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Richard Wenk (written by)
3 March 2006 (USA) more
For a New York cop and his witness, the distance between life and death just got very short. more
An aging cop is assigned the ordinary task of escorting a fast-talking witness from police custody to a courthouse. There are however forces at work trying to stop prevent them from making it. full summary | full synopsis
1 nomination more
'Inside Man' Spikes the Box Office
(From Studio Briefing - Film News. 28 March 2006)
'Inside Man' Is Topside
(From Studio Briefing - Film News. 27 March 2006)
excellent suspense more (275 total)
Directed by | |||
| Richard Donner | |||
Writing credits(WGA) | ||
| Richard Wenk | (written by) | |
Produced by | |||
| D.J. Carson | .... | line producer | |
| Boaz Davidson | .... | executive producer | |
| Danny Dimbort | .... | executive producer | |
| Stephen J. Eads | .... | associate producer (as Stephen Eads) | |
| Randall Emmett | .... | producer | |
| George Furla | .... | executive producer | |
| Todd Gilbert | .... | associate producer | |
| Manfred D. Heid | .... | co-executive producer (as Manfred Heid) | |
| Derek Hoffman | .... | co-producer | |
| Jochen Kamlah | .... | co-producer | |
| Gerd Koechlin | .... | co-executive producer | |
| Josef Lautenschlager | .... | executive producer | |
| Avi Lerner | .... | producer | |
| Brian Read | .... | co-producer | |
| Hadeel Reda | .... | executive producer | |
| Ilyse A. Reutlinger | .... | associate producer (as Ilyse Reutlinger) | |
| Arnold Rifkin | .... | producer | |
| Trevor Short | .... | executive producer | |
| Andreas Thiesmeyer | .... | executive producer | |
| John Thompson | .... | producer | |
| Jim Van Wyck | .... | producer | |
Original Music by | |||
| Klaus Badelt | |||
Cinematography by | |||
| Glen MacPherson | (director of photography) | ||
Film Editing by | |||
| Steve Mirkovich | (as Steven Mirkovich) | ||
Casting by | |||
| Robin D. Cook | |||
| Louis DiGiaimo | (as Louis Di Giaimo) | ||
| Sarah Finn | (as Sarah Halley Finn) | ||
| Randi Hiller | |||
Production Design by | |||
| Arvinder Grewal | |||
Art Direction by | |||
| Brandt Gordon | |||
Set Decoration by | |||
| Steve Shewchuk | |||
Costume Design by | |||
| Vicki Graef | |||
Makeup Department | |||
| Katie Brennan | .... | second assistant makeup artist (as Kate Brennan) | |
| Rose Chatterton | .... | additional hair stylist: New York | |
| Victor DeNicola | .... | key hair stylist: New York | |
| Paul R.J. Elliot | .... | hair department head (as Paul Elliot) | |
| Lynn Gardner | .... | second assistant hair stylist | |
| Burton J. LeBlanc | .... | first assistant makeup artist (as Burton Leblanc) | |
| Suzy Mazzarese-Allison | .... | additional hair stylist: New York (as Suzy Mazzarese Allison) | |
| Rita Ogden | .... | additional makeup artist: New York | |
| Patricia Regan | .... | key makeup artist: New York | |
| Jordan Samuel | .... | makeup department head | |
| Sondra Treilhard | .... | assistant hair stylist | |
| Eleanor Sabaduquia | .... | key makeup artist: pick-up shots, Los Angeles (uncredited) | |
Production Management | |||
| D.J. Carson | .... | unit production manager | |
| Bryan Thomas | .... | unit production manager | |
| Sean Deveaux | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Eric Henriquez | .... | second assistant director: New York | |
| Tudor Jones | .... | second second assistant director: New York | |
| Matthew McLoota | .... | DGA trainee: New York (as Matt McLoota) | |
| Jayson Merrill | .... | second assistant director | |
| Christo Morse | .... | second assistant director: New York | |
| Andrew Pritchard | .... | trainee assistant director | |
| Tim Singh | .... | second assistant director | |
| Jim Van Wyck | .... | first assistant director | |
| Jonathan Wright | .... | second assistant director | |
| Karen Young | .... | third assistant director | |
| Raymond J. Duff | .... | assistant director (uncredited) | |
Special Effects by | |||
| Jim Bliz | .... | special effects technician: New York | |
| Jason Board | .... | rigging key special effects | |
| Jason Board | .... | shop foreman | |
| Jeff Brink | .... | special effects coordinator: New York | |
| Conrad V. Brink Jr. | .... | special effects technician: New York (as Conrad Brink) | |
| Edward Drohan | .... | special effects technician: New York (as Eddie Drohan) | |
| Cody Gibson | .... | on-set second assistant special effects | |
| Mike Kavanagh | .... | on-set first assistant special effects | |
| Arthur Langevin | .... | key special effects (as Art Langevin) | |
| Arthur Langevin | .... | on-set special effects coordinator (as Art Langevin) | |
| Laird McMurray | .... | special effects coordinator | |
| Shane Million | .... | assistant to special effects coordinator | |
| Marcus Rait | .... | on set key special effects | |
| Marcus Rait | .... | special effects supervisor | |
| Charlie Simunik | .... | special effects foreman: New York (as Charlie Simunek) | |
| Jeff Skochko | .... | special effects technician | |
| Steve Skochko | .... | special effects technician | |
Visual Effects by | |||
| Dennis Berardi | .... | visual effects executive producer: Mr. X Inc. | |
| Kristy Blackwell | .... | digital compositor | |
| Cyril Frederick Chu | .... | digital paint artist | |
| Rob Del Ciancio | .... | digital compositor | |
| Bonnie Dickson | .... | compositing assistant | |
| Bonnie Dickson | .... | tape operator | |
| Jeremy Dineen | .... | visual effects animator | |
| Jason Giberson | .... | film scanning and recording | |
| Robert Greb | .... | digital compositor | |
| Annu Gulati | .... | digital compositor | |
| Noel Hooper | .... | digital compositor | |
| Evan Jacobs | .... | visual effects supervisor | |
| Matt Ralph | .... | visual effects animator | |
| Chris Ross | .... | digital effects scanning | |
| Avi Salem | .... | compositor | |
| Avi Salem | .... | rotoscope artist | |
| Geoff D.E. Scott | .... | visual effects (as Geoff Scott) | |
| Michael Stewart | .... | digital compositor: Mr. X Inc. | |
| Wilson Tang | .... | digital restoration | |
| Brendan Taylor | .... | visual effects coordinator | |
| Mark Tureski | .... | film scanner operator | |
| Everette Webber | .... | digital intermediate editor | |
| Aaron Weintraub | .... | compositing supervisor | |
| Fiona Campbell Westgate | .... | visual effects producer | |
| Kyle Yoneda | .... | visual effects animator | |
Casting Department | |||
| Lisa Baylin | .... | casting assistant | |
| Tamara Hunter | .... | casting associate | |
| Millie Tom | .... | casting associate: Toronto | |
Costume and Wardrobe Department | |||
| Pam Aaron | .... | set costumer: New York | |
| Arlynn Abseck | .... | set costumer | |
| Catherine Ashton | .... | assistant costume designer | |
| Renée Bravener | .... | costumer: Mr. Willis | |
| Lynne Maureen Curtis | .... | wardrobe supervisor: New York | |
| Courtney Aura Freeman | .... | costume design production assistant: New York (as Courtney Freeman) | |
| Susan MacLeod | .... | wardrobe supervisor | |
| Roseann Milano | .... | wardrobe supervisor: New York | |
| Susan Nycz | .... | costume truck supervisor | |
| Andre Schulz | .... | costume supervisor | |
Editorial Department | |||
| JuliAnne Bonnett | .... | telecine assistant | |
| Doug Caron | .... | assistant editor: Canada | |
| Rick Grayson | .... | assistant editor | |
| Trent Johnson | .... | digital film colorist | |
| Candice Levy | .... | post-production intern | |
| Janet Ogletree | .... | first assistant editor | |
| Sarah Ogletree | .... | editorial assistant | |
| Sarah Parker | .... | post-production coordinator | |
| Mila Patriki | .... | dailies colorist | |
| Angela Rentzelos | .... | apprentice editor: Canada | |
| Mark Sahagun | .... | digital intermediate editor | |
| Devin Sterling | .... | digital intermediate producer | |
Music Department | |||
| Selena Arizanovic | .... | music coordinator | |
| Christopher Brooks | .... | score co-producer | |
| Andy Brown | .... | conductor | |
| Wolfram de Marco | .... | composer: additional music | |
| Wolfram de Marco | .... | synthesizer orchestrator | |
| Vic Fraser | .... | music preparation | |
| John Samuel Hanson | .... | technical score assistant (as John Hansen) | |
| Ian Honeyman | .... | music arranger | |
| Ian Honeyman | .... | synthesizer orchestrator | |
| Daryl B. Kell | .... | music editor (as Daryl Kell) | |
| Nathaniel Kunkel | .... | music mixer | |
| The London Metropolitan Orchestra | .... | music performed by | |
| Richard McIlvery | .... | additional music scoring engineer (uncredited ) | |
| Richard McIlvery | .... | musician: guitar solos | |
| Stephen McLaughlin | .... | score engineer | |
| Ashley Miller | .... | music supervisor | |
| Andrew Raiher | .... | music arranger | |
| Andrew Raiher | .... | synthesizer orchestrator | |
| Jochen Schild | .... | assistant to composer | |
| Jeff Toyne | .... | orchestrator | |
| John Warhurst | .... | scoring music editor | |
Transportation Department | |||
| John Coles | .... | driver | |
| Jason Leeking | .... | transportation co-captain | |
| Jennifer Mccormack | .... | driver: honeywagon | |
| Bill Hong | .... | driver: camera car and insert car (uncredited) | |
16 Blocks (Germany)
Sixteen Blocks (USA) (alternative spelling)
more
Rated PG-13 for violence, intense sequences of action, and some strong language.
USA:105 min | Philippines:110 min
2.35 : 1 more
DTS | Dolby Digital | SDDS
Canada:PG (Ontario) | UK:12A | Ireland:12A | Singapore:PG | Brazil:14 | Germany:12 | Finland:K-11 | South Korea:15 | Malaysia:U | Netherlands:12 | Philippines:PG-13 (MTRCB) | Sweden:11 | Hungary:16 | Australia:M | Argentina:Atp | Portugal:M/12 | Iceland:14 (original rating) | Denmark:11 | Norway:15 | USA:PG-13 (Certificate #41681)
Casey's Bar - 613 S. Grand Avenue, Downtown, Los Angeles, California, USA more
Mos Def's character has the name "Edward Bunker". Edward Bunker is a real life criminal turned actor (thus proving that people can change, in line with the theme of the movie), who appeared in Quentin Tarantino's Reservoir Dogs (1992). more
Revealing mistakes: When the bus drives down the alley, knocking down air conditioners, one of them falls apart, revealing it to be an empty metal box. more
[first lines]
Jack Mosley:
[tape recording] This is Detective Jack Mosley, Shield number 227. I guess this will be my last will and testament. This is for Diane. Now, they're gonna come talk to you and they're gonna tell you things. But what they tell you isn't really what happen. So Diane, I think you should know what really happened. I was trying to do a good thing.
more
Good Flower Round Moon more
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This movie was an excellent surprise. It starts slow, but stay with it. Your first look at Bruce Willis as the burnt-out over the hill cop tells you this will not be the normal shoot-em-up cop drama. The plot starts building almost instantly, unlike many movies where you have to wait through thirty minutes of fluff before the story goes anywhere. The characters in the movie are surprisingly endearing, honest and genuine. They're just normal enough to identify with. Not the standard super evil villain and valiant good guy. Bruce Willis is awesome in his role as the tired underdog struggling with the morality of torn loyalty. Mos Def, whose character's voice was a little aggravating, played an excellent supporting role. The relationship he develops with Willis'character is both surprising and humorous. Overall, the movie was tense from the start and is filled with suspense, humor and a great deal of drama. It takes some unexpected turns and has a great ending. I highly recommend it.