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Goya's Ghosts (2006)
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Overview
User Rating:
Release Date:
10 November 2006 (Spain) moreTagline:
Tell me what the truth isPlot:
Painter Francisco Goya faces a scandal involving his muse, who is labeled a heretic by a monk. full summary | add synopsisAwards:
5 nominations moreNewsDesk:
(2 articles)
Magazine Apologizes to Portman Over Film Mix-Up (From WENN. 25 October 2007)
Portman Bares All For New Film (From WENN. 17 July 2006)
User Comments:
Goya in the background moreCast
(Cast overview, first billed only)| Javier Bardem | ... | Lorenzo | |
| Natalie Portman | ... | Inés / Alicia | |
| Stellan Skarsgård | ... | Francisco Goya | |
| Randy Quaid | ... | King Carlos IV | |
| José Luis Gómez | ... | Tomás Bilbatúa | |
| Michael Lonsdale | ... | Father Gregorio | |
| Blanca Portillo | ... | Queen María Luisa | |
| Mabel Rivera | ... | María Isabel Bilbatúa | |
| Unax Ugalde | ... | Ángel Bilbatúa | |
| Fernando Tielve | ... | Álvaro Bilbatúa | |
| David Calder | ... | Monk 1 | |
| Frank Baker | ... | Monk 2 | |
| Ramón Langa | ... | Hooded Monk | |
| Manuel de Blas | ... | Pyre Monk | |
| Andrés Lima | ... | Confiscating Monk |
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Additional Details
MPAA:
Rated R for violence, disturbing images, some sexual content and nudity.Parents Guide:
View content advisory for parentsRuntime:
113 minLanguage:
EnglishColour:
ColourAspect Ratio:
1.85 : 1 moreCertification:
Germany:12 | Ireland:15A | Finland:K-13 | Netherlands:12 | USA:R | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Italy:T | Brazil:14 | Portugal:M/12 (Qualidade) | Argentina:13 | Sweden:15 | South Korea:15MOVIEmeter: 
Fun Stuff
Trivia:
Milos Forman cast Natalie Portman after noticing her likeness to the girl in Goya's painting "Milkmaid of Bordeaux". moreFAQ
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A film by Milos Forman is always an event. This will probably not remain as one of the best in his career, and was surrounded by a level of controversy, not the least among critics who received it very differently. Yet, it is certainly a film to watch.
The story actually does not have Goya (Stellan Skarsgård) in the center. It is rather the story of a corrupt morality policeman of the 18th century (Javier Bardem) imprisoning a young girl (Natalie Portman) on the unjust suspicion of practicing Judaism in secret. It is the story of a police state built on social injustice relying on pretended moral puritanism in order to save the system. This happens at the price of huge human suffering like the drama in the center of the story, and here is the painter as a witness, living the dilemma of becoming involved as a human or remaining a witness as an artist. We know what path Goya chose.
I was not unhappy neither with the acting, nor with the story line, although it is a little bit too melo-dramatic and too much prone to coincidences. Forman is not so much focused on the drama or better say melo-drama, or even in the historical detail, although he seems to be on familiar ground getting back to the period in 'Amadeus'. What he is busy with seems to be more re-creating some of Goya's paintings and prints and tracing back the origin of inspiration of these masterpieces. In a way the film can be read as justification of the choice Goya made in life.