| Photos (see all 23 | slideshow) | Videos |
| Cillian Murphy | ... | Damien | |
| Padraic Delaney | ... | Teddy (as Pádraic Delaney) | |
| Liam Cunningham | ... | Dan | |
| Orla Fitzgerald | ... | Sinead | |
| Mary O'Riordan | ... | Peggy (as Mary Riordan) | |
| Mary Murphy | ... | Bernadette | |
| Laurence Barry | ... | Micheail | |
| Damien Kearney | ... | Finbar | |
| Frank Bourke | ... | Leo | |
| Myles Horgan | ... | Rory | |
| Martin Lucey | ... | Congo | |
| Aidan O'Hare | ... | Steady Boy | |
| Shane Casey | ... | Kevin | |
| John Crean | ... | Chris | |
| Máirtín de Cógáin | ... | Sean (as Mairtin de Cogain) | |
| Keith Dunphy | ... | Terence | |
| Kieran Hegarty | ... | Francis | |
| Gerard Kearney | ... | Donacha | |
| Shane Nott | ... | Ned | |
| Kevin O'Brien | ... | Tim | |
| Gary McCarthy | ... | Volunteer | |
| Tim O'Mahon | ... | Volunteer | |
| Graham Browne | ... | Volunteer | |
| Owen Buckley | ... | Volunteer | |
| Aidan Fitzpatrick | ... | Volunteer | |
| Vince Hannington | ... | Volunteer | |
| Denis Kelleher | ... | Volunteer | |
| Colin McClery | ... | Volunteer | |
| Finbar O'Mahon | ... | Volunteer | |
| John Quinlan | ... | Volunteer | |
| Peggy Lynch | ... | Singer at Wake | |
| Noel O'Donovan | ... | Station Guard | |
| Peter O'Mahoney | ... | Stoker | |
| Barry Bourke | ... | Policeman | |
| Frank O'Sullivan | ... | Man in Pub | |
| Diarmuid Ó'Dálaigh | ... | Man in Pub | |
| Corina Gough | ... | Woman in Search | |
| Roger Allam | ... | Sir John Hamilton | |
| Sabrina Barry | ... | Julia | |
| William Ruane | ... | Johnny Gogan | |
| Danny Riordan | ... | Elderly Couple | |
| Peg Crowley | ... | Elderly Couple | |
| Fiona Lawton | ... | Lily | |
| Kieran Aherne | ... | Sweeney | |
| Clare Dineen | ... | Mrs. Rafferty | |
| Sean McGinley | ... | Father Denis | |
| Tomas OhEalaithe | ... | Boy on Bike | |
| Nora Lynch | ... | Mother of Sick Child | |
| Diarmuid Ní Mheachair | ... | Sick Child | |
| Denis Conway | ... | Priest | |
| Barry Looney | ... | Ceilidh Band | |
| Connie O'Connail | ... | Ceilidh Band | |
| Aine O'Connor | ... | Ceilidh Band | |
| Francis O'Connor | ... | Ceilidh Band | |
| Peadr O'Riada | ... | Ceilidh Band | |
| Neil Brand | ... | Newsreel Piano Accompanist | |
| Tom Charnock | ... | Sergeant at Cottage | |
| Alan Ready | ... | Sergeant at Station | |
| Mark Wakeling | ... | Lieutenant | |
| Antony Byrne | ... | The Interrogator | |
| Tony Streeter | ... | British Soldier (as Marcus Anthony) | |
| William Armstrong | ... | British Soldier (as Bill Armstrong) | |
| Christopher Bown | ... | British Soldier | |
| Mark Bryce | ... | British Soldier | |
| Alex Dee | ... | British Soldier | |
| Jonny Holmes | ... | British Soldier | |
| Allan Huntley | ... | British Soldier | |
| Bill Hurst | ... | British Soldier | |
| Daniel Kington | ... | British Soldier | |
| Jamie Lomas | ... | British Soldier | |
| Anthony Martin | ... | British Soldier | |
| Owen McQuade | ... | British Soldier | |
| Richard Oldham | ... | British Soldier | |
| Colin Parry | ... | British Soldier | |
| Scott Peden | ... | British Soldier | |
| Bernie Sweeney | ... | British Soldier | |
| Derek Taylor | ... | British Soldier | |
| Neil Alan Taylor | ... | British Soldier | |
| Gregor Wood | ... | British Soldier | |
| rest of cast listed alphabetically: | |||
| Fergus Burke | ... | Theatre attendant | |
| Niall McCarthy | ... | Extra (uncredited) | |
Directed by | |||
| Ken Loach | |||
Writing credits(in alphabetical order) | ||
| Paul Laverty | writer | |
Produced by | |||
| Camilla Bray | .... | assistant producer | |
| Ulrich Felsberg | .... | executive producer | |
| Andrew Lowe | .... | executive producer | |
| Redmond Morris | .... | co-producer | |
| Rebecca O'Brien | .... | producer | |
| Nigel Thomas | .... | executive producer | |
| Paul Trijbits | .... | executive producer | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| Barry Ackroyd | |||
Film Editing by | |||
| Jonathan Morris | |||
Casting by | |||
| Oonagh Kearney | |||
Production Design by | |||
| Fergus Clegg | |||
Art Direction by | |||
| Michael Higgins | |||
| Mark Lowry | |||
Costume Design by | |||
| Eimer Ni Mhaoldomhnaigh | |||
Makeup Department | |||
| Orla Carrol | .... | hair designer (as Orla Carroll) | |
| Lynn Johnson | .... | makeup designer (as Lynn Johnston) | |
| Patricia Kirkman | .... | hair assistant | |
| Aisling Nairn | .... | makeup assistant | |
Production Management | |||
| Carol Moorhead | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Dennis Fitzpatrick | .... | trainee assistant director | |
| David Gilchrist | .... | first assistant director | |
| Kevin O'Leary | .... | trainee assistant director | |
| Marie-Celine O'Reilly | .... | trainee assistant director (as Marie Celine O'Reilly) | |
| Michael Queen | .... | second assistant director | |
| Sonya Supple-Gildea | .... | third assistant director | |
| Laura Treacy | .... | trainee assistant director | |
| Adrienne Greenhalgh | .... | second second assistant director (uncredited) | |
Art Department | |||
| Alex Bassett | .... | carpenter | |
| Phil Bowen | .... | carpenter | |
| Mark Brady | .... | carpenter | |
| Jenni Cooney | .... | assistant art director | |
| Keith Cullen | .... | props | |
| Paul Curren | .... | painter | |
| Sam Curren | .... | painter | |
| Neville Gaynor | .... | painter | |
| Bobby Gee | .... | painter | |
| Jimmy Irwin | .... | plasterer | |
| Stanley Irwin | .... | plasterer (as Stan Irwin) | |
| Dave Kinsella | .... | props (as David Kinsella) | |
| Richard Lynch | .... | props | |
| James McGetrick | .... | props | |
| James McGetrick | .... | stand-by props | |
| Eoin O'Brien | .... | props | |
| Eleanor O'Leary | .... | art department trainee | |
| Kevin Queripyle | .... | props | |
| Gerard Richardson | .... | carpenter | |
| Alex Robertson | .... | carpenter | |
| Danny Sumsion | .... | construction manager | |
| Graham Waters | .... | carpenter | |
Sound Department | |||
| Julie Ankerson | .... | foley artist | |
| Ray Beckett | .... | sound | |
| Ben Brazier | .... | foley mixer | |
| Kevin Brazier | .... | sound | |
| Robert Brazier | .... | sound effects editor | |
| John Hayward | .... | sound re-recording mixer | |
| Peter Murphy | .... | boom operator (as Pete Murphy) | |
| Chris O'Dwyer | .... | assistant sound | |
| Ian Tapp | .... | additional sound re-recording mixer (uncredited) | |
Visual Effects by | |||
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Gary J. Brown | .... | digital effects artist | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| David Scott | .... | digital compositor | |
Stunts | |||
| Marc Cass | .... | stunt coordinator | |
| Marc Cass | .... | stunt performer | |
| Dave Fisher | .... | stunt performer | |
| Paul Heasman | .... | stunt coordinator | |
| Paul Herbert | .... | stunt performer | |
| Crispin Layfield | .... | stunt performer | |
| Gordon Seed | .... | stunt performer | |
Camera and Electrical Department | |||
| Roger Altmann | .... | best boy | |
| Joss Barratt | .... | still photographer | |
| Noel Cullen | .... | electrician | |
| Tony Devlin | .... | electrician | |
| Jeremy Gee | .... | second camera operator | |
| Jörg Gönner | .... | second focus puller (as Jorg Donner) | |
| Eric Greenberg | .... | second focus puller | |
| Martin Holland | .... | electrician | |
| Carl Hudson | .... | focus puller | |
| Romy Kaa | .... | clapper loader | |
| Georg Nonnenmacher | .... | gaffer | |
| Andrew O'Reilly | .... | clapper loader | |
| Rory O'Riordan | .... | camera trainee | |
Casting Department | |||
| Kahleen Crawford | .... | additional casting | |
Costume and Wardrobe Department | |||
| Maire Begley | .... | costume trainee | |
| Patch Corcoran | .... | costume assistant (as Patricia Corcoran) | |
| Catherine Dalton | .... | costume assistant | |
| Valerie Kelly | .... | costume assistant | |
| Debbie Millington | .... | assistant costume designer | |
| Ger Scully | .... | costume supervisor | |
| Morgan Semmens | .... | costume assistant (as Morgan Jay Semmens) | |
| Cathy Young | .... | costume trainee | |
Editorial Department | |||
| Mark Wright | .... | negative cutter | |
Transportation Department | |||
| Ricky Donovan | .... | driver | |
| Mervyn Ewing | .... | driver | |
| David Houlihan | .... | driver | |
| Malte Mann | .... | driver | |
| Gavin McGlashan | .... | action vehicle coordinator | |
| Deann Mulligan | .... | driver | |
| Eamonn Murphy | .... | transport coordinator | |
| Shulagh O'Day | .... | driver | |
| Michael Phelan | .... | transportation coordinator | |
| Michael Phelan | .... | driver (uncredited) | |
Other crew | |||
| Patrick Cahill | .... | assistant location manager (as Paddy Cahill) | |
| Michelle Carew | .... | production team | |
| Miriam Coleman | .... | second location manager | |
| Louise Cornally | .... | business affairs executive: Element Films | |
| Terry Flemming | .... | military advisor | |
| George Foley | .... | military advisor | |
| Adrienne Greenhalgh | .... | crowd coordinator | |
| Alistair Griggs | .... | production team | |
| Dan Harvey | .... | military advisor | |
| Mike Hayes | .... | production team | |
| Susanna Lenton | .... | script supervisor | |
| John McKenna | .... | armorer | |
| Cathy Mooney | .... | production coordinator | |
| Stephen Morrisey | .... | production team | |
| Audie Murphy | .... | military advisor | |
| Maria O'Connor | .... | location manager | |
| Donal O'Driscoll | .... | historical advisor | |
| Seamus Porter | .... | assistant location manager | |
| Jane Roche | .... | production team | |
| Roger Smith | .... | script consultant | |
| Stephen Talbot | .... | assistant armorer | |
| Charlotte Walls | .... | production team | |
| Alan Walsh | .... | military advisor | |
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| Let Him Have It | Michael Collins | Malèna | Breakfast on Pluto | Braveheart |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Ireland section |
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Saw it at private screening too.
Editorial from a Cork newspaper sums it up well:
This wind shakes more than barley
In Ireland we are in rare position internationally when it comes to our media. Most of what we read, listen to and watch is usually interpreted in two perspectives, through our own media and through that of our near neighbours across the Irish Sea. There are other instances of large and small neighbours with a common language (Germany and Austria; USA and Canada; Australia and New Zealand), but nowhere is the penetration of the larger nation's media into the neighbouring market as pronounced as it is in Ireland. Viewership of UK TV stations and readership of UK owned newspapers in Ireland is at a level that makes them as significant to our view of the world as our own media. This breeds a familiarity with our neighbours that can make us Irish assume the British know as much about us as we do about them. Nothing could be further from the truth however as has been graphically illustrated by the reception given in Britain to Ken Loach's Palme d'or winning movie The Wind that Shakes the Barley. There is no question that this film makes the British forces look bad, but of course the reality as all Irish people know is that they were. In the UK normally reasonable and intelligent reviewers and commentators cannot cope with this depiction of occupying British forces as violent repressors of a largely defenceless native population. It has been described as unbalanced and portraying the valiant British soldiers in an unfair and unflattering light. The truth is that the vast majority of British citizens couldn't tell you where Galway is and why should they? They're ignorance of their own colonial past so close to home and denial of it shouldn't surprise us; it is not something to be proud of. This is not to attack Britain, but to remind Irish readers of UK newspapers and viewers of UK television that Britain is indeed a foreign country. They view the world through an entirely different perspective than us, and in truth our views are inconsequential to them. That's why Loach's film, which tells essential truths, will not get a general release in the UK. Despite the fact that Anglo-Irish relations are probably better now than they have ever been the truth about Britain's history in Ireland is something that they just aren't ready for, and probably never will be.