The Wind That Shakes the Barley (2006)

Director:

Ken Loach

Writer:

Paul Laverty (writer)

Release Date:

23 June 2006 (Ireland)

Genre:

Drama | War

Tagline:

Winner of the PALME D'OR at the 2006 Cannes Film Festival.

Plot:

A sympathetic look at Republicans in early 20th century Ireland, and two brothers who are torn apart by anti-Brit rebellion.

Plot Keywords:

Train | Haircut | Fire | Massacre | Saint Christopher Medal

Awards:

5 wins & 18 nominations

Cast

Cillian Murphy	...	Damien
Padraic Delaney	...	Teddy (as Pádraic Delaney)
Liam Cunningham	...	Dan
Orla Fitzgerald	...	Sinead
Mary O'Riordan	...	Peggy (as Mary Riordan)
Mary Murphy	...	Bernadette
Laurence Barry	...	Micheail
Damien Kearney	...	Finbar
Frank Bourke	...	Leo
Myles Horgan	...	Rory
Martin Lucey	...	Congo
Aidan O'Hare	...	Steady Boy
Shane Casey	...	Kevin
John Crean	...	Chris
Máirtín de Cógáin	...	Sean (as Mairtin de Cogain)

Also Known As:

Vent se lève, Le (France)
Vento che accarezza l'erba, Il (Italy)
Viento que agita la cebada, El (Spain)

Runtime:

UK:127 min

Country:

Ireland | UK | Germany | Italy | Spain | France

Language:

English | Irish Gaelic

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Netherlands:16 | France:U (with warning) | Portugal:M/16 (Qualidade) | Chile:14 | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | USA:Not Rated | Sweden:15 | Australia:M | Ireland:15A | UK:15 | Germany:12 | South Korea:15 | Singapore:NC-16

Filming Locations:

Ballyvorney, County Cork, Ireland

Company:

BIM Distribuzione

Trivia:

The commercial interest expressed in the United Kingdom was initially much lower than in other European countries and only 30 prints of the film were planned for distribution in the UK, compared with 300 in France. However, after the Palme d'Or award the film appeared on 105 screens in the UK, more than three times larger than the UK release for any of Ken Loach's previous films.

Goofs:

Audio/visual unsynchronized: There are two machine guns in the film, a Vickers and a Lewis. The sounds they make when firing have been reversed, i.e. the Vickers sounds like a Lewis and vice versa.

Quotes:

Damien: It's easy to know what you are against, but quite another to know what you are for.

Movie Connections:

Featured in "Siskel & Ebert & the Movies: (2007-03-17)" (2007)

Soundtrack:

Amhráin Na bhFiann

See the film or watch the DVD - do not miss this unique opportunity.

An admirer of Ken Loach's unique style of film making, I say this is the best I've seen. His direction and techniques are now so finely tuned they sit almost subliminally behind a brutal but superlative story set in 1920s Ireland. I say 'almost' because I came out knowing I've never seen a film like this ever before, thanks to Loach.

Approach it as if you are about to watch a play. Listen intently to the dialogue complete with Cork accents depicting beautiful people forced into situations where they cross lines they cannot return over. Share in their juxtaposition of feelings of remorse with acts of war/self-preservation. In the horror of it all you might wish to be able to suspend disbelief in the fictional sense, but that'll be replaced with the overwhelming sense of truth and a not-so-long-ago reality. The individuals could be you or I at anytime and we take solace in the fact that perhaps we are among the lucky ones to have escaped this. Make space then to contemplate if, as a nation, we still effect this turmoil on others today. Remain with the story though. You feel as if you are there, smelling the turf in the air, privileged to be on the doorstep of the thatched residence that witnessed so many tragedies.

The character portrayals are mesmerising as Loach maximises body language; hesitancy, fear, stuttering and small moments of humour in his realistic approach. You already know each character before s/he speaks. But when they do speak, you are in the room with them agreeing or disagreeing - ready to pitch in if the moment were to present itself. As each personal struggle is revealed you again feel fortunate to have witnessed it. Simultaneously you feel relieved to be able to pull out and watch from a distance when more horror action scenes unfold.

This is true drama seeking no false gratification akin to other current films. Unstinting in its portrayal of the Brutish (not a spelling mistake) it is nevertheless universally significant and local at the same time. The photography is exquisite capturing timeless Ireland. The sound plays the noises of the times so well the viewers could imagine the scenes with their eyes closed.

As a Scot I am dismayed at the general poor response/reviews of the British press and I'm reminded that the British psyche has to learn to come to terms with its recent past. I wish that today we could transcend that and promote this film to ordinary people as an important film to see at some point in their lives. In future, any young adult asking me about the 'Irish problem' - I'll simply lend them my own personal DVD of this film and say "watch this!" It'll make it all the more easier for all of us to see the past and to avoid repeating it.