Laitakaupungin valot (2006)

Director:

Aki Kaurismäki

Writer:

Aki Kaurismäki (writer)

Release Date:

3 February 2006 (Finland)

Genre:

Crime | Drama

Plot:

In Helsinki, a lonely night watchman is caught up in a series of misadventures with a femme fatale and a crooked businessman.

Plot Keywords:

Night Watchman | Femme Fatale | Jewels | Loneliness | Betrayal

Awards:

3 wins & 6 nominations

Cast

Janne Hyytiäinen	...	Koistinen
Maria Järvenhelmi	...	Mirja
Maria Heiskanen	...	Aila
Ilkka Koivula	...	Lindholm
Sergei Doudko	...	Russian
Andrei Gennadiev	...	Russian
Arturas Pozdniakovas	...	Russian
Matti Onnismaa	...	Shift Manager
Sulevi Peltola	...	Foreman
Antti Reini	...	Security Guard
Neka Haapanen	...	Security Guard
Santtu Karvonen	...	Security Guard
Sesa Lehto	...	Security Guard
Jukka Rautiainen	...	Security Guard
Jukka Salmi	...	Security Guard

Also Known As:

Lights in the Dusk (Canada: English title) (festival title) (International: English title) (USA) (festival title)
Les lumières du faubourg (France)
Lichter der Vorstadt (Germany)
Ljus i skymningen (Finland: Swedish title)
Yövartija (Finland) (working title)

Runtime:

78 min

Country:

Finland | Germany | France

Language:

Finnish | Russian

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Finland:K-7 | Sweden:7 | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Germany:6 | Argentina:Atp | Portugal:M/16 | South Korea:12

Filming Locations:

Helsinki, Finland

Company:

Sputnik

Trivia:

Last film of legendary cinematographer Olavi Tuomi.

Quotes:

Shift Manager: And what was your name?
Koistinen: Koistinen. Just like before.

Movie Connections:

References Varjoja paratiisissa (1986)

Soundtrack:

La fanciulla del west

Kaurismäki's sympathies lie with the common people

I saw this film at the Toronto International Film Festival. This is the third film in Kaurismäki's "Helsinki Trilogy" (the others are Drifting Clouds (1996) and The Man Without a Past (2002)) While I haven't seen the first, this film shares many thematic and formal elements with the second film, and I enjoyed it just as much.

Koistinen is a lonely security guard who is ignored by his co-workers; that is, when he's not being teased by them. His life is soon turned upside down by a femme fatale, with heartbreaking results. Despite the grim-sounding plot, the film is full of the director's trademark deadpan humour. And I'm in awe of how he can make the film just radiate love despite the mannered acting and awkward staging. Perhaps it has to do with the warmth of the lighting and the colour palette, as well as the use of nostalgic music and art direction. Whatever it is, from the first frame, you know the director loves this sad sack and wants us to love him too.

The films of the Helsinki Trilogy all deal with people on the margins, and it's clear that Kaurismäki's sympathies lie with the common people and not with those whose success or power has dehumanized them. He is a true humanist, and his "heroes" all bear their sufferings stoically; in fact, they quite literally personify a "never-say-die" attitude, and that makes them admirable. Their hangdog expressions may make us pity them, but it's their core of inner strength that makes us love them.