El laberinto del fauno (2006)

Director:

Guillermo del Toro

Writer:

Guillermo del Toro (written by)

Release Date:

19 January 2007 (USA)

Genre:

Drama | Fantasy | Mystery | Thriller

Tagline:

What happens when make-believe believes it's real?

Plot:

In the fascist Spain of 1944, the bookish young stepdaughter of a sadistic army officer escapes into an eerie but captivating fantasy world.

Plot Keywords:

Spain | Fairy | Faun | Princess | Task

Awards:

Won 3 Oscars. Another 68 wins & 58 nominations

Cast

Ivana Baquero	...	Ofelia
Sergi López	...	Captain Vidal
Maribel Verdú	...	Mercedes
Doug Jones	...	Fauno / Pale Man
Ariadna Gil	...	Carmen Vidal
Álex Angulo	...	Doctor
Manolo Solo	...	Garcés
César Vea	...	Serrano
Roger Casamajor	...	Pedro
Ivan Massagué	...	El Tarta
Gonzalo Uriarte	...	Francés
Eusebio Lázaro	...	Padre
Francisco Vidal	...	Sacerdote (as Paco Vidal)
Juanjo Cucalón	...	Alcalde
Lina Mira	...	Esposa del alcalde

Also Known As:

Pan's Labyrinth (International: English title)
The Labyrinth of the Faun (International: English title) (informal literal title)

MPAA:

Rated R for graphic violence and some language.

Runtime:

UK:119 min | Finland:120 min | Canada:112 min (Toronto International Film Festival)

Country:

Spain | Mexico | USA

Language:

Spanish

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

USA:R | UK:15 | Switzerland:16 (canton of Vaud) | Switzerland:16 (canton of Geneva) | Ireland:16 (theatrical rating) | Italy:VM14 | France:-12 | Finland:K-15 | Singapore:R21 | Norway:15 | Australia:MA | Belgium:KNT | Singapore:NC-16 (cut) | Taiwan:R-12 | Germany:16 | Argentina:18 | Portugal:M/16 | Hong Kong:IIB | Spain:18 | Canada:13+ (Quebec) | New Zealand:R16 | Malaysia:18PL | Netherlands:16 | Mexico:C | Philippines:R-13 (MTRCB) | South Korea:15 | Brazil:16 | Japan:PG-12 | Iceland:12 | Canada:14A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Sweden:15 | Ireland:18 (DVD rating)

Filming Locations:

Belchite, Zaragoza, Aragón, Spain

Company:

Tequila Gang

Trivia:

Doug Jones had to memorize not only his own lines in Spanish (a language he does not speak) but also Ivana Baquero's (Ofelia) lines so he knew when to speak his next line. The servos in the head piece that made the facial expressions and ears move were so loud, he couldn't hear her speak her lines.

Goofs:

Revealing mistakes: When Ofelia goes down the stairs in the labyrinth and is talking to the faun, his shadow still shows Doug Jones' legs while they are in the stilts. The special effects crew took out his physical legs, but the shadow still exists.

Quotes:

[first lines]
Pan: A long time ago, in the underground realm, where there are no lies or pain, there lived a Princess who dreamed of the human world. She dreamed of blue skies, soft breeze, and sunshine. One day, eluding her keepers, the Princess escaped. Once outside...

Movie Connections:

Referenced in Death Proof (2007)

Soundtrack:

The Funeral (El Funeral)

A labyrinth you don't want to leave

I saw this film toward the end of the Cannes Film Festival; it edged out all the others I'd seen, 30 of them, because of its wonderful story; history, politics and fantasy woven into a fabric spun by a superlative creative team headed by Guillermo del Toro. In comparison to this, his latest effort, del Toro's other films only hinted at the depth and breadth of his talent. In this film, much as I pride myself on foreseeing the outcome of most stories, I could not guess what would happen next. The film is quite long, yet suspense is sustained throughout. The music is some of the best I've heard in years, so well suited to the action that you almost don't notice its specific effect because of how well it is intertwined with the visual, emotional and intellectual experience.

In my opinion, del Toro's "...Labyrinth" deserved to win at Cannes over the Ken Loach film, "The Wind That Shakes the Barley". Actually, everyone I knew at the Festival who had seen both agreed with me. And the 22 minute ovation speaks clearly for the effect on the audience. It's hard to imagine that any film could beat it in a context other than Cannes where they have marked preferences, bordering on obsession, for certain directors.

Let's hope that the late December opening favors an Oscar nomination which it should win hands down, unless some other work of genius appears on the horizon. That doesn't seem likely because at Cannes the somewhat disappointing array of films was attributed to the fact that not much great product is being released this year. I might add that I had already seen Volver prior to Pan's Labyrinth, and I maintain that Pan is the better film. For me, it displaced all three of my top films of the year. I do love The Departed but, luckily, that's in another category which does not threaten Pan's access to Oscar. If I had to choose the very best picture of the year, without limitation by category, it would most assuredly go to Pan's Labyrinth for it demonstrates del Toro's originality and brilliance as both writer and director.