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Vantage Point (2008)
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Overview
User Rating:
Release Date:
22 February 2008 (USA) moreTagline:
8 Strangers. 8 Points of View. 1 Truth. morePlot:
The attempted assassination of the American President is told and re-told from several different perspectives. full summary | full synopsisAwards:
1 win moreNewsDesk:
(90 articles)
‘Vantage Point’ Director Pete Travis To Update Shakespeare’s ‘Macbeth’ (From MTV Movies Blog. 23 June 2009, 11:00 AM, PDT)
Pete Travis is Set to 'Come Like Shadows'
(From ioncinema. 23 June 2009)
User Comments:
Surprisingly good from my vantage point moreCast
(Cast overview, first billed only)| Dennis Quaid | ... | Thomas Barnes | |
| Matthew Fox | ... | Kent Taylor | |
| Forest Whitaker | ... | Howard Lewis | |
| Bruce McGill | ... | Phil McCullough | |
| Édgar Ramírez | ... | Javier (as Edgar Ramirez) | |
| Saïd Taghmaoui | ... | Suarez | |
| Ayelet Zurer | ... | Veronica | |
| Zoe Saldana | ... | Angie Jones (as Zoë Saldana) | |
| Sigourney Weaver | ... | Rex Brooks | |
| William Hurt | ... | President Ashton | |
| James LeGros | ... | Ted Heinkin (as James Le Gros) | |
| Eduardo Noriega | ... | Enrique | |
| Richard T. Jones | ... | Holden | |
| Holt McCallany | ... | Ron Matthews | |
| Leonardo Nam | ... | Kevin Cross |
Additional Details
MPAA:
Rated PG-13 for sequences of intense violence and action, some disturbing images and brief strong language.Parents Guide:
View content advisory for parentsRuntime:
90 minCountry:
USAColour:
ColourAspect Ratio:
2.35 : 1 moreCertification:
South Korea:15 | Finland:K-13 | Canada:13+ (Quebec) | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | Hong Kong:IIA | Malaysia:U | Norway:15 | Australia:M | Philippines:PG-13 (MTRCB) | Singapore:PG | USA:PG-13 (certificate #42768) | Ireland:12A | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Germany:12 | Sweden:11 | Netherlands:12 | Argentina:13 | Taiwan:PG-12 | UK:12A | Malta:12 | Greece:K-13 | Portugal:M/12 | Brazil:14 | Peru:14 | Canada:14A | New Zealand:MFun Stuff
Trivia:
There were talks between the studio and the Salamanca Film Commision to shoot the entire film in the Spanish city, but it was considered inviable after the local authorities refused to close the Plaza Mayor during nearly 3 months. As a result, the production was moved to the Mexican cities of Cuernavaca and Puebla. Only the scenes filmed from the air were shot in the real Salamanca. moreGoofs:
Continuity: During the car chase between the police car and Barnes in the Astra the same red Volkswagen Golf (Rabbit) keeps reappearing. moreQuotes:
[first lines]Mark Reinhart: Good morning, America. It's now 12 noon in Salamanca, Spain. In a short time, world leaders from over 150 countries meet here in Plaza Mayor to sign up to President Ashton's bold new counterterrorist strategy. Since 9/11, more than 4500 people have been killed in the rising tide of global terror...
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FAQ
How much sex, violence, and profanity are in this movie?Was the satellite in the trailer a shot from Resident Evil: Extinction?
A Note Regarding Spoilers
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I must admit I went into the theatre interested, but skeptical. Slowly, I got drawn into things, and by the time the we were at the fourth vantage point, I was fascinated by how all the stories interrelated with each other, and wondering the story would end up.
The acting is uniformly excellent, especially that of Dennis Quaid, who I had previously considered a mostly comic actor, but is very convincing here as a Secret Service agent.
The direction and script are also excellent, especially when you consider both are first-timers in the world of feature films. The script was not without its clichés, but I didn't see most of the plot twists coming, which I can usually spot coming a mile away in a film like this. There was one real groaner of a plot twist that you'd have to be an idiot not to see, but it goes by so fast that it doesn't really matter.
A lot of the audience in the screening I was at got frustrated by the repeated sections, obviously having no attention span. But once the third act of the film kicks into gear, everybody stopped complaining.
Speaking of which, the third act is the payoff which we've all been waiting for. Seeing all the plot threads converge in such a convincing matter was nice, as was the final action scene, which seems like it was plucked right out of one of the Bourne films. This comes as little surprise, since director Pete Travis and Bourne series director Paul Greengrass have worked together in the past.
As skeptical as I had gone in, I came out impressed. Not since The Bourne Ultimatum have I seen such a convincing, engrossing action thriller.