| Samantha Jane Polay | ... | Bonnie | |
| Paul Gordon | ... | Duncan | |
| Amber Crawford | ... | Marquez | |
| Derek Evans | ... | Christian | |
| Tony Gomez | ... | Gabriel | |
| Jose Luis Navas | ... | Snake | |
| Danilo Begovic | ... | Pinball | |
| Stephan Morris | ... | Shamon | |
| Ruben Gomez | ... | Penance | |
| Ken Robkin | ... | Ukyo | |
| Eric Townsend | ... | Kangol Guy | |
| Howard Dobinsky | ... | Doctor | |
| Deidre Washington | ... | Nurse | |
| Toby Burge | ... | Orderly #1 | |
| Jorge Carcases | ... | Orderly #2 | |
| Jorge F. Rodriguez | ... | Male Nurse | |
| Lawrence Johansen | ... | Male nurse | |
| Venezza Leon | ... | Mental Patient #1 | |
| Augustin Kennady | ... | Mental Patient | |
| Mona Giraud | ... | Mental Patient | |
| Roger Giraud | ... | Mental Patient | |
| Trish Parry | ... | Mental Patient | |
| Maggie Phillips | ... | Mental Patient | |
| rest of cast listed alphabetically: | |||
| Latanya Taylor | ... | Mental Patient | |
Directed by | |||
| Alex Ferrari | |||
Writing credits(in alphabetical order) | ||
| Alex Ferrari | story & screenplay | |
| Jorge F. Rodriguez | screenplay | |
Produced by | |||
| Michelle Clayton | .... | executive producer | |
| Alex Ferrari | .... | producer | |
| Jorge F. Rodriguez | .... | producer | |
Original Music by | |||
| Mark Roumelis | |||
Cinematography by | |||
| Angel Barroeta | |||
Film Editing by | |||
| Alex Ferrari | |||
Production Design by | |||
| Alex Ferrari | |||
| Jorge F. Rodriguez | |||
Set Decoration by | |||
| Alex Ferrari | |||
Costume Design by | |||
| Sofia Amadi | |||
Makeup Department | |||
| Alexandria Furst | .... | assistant makeup artist | |
| Megan Graham | .... | key makeup artist | |
Production Management | |||
| Jorge F. Rodriguez | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Yaniv Fituci | .... | second assistant director | |
| Caroline O'Brien | .... | first assistant director | |
Art Department | |||
| Toby Burge | .... | property master | |
| Dan Cregan | .... | conceptual art | |
| Dan Cregan | .... | storyboard artist | |
| Ken Robkin | .... | additional storyboard artist | |
| Randy Savarese | .... | construction coordinator | |
Sound Department | |||
| Eric M. Moorman | .... | production sound mixer | |
| Mark Roumelis | .... | sound designer | |
| Tim Rousseau | .... | boom operator | |
Special Effects by | |||
| Jorge F. Rodriguez | .... | practical special effects | |
| Randy Savarese | .... | practical special effects | |
| Randy Savarese | .... | special effects crew | |
Visual Effects by | |||
| Dan Cregan | .... | digital effects artist | |
| Dan Cregan | .... | storyboard artist | |
| Sean Falcon | .... | visual effects supervisor | |
| Alex Ferrari | .... | colorist | |
| Jon Krummel | .... | modeler | |
Stunts | |||
| Alex Ferrari | .... | stunt coordinator | |
| Jorge F. Rodriguez | .... | stunt coordinator | |
| Toby Burge | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Rob Baker | .... | assistant camera | |
| Angel Barroeta | .... | camera operator | |
| Dan Cregan | .... | set videographer | |
| Alex Ferrari | .... | camera operator | |
| Mike L. Germaine | .... | key grip | |
| Carlos Gomez | .... | gaffer | |
| Chris Hill | .... | grip | |
| Juan Linares | .... | gaffer | |
| Nick Monaco | .... | still photographer | |
| Jorge Parra | .... | gaffer | |
| Randy Savarese | .... | set videographer | |
| Carla Sosa | .... | first assistant camera | |
| Matthew Thiemann | .... | best boy electric | |
Costume and Wardrobe Department | |||
| Ken Robkin | .... | wardrobe designer | |
Editorial Department | |||
| Jalapeno Humperdinck | .... | post production supervisor | |
| Ricky Pierre-Louis | .... | post-production intern | |
| Tim Rousseau | .... | assistant editor | |
Other crew | |||
| Armen Arisian | .... | production assistant | |
| Ryan Carr | .... | production assistant | |
| Michael Conforti | .... | weapons advisor | |
| Tony Gomez | .... | technical advisor | |
| Lawrence Johansen | .... | production assistant | |
| Sarah Peterson | .... | script supervisor | |
Thanks | |||
| Maricruz Buendia | .... | very special thanks | |
| Cory Dolling | .... | very special thanks | |
| Robert Rodriguez | .... | special thanks | |
| Steven Spielberg | .... | very special thanks | |
| Quentin Tarantino | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| BROKEN as a feature film...what's the deal? What should be changed? | Jaktenor |
| B R O K E N hits Sundance | ftp-3 |
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| Batman Returns | Elektra | The Animatrix | Catwoman: Copycat | Catwoman |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb USA section |
PRICING ====== I have to take issue with those who have a gripe with the price of the DVD ($20 plus shipping and handling?!?!). While I understand getting the most for your dollars concept, a perspective must be used.
An indie filmmaker that puts up his own (and friends) money would like to recover SOME cost in their production. They will charge what they feel and want. How many movies have you seen at the theater in your lifetime that you wish you got your money back as well as the 2 hours you spent watching pure trash? If you look at the $20 for a 20 minute film, then yes, it is a higher cost. But to me, the 3 hours of behind he scenes and how-to-make-your-own- flick was worth the money. Heck, I would have paid $30!
You really can't compare indie films and Hollywood produced films. They are 2 different animals. Shorts like BROKEN have a smaller amount of time to show their story compared to a 2 hour feature. I'm not saying that the story has something to be desired, I'm just saying that their needs to be some leeway.
REVIEW ===== BROKEN is a great testament to what can be achieved in independent film-making. Any of the software editing programs and computers can do the job of larger productions. That is clearly evident in this film.
Wardrobe and props gave this film some great production value (love the wheelchair), and the visual effects were very... effective.
As far as the story, I feel confused about it probably because I felt like I wanted to know more about the characters (thus, one downfall of a short film). That aside, I am happy for these filmmakers that seem to be getting a shot at a feature version.
I would draw similarities to BROKEN like FIREFLY to SERENITY (not in terms of story, but more what the potential is). FIREFLY ended way too soon, but fan support got 1 feature length movie out of it after cancellation of their TV series. I don't know what other show has gotten that kind of push after only one season.
Personally BROKEN is inspiring and engaging. Could the story be better? Sure. Is it a victim of eye candy? Maybe. But that's not what I bought it for. I bought it as a fan, and want to be able to say "I was with them from the beginning."
--Darren