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Directed by | |||
| Talia Lugacy | |||
Writing credits(in alphabetical order) | ||
| Talia Lugacy | writer | |
| Brian Priest | writer | |
Produced by | |||
| Michael Almog | .... | executive producer | |
| Michael Bassick | .... | executive producer | |
| Michael Califra | .... | executive producer | |
| Isabel Dawson | .... | associate producer | |
| Rosario Dawson | .... | producer | |
| Danny Fisher | .... | executive producer | |
| Jack Fisher | .... | executive producer | |
| Joe Fisher | .... | executive producer | |
| Gary S. Gumowitz | .... | executive producer | |
| Marcus Lansdell | .... | co-producer | |
| Morris S. Levy | .... | producer | |
| Talia Lugacy | .... | producer | |
| Jeff Mazzola | .... | co-producer | |
| Phil Michas | .... | co-executive producer | |
| John Scaccia | .... | co-producer | |
Original Music by | |||
| Alex Moulton | (original music by) | ||
Cinematography by | |||
| Christopher LaVasseur | |||
Film Editing by | |||
| Frank Reynolds | |||
Casting by | |||
| Adrienne Stern | |||
Production Design by | |||
| Tristam Steinberg | |||
Art Direction by | |||
| Joel Custer | |||
Set Decoration by | |||
| Heather Corbett | |||
Costume Design by | |||
| Amy Ritchings | |||
Makeup Department | |||
| Johanna Gavilanes | .... | hair stylist | |
| Johanna Gavilanes | .... | makeup artist | |
| Sarit Klein | .... | key hair stylist | |
| Sarit Klein | .... | makeup department head | |
Production Management | |||
| Alex Foster | .... | production supervisor | |
| Jared Goldman | .... | production manager: additional photography | |
Second Unit Director or Assistant Director | |||
| Paul Epstein | .... | first assistant director | |
| Vadim Epstein | .... | second second assistant director | |
Art Department | |||
| Erica Parise | .... | assistant property master | |
| Pamela Day Rappaport | .... | property master | |
| Jae Song | .... | art department | |
Sound Department | |||
| Shaun Brennan | .... | foley artist | |
| Tammy Douglas | .... | sound mixer | |
| Jeff Formosa | .... | dialog editor | |
| Mark Garcia | .... | assistant supervising sound editor | |
| Mark Garcia | .... | post-production sound | |
| Eric Milano | .... | foley editor | |
| Eric Offin | .... | sound re-recording mixer | |
| Eric Offin | .... | supervising sound editor | |
| Guillermo Pena-Tapia | .... | boom operator | |
| Daniel Perlin | .... | sound designer | |
| John Sember | .... | additional sound mixer | |
Visual Effects by | |||
| Benjamin Murray | .... | visual effects | |
Camera and Electrical Department | |||
| Sarah L. Hendrick | .... | additional second assistant camera | |
| Jeffrey Kim | .... | gaffer | |
| Michael C. Maronna | .... | electrician | |
| Greg McMahon | .... | second assistant camera | |
| Alex Willson | .... | grip | |
Casting Department | |||
| Tammy Porto | .... | casting associate | |
| Leah Pracher | .... | extras casting | |
Costume and Wardrobe Department | |||
| Zairi Malcolm | .... | additional wardrobe supervisor | |
Editorial Department | |||
| Tim Hedden | .... | dailies colorist | |
| Scot Olive | .... | colorist | |
| Nerina Penzhorn | .... | assistant editor | |
Music Department | |||
| Haji A. | .... | music supervisor: Club Scenes | |
| Stephanie Diaz-Matos | .... | music supervisor | |
Other crew | |||
| Jesse Davidson | .... | daily location manager | |
| Noel Estrada | .... | production assistant | |
| Shawn Langleiben | .... | location scout | |
| Jonny Leahan | .... | publicist | |
| Collin Longsworth | .... | production assistant | |
| Mark McKennon | .... | location manager | |
| Andrew Menan | .... | production coordinator | |
| Erica Parise | .... | location manager | |
| Matthew Reedy | .... | set production assistant | |
| R. Zachary Shildwachter | .... | key production assistant | |
| Jodie Alexandra Taylor | .... | script supervisor | |
Thanks | |||
| Darren E. Johnson | .... | special thanks | |
| Mike Scarna | .... | special thanks | |
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| Straightheads | Irréversible | Cidade de Deus | Coffy | Day of the Woman |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I saw 'Descent' last night at the Stockholm Film Festival and it was one huge disappointment. Disappointment because the storyline was potentially powerful, the prospect of seeing Rosario Dawson in a smaller intimate movie was exciting and, being a fan (sounds pervy, I'm not!) of 'rape/revenge' flicks of the 70's, I was needless to say very curious to check this movie out. My conclusion: let's stick to the classics! Yes, the storyline has potential but the dialogs are flat, the actors unconvincing. Even Dawson is empty. Some would say that it's a right depiction of the college world in the US, that the emptiness of the characters serve a purpose and all that jazz but it just makes the whole movie unsubstantial. Just like the scene where Dawson gets raped: it seriously lacks intensity! I wasn't expecting anything 'Irreversible'-style but still, aren't we suppose to feel compassion for her? I didn't. Not for a minute, she was so lame all the way ;-) And I read that the photography was impressive. Well, it is good indeed but nothing ground-breaking either. I must admit that the screening at the festival wasn't so good so maybe I missed out something here but at the end of the movie, I couldn't help thinking 'I feel like watching Argento's 'Inferno' again. lol. More seriously, the first scene in the club is beautifully shot and all but I had the bitter sensation of watching a longer and more boring version of the scene in the filthy bar near the American-Canadian border in Lynch's 'Twin Peaks - Fire Walk with Me'... the crude red and blue lighting, the heavy bass music, the general lascivious/decadent atmosphere... No, I just couldn't get into this movie. Too bad.