| Eric Ambler | ... | Bren gun instructor (uncredited) | |
| Ivor Barnard | ... | Photographer (uncredited) | |
| Robert Donat | ... | Actor (uncredited) | |
| Ian Fleming | ... | Medical Officer (uncredited) | |
| Philip Godfrey | ... | Art Wallace (uncredited) | |
| Kathleen Harrison | ... | Keith's mother (uncredited) | |
| Bryan Herbert | ... | Soldier (uncredited) | |
| Raymond Huntley | ... | Barrington (uncredited) | |
| Mike Johnson | ... | Railway Porter (uncredited) | |
| Geoffrey Keen | ... | Corporal (uncredited) | |
| John Laurie | ... | Harry Fyfe (uncredited) | |
| Bernard Lee | ... | Interviewing officer (uncredited) | |
| Albert Lieven | ... | Czech Soldier (uncredited) | |
| Bernard Miles | ... | Ted Loman (uncredited) | |
| Stewart Rome | ... | Officer (uncredited) | |
| Johnnie Schofield | ... | Homeguard Sgt (uncredited) | |
| John Slater | ... | Soldier in truck (uncredited) | |
| Austin Trevor | ... | Soldier talking to Corporal (uncredited) | |
| Peter Ustinov | ... | Keith (uncredited) |
Directed by | |||
| Carol Reed | |||
Writing credits(in alphabetical order) | ||
| Eric Ambler | writer | |
| Peter Ustinov | writer | |
Original Music by | |||
| Richard Addinsell | |||
Cinematography by | |||
| John Wilcox | (uncredited) | ||
Film Editing by | |||
| Reginald Mills | (uncredited) | ||
Art Direction by | |||
| Lawrence Broadhouse | (uncredited) | ||
Makeup Department | |||
| Joan Johnstone | .... | hair stylist (uncredited) | |
| Charles E. Parker | .... | makeup artist (uncredited) | |
Production Management | |||
| Thorold Dickinson | .... | production manager (uncredited) | |
| Ray Pitt | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Roy Goddard | .... | assistant director | |
Sound Department | |||
| John Cox | .... | sound supervisor | |
| Ray Palmer | .... | sound recordist (uncredited) | |
Camera and Electrical Department | |||
| Freddie Francis | .... | camera operator | |
| Maurice Gillett | .... | electrician | |
| Peter Newbrook | .... | director of photography: second unit | |
| Norman Warwick | .... | camera operator | |
Music Department | |||
| Roy Douglas | .... | orchestrator (uncredited) | |
| Alan Rawsthorne | .... | conductor (uncredited) | |
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| The True Glory | The Way Ahead | The Life and Death of Colonel Blimp | A Bridge Too Far | Ill Met by Moonlight |
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| Full cast and crew | Company credits | IMDb War section |
| IMDb UK section | Add this title to MyMovies |
Made by the Army Kinetographic Service, this training film was aimed at conscripts. This short film takes five different raw recruits and shows how, during basic training, they gradually come to terms with both their new role in the Army and the need for them to fight.
The Director, Captain Carol Reed, and the writers, Lieutenant Eric Ambler and Private Peter Ustinov, of this film were later released by the War Office to direct and write "The Way Ahead" (1944) starring David Niven. This feature film was modelled on "The New Lot", though it included officers as well as conscripts, and was intended to do for the Army what "In Which We Serve" had done for the Royal Navy.
Quite neatly done, "The New Lot" starts with the recruits each in their last days in their very different civilian environments. They all embark a train - pulled by the Southern Railway's Lord Nelson Class locomotive "Sir Walter Raleigh" (BR No. 30852 - built 1928 and withdrawn from service in 1962) - where they begin to get to know each other en route for the training barracks.
It's propaganda, of course, and not very exciting but it will raise a smile here and there. It will certainly be of interest to those who know classic British cinema and TV from the 1940s to the 1980s. Look out for some famous names and well-known faces.
This short was released on a region-free DVD called "The Next of Kin" by DD Home Entertainment in the UK in 2005, as part of the Imperial War Museum official collection.