Inland Empire (2006)

Director:

David Lynch

Writer (WGA):

David Lynch (written by)

Release Date:

7 February 2007 (Belgium)

Genre:

Mystery | Thriller

Tagline:

A Woman In Trouble

Plot:

An actress's perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.

Plot Keywords:

Actress | Hollywood | Number | Scene During End Credits | Gypsy

Awards:

2 wins & 5 nominations

Cast

Laura Dern	...	Nikki Grace / Susan Blue
Jeremy Irons	...	Kingsley Stewart
Justin Theroux	...	Devon Berk / Billy Side
Karolina Gruszka	...	Lost Girl
Jan Hencz	...	Janek (as Jan Hench)
Krzysztof Majchrzak	...	Phantom
Grace Zabriskie	...	Visitor #1
Ian Abercrombie	...	Henry the Butler
Karen Baird	...	Servant
Bellina Logan	...	Linda
Amanda Foreman	...	Tracy
Peter J. Lucas	...	Piotrek Król
Harry Dean Stanton	...	Freddie Howard
Cameron Daddo	...	Devon Berk's Manager
Jerry Stahl	...	Devon Berk's Agent

MPAA:

Rated R for language, some violence and sexuality/nudity.

Runtime:

180 min | Poland:197 min (Camerimage Film Fest)

Country:

France | Poland | USA

Language:

English | Polish

Colour:

Black and White | Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Iran:18+ | UK:15 | Belgium:KNT | France:U | Poland:18 | Italy:T | Ireland:16 | Netherlands:16 | Spain:13 | Finland:K-15 | Germany:12 | Portugal:M/16 | South Korea:15 | Argentina:16 | Singapore:M18 | Sweden:15 | Australia:MA | Spain:18 (DVD rating) | Brazil:14 | USA:R (certificate #42975) | New Zealand:R16 | Iceland:14

Filming Locations:

Avalon Hollywood - 1735 Vine Street, Los Angeles, California, USA

Company:

Studio Canal

Trivia:

During a conversation between David Lynch and Laura Dern, Dern mentioned that her husband was from the Inland Empire (an area east of Los Angeles County, including Riverside and San Bernadino County). Lynch confesses he stopped listening to what she was saying because he loved the sound of the words "Inland Empire", and finally decided on these words as the title of his movie because "I like the word inland. And I like the word empire."

Quotes:

Devon Berk: Kingsley, get to the point.
Kingsley Stewart: On High and Blue Tomorrows is in fact a remake.
Devon Berk: It's a remake?
Kingsley Stewart: Yeah.
Devon Berk: I wouldn't do a remake.
Kingsley Stewart: No, no, no, no. I know. Of course... but you didn't know. The original was under a different name. It was started, but never finished. Now, Freddy's found out that our producers know the history of this film and they have taken it upon themselves not to pass that information along to us. Purposefully. Of course, not me. I assume not to the two of you. True?
Nikki: No... absolutely. Nobody told me anything.
Devon Berk: No, me neither. I thought this was an original script.
Kingsley Stewart: Yeah... well... anyway, the film was never finished.
Nikki: I don't understand. Why wasn't it finished?
[...]

Movie Connections:

References Sunset Blvd. (1950)

Soundtrack:

Novelette: Conclusion

Brilliant film if you're a Lynch fan, if not, you may hate it.

First off, this is easily the most confusing and bizarre of all of David Lynch's films, even more so than Lost Highway. I think it's also the most bizarre film I have ever seen. The film is harrowing and creepy and Laura Dern is incredible in her performance. I never thought she was capable it. Fans of Lynch will love it, especially those who think Mulholland Drive and Lost Highway were his best. Average filmgoers will most likely be bored (it's 3 hours long) or think it is Artsy crap. Lost Highway is probably his most comparable film based on structure, technique, and bizarre elements, although it would not be entirely fair to use Lost Highway as a basis for judgment. One of the only things that keeps me from giving it a higher rating is that there are a couple scenes which seemed to drag on a little longer than necessary. Inland Empire at first is reminiscent of some of Lynch's older short films because of the way it is filmed. It is gritty, shaky, and even gives a documentary feel at first. While it is still not his best, it's among them and it's what Lynch fans have come to expect and love.