Zui hao de shi guang (2005)

Director:

Hsiao-hsien Hou

Writers:

T'ien-wen Chu (writer)
Hsiao-hsien Hou (writer)

Release Date:

27 October 2005 (Hong Kong)

Genre:

Drama | Romance

Plot:

Three stories set in three times, 1911, 1966 and 2005. Two actors play the two main characters in each story.

Plot Keywords:

Singer | Photographer | Adoption | Beatles | Brothel

Awards:

4 wins & 10 nominations

Cast

Qi Shu	...	May / Courtesan / Jing
Chen Chang	...	Chen / Mr. Chang / Zhen
Fang Mei	...	Old Woman
Su-jen Liao	...	Madam / Jing's mother
Mei Di	...	May's mother / Madam
Shi-Zheng Chen	...	Haruko / Ah Mei
Lee Pei-Hsuan	...	Hostess / Micky
rest of cast listed alphabetically:
Yue-Lin Ko	...	(special appearance)

Directed by
Hsiao-hsien Hou

Writing credits (in alphabetical order)
T'ien-wen Chu		writer
Hsiao-hsien Hou		writer

Produced by
Hua-fu Chang	....	producer
Gilles Ciment	....	co-executive producer
Wen-Ying Huang	....	executive producer
Wen-Ying Huang	....	producer
Ching-Song Liao	....	producer

Cinematography by
Pin Bing Lee

Film Editing by
Ching-Song Liao

Production Design by
Wen-Ying Huang

Sound Department
Yu Teng Hsu	....	boom operator
Du-Che Tu	....	sound

Production Companies

• 3H Films
• Orly Films
• Paradis Films
• Sinomovie

Distributors

• First Distributors (2005) (Hong Kong) (all media)
• Artificial Eye (2006) (UK) (theatrical)
• Cathay-Keris Films (2006) (Singapore) (theatrical)
• Filmmuseum Distributie (2006) (Netherlands) (theatrical)
• IFC Films (2006) (USA) (theatrical) (subtitled)
• Hollydan Works (2005) (Serbia and Montenegro) (all media)
• Lumière Home Entertainment (2009) (Belgium) (DVD)
• Lumière Home Entertainment (2009) (Netherlands) (DVD)
• MegaCom Film (MCF) (2006) (Yugoslavia) (all media)

Also Known As:

Three Times (International: English title)
Zuei hao de shih guang (Taiwan)

Runtime:

USA:120 min | France:132 min | UK:135 min | Canada:139 min (Toronto International Film Festival)

Country:

France | Taiwan

Language:

Mandarin | Taiwanese

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Taiwan:PG-12 | Switzerland:7 (canton of Vaud) | Switzerland:7 (canton of Geneva) | Singapore:NC-16 | Netherlands:AL | UK:12A | South Korea:15

Filming Locations:

Taiwan

Company:

3H Films

Trivia:

The song Rain and Tears is based on Pachelbel's Canon

Goofs:

Anachronisms: The 1966 story used the song "Rain and Tears" by Aphrodite's Child which was not released until 1968.

Soundtrack:

Rain and Tears

Three Times: A Century of Reponses to Love

THREE TIMES (Zui hao de shi guang) is so frank a film that the viewer may get lost looking for the hidden meanings in this century traversal of lovers' interactions in China. Not one for simple linear film-making, director Hsiao-hsien Hou instead opts for mood and suggestion and leaves the paucity of dialog to make room for emotional involvement and response. Three periods - 1966 A Time for Love, 1911 A Time for Freedom, and 2005 A Time for Youth - are depicted with the same main characters, Qi Shu and Chen Chang, who prove to be exceptionally sensitive to the concept from the director: with each new tale these fine actors mold new characters and questions and yet allow us to see a line of similarity in the couples as the director has suggested.

The film wisely opens with the most successful of the three 'Times' - 1966 A Time for Love - - tracing the emergence of timid passion between a lad headed for the military and a young girl who works in a pool hall. They communicate by letters after their first brief introductory encounter and circumstances interfere with the progress of their relationship in 1966 Taiwan. The middle section 1911 A Time for Freedom is gorgeous visually and conceptually the director has elected to use the cinematic form of the period (silent movie) to tell his story about the freeing of a young girl from the grip of a brothel madam and surveys the political tensions between Japan and China as the quietly lighted story of love and yearning unfolds. The film ends with 2005 A Time for Youth and here our lovers are caught up in the pollution of smog, cellphones, emails, nightclubs, and infidelities for same sex affairs that speak loudly about the tenor of the times.

Hsiao-hsien Hou's films are an acquired taste and many will find the choppy editing, the fragmentary scenes that are not always well focused for the story line, and the over-long length (130 minutes) too much to endure. But the ideas are fresh and the characters and vignettes are memorable, and most of the major critics in the media have lavished praise on this film. It is an interesting work but for this viewer there are enough flaws to keep it grounded. Grady Harp