| Clare St. John | .... | post-production supervisor: DNA Films | |
| Maria Walker | .... | post-production supervisor | |
Art Department | |||
| James Collins | .... | art department assistant | |
| Bob Crowley | .... | designer: National Theatre production | |
| Rosie Goodwin | .... | assistant prop buyer | |
| Robert Judd | .... | prop hand | |
| Emily Lutyens | .... | assistant art director | |
| Harry Metcalfe | .... | construction manager | |
| Michael Povey | .... | prop hand | |
| Julian Searle | .... | property master | |
| Rebecca Thomas | .... | art department trainee: FT2 | |
Sound Department | |||
| Mark Appleby | .... | sound re-recording mixer | |
| Mat Bartram | .... | ProTools | |
| Paul Carr | .... | foley mixer | |
| Robert Farr | .... | adr mixer | |
| Charlotte Gray | .... | production sound trainee | |
| Sue Harding | .... | foley artist (as Susie Harding) | |
| Zane Hayward | .... | supervising sound editor | |
| John Midgley | .... | production sound recordist | |
| Clive Osborne | .... | production sound maintenance | |
| Jamie Roden | .... | adr mixer | |
| Joakim Sundström | .... | dialogue editor | |
| Andy Thompson | .... | sound re-recording mixer | |
Visual Effects by | |||
| Michael Deming | .... | digital film bureau | |
| Rob Gordon | .... | digital online editor | |
| John Palmer | .... | digital film bureau manager: Scanning and Laser record | |
| Rus Wetherell | .... | digital effects artist: CFX | |
Stunts | |||
| Rocky Taylor | .... | stunt double: Hector | |
Camera and Electrical Department | |||
| David Ashby | .... | grip | |
| Alex Bailey | .... | still photographer | |
| Harry Bowers | .... | second assistant camera | |
| David Churchyard | .... | camera loader: "b" camera | |
| Dermot Hickey | .... | first assistant camera: "a" camera | |
| Rupert Lloyd-Parry | .... | key grip (as Rupert Lloyd Parry) | |
| Andy Long | .... | gaffer | |
| Nathan Mann | .... | first assistant camera: "b" camera | |
| Joseph Mastrangelo | .... | camera trainee (as Joe Mastrangelo) | |
| Chris McAleese | .... | camera trainee | |
| Mark Milsome | .... | first assistant camera: "a" camera | |
| Daniel Rake | .... | trainee grip | |
| William Tracey | .... | rigging gaffer (as Bill Tracey) | |
| Gerry Vasbenter | .... | Steadicam operator | |
| Gerry Vasbenter | .... | camera operator | |
| Gerry Vasbenter | .... | camera operator: "b" camera | |
| Gerry Vasbenter | .... | director of photography: second unit | |
Casting Department | |||
| Alastair Coomer | .... | casting assistant: National Theatre | |
Costume and Wardrobe Department | |||
| Lucy Donowho | .... | wardrobe trainee | |
| Peter Halston | .... | wardrobe supervisor | |
| Carol Lingwood | .... | head of costume: National Theatre | |
Editorial Department | |||
| Matt Adams | .... | digital intermediate producer | |
| Chris Andrews | .... | negative cutter | |
| Sascha Dhillon | .... | first assistant editor | |
| Rob Gordon | .... | digital on-line editor | |
| Emily Greenwood | .... | assistant digital on-line editor | |
| Kelly Smith | .... | negative cutter | |
| Laurent Treherne | .... | digital intermediate technical director | |
Music Department | |||
| Simon Chamberlain | .... | music associate | |
| James Collins | .... | music engineer | |
| James Collins | .... | music scoring mixer | |
| Isobel Griffiths | .... | orchestra contractor | |
| Ian Neil | .... | music supervisor | |
| Emily Rogers | .... | music editor | |
| Richard Sisson | .... | musical director | |
Transportation Department | |||
| John Bailey | .... | facilities driver | |
| Bullet | .... | facilities driver | |
| Ken Clarke | .... | facilities driver | |
| John D'Arcy | .... | facilities driver | |
| Ben Dillon | .... | action vehicle coordinator | |
| Wayne Fleetwood | .... | facilities driver | |
| Dean Macey | .... | facilities driver | |
| Don McLean | .... | facilities driver | |
| Peter Veldhoen | .... | unit driver | |
| Nigel Venables | .... | facilities driver | |
Other crew | |||
| Luis Miguel Antunes | .... | catering assistant | |
| Lisa Armour-Brown | .... | catering assistant | |
| Gary Barnes | .... | location assistant: Yorkshire | |
| Isabel Begg | .... | head of business and legal affairs: BBC Films | |
| Carey Berlin | .... | assistant to executive producer | |
| James Biddle | .... | production coordinator | |
| Jason Breckenridge | .... | catering assistant | |
| Benjamin Collard | .... | catering assistant | |
| Rosamund Connelly | .... | catering assistant | |
| Raz Cunningham | .... | production assistant | |
| Jason Curtis | .... | health and safety officer | |
| Matt Curtis | .... | title designer | |
| Mark Cushman | .... | location assistant | |
| Maxine Davis | .... | production accountant | |
| Niamh Dilworth | .... | assistant to the directors: National Theatre | |
| Nicky Earnshaw | .... | assistant production coordinator | |
| Lyn Evans | .... | chaperone | |
| Marco Fugallo | .... | catering assistant | |
| Tilly Gerrard-Bannister | .... | floor trainee | |
| Keiko Hammonds | .... | catering assistant | |
| Frank Hannon | .... | catering assistant | |
| Linda Harman | .... | chaperone | |
| Jane Hawley | .... | production executive: BBC Films | |
| Sue Hills | .... | script supervisor | |
| Stephen Hussey | .... | chaperone | |
| Nicholas Hytner | .... | director: National Theatre | |
| Catherine T. James | .... | catering assistant | |
| Sylvan Janois | .... | catering assistant (as Sylvain Jamois) | |
| Steve Joberns | .... | auditor | |
| Georgina Kelly | .... | assistant production accountant | |
| Vanessa Kimberley | .... | chaperone | |
| Dick Knapman | .... | laboratory contact: Todd-AO | |
| Julis Lloyd | .... | chaperone | |
| Yoko Lytle | .... | production trainee | |
| Leila McAlister | .... | caterer | |
| Charles McDonald | .... | publicist | |
| Jacob Melton | .... | production assistant: DNA Films | |
| John Midgley | .... | provider: walkie talkies | |
| Liz Miller | .... | unit publicist | |
| Claire Mitchell | .... | assistant production accountant | |
| Derek Moss | .... | location security | |
| Kevin O'Shea | .... | insurance: Aon/Albert G Ruben (as Kevin O'shea) | |
| Emma Parker | .... | assistant: David Thompson | |
| Colin Pearce | .... | laboratory contact: Soho Images | |
| Tanya Phegan | .... | assistant to executive producer | |
| Laura Pomeroy | .... | catering assistant | |
| Rose Pomeroy | .... | catering assistant | |
| Carmen Saccone | .... | catering assistant | |
| Matthew Sanders | .... | unit publicist (as Matthew Saunders) | |
| Jaideep Shah | .... | production trainee | |
| Joanne Smith | .... | general manager: DNA Films | |
| Stevie Smith | .... | writer: quotes from "Voices Against England in the Night" | |
| Nick Starr | .... | executive director: National Theatre | |
| Nick Starr | .... | floor runner | |
| Ana Stillard | .... | chaperone | |
| Alex Sutherland | .... | location manager | |
| Kim Thomas | .... | chaperone | |
| Pamela Timmis | .... | chaperone | |
| Matthew Vizard | .... | production coordinator | |
| Jamie Voss | .... | production assistant | |
| Lisa Williams | .... | assistant to producer | |
| Jane Wright | .... | head of rights and commercial affairs: BBC Films | |
Thanks | |||
| W.H. Auden | .... | acknowledgment: quotations from "Musée des Beaux Arts" and "Lullaby" | |
| Gina Brown | .... | thanks: PFD | |
| Maria Dawson | .... | thanks: PFD | |
| A.E. Housman | .... | acknowledgment: quotations from "A Shropshire Lad" and "On Wenlock Edge the Wood's in Trouble" | |
| Peter Joly | .... | thanks: Goldcrest | |
| Anthony Jones | .... | thanks: PFD | |
| Phillip Larkin | .... | acknowledgment: quotations from "MCMXIV" | |
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| Notes on a Scandal | If.... | Die Blechtrommel | Au revoir les enfants | Waterland |
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So many moments in this film struck a chord with me. As a grammar school student applying for Oxbridge, I have to disagree with the previous reviewer. The worries and pressures, as well as the arrogance, humour (and sheer smart-aleckness) that surround the boys' dialogue perfectly capture the hilarity and torture of adolescence. The dialogue is a little stage-y, but that doesn't seriously tarnish its impact. I think this film expresses the uncertainty and risk involved in life in a way that is both poignant and witty; often both at the same time. Ideas about what education should really be could not be more beautifully expressed than in this picture of young boys with their whole lives stretched out in front of them, and old teachers still unsure of what it's all about. Subtle and brilliant.