| Photos (See all 21 | slideshow) | Videos (see all 6) |
| Shauna Macdonald | ... | Sarah | |
| Natalie Mendoza | ... | Juno | |
| Alex Reid | ... | Beth | |
| Saskia Mulder | ... | Rebecca | |
| MyAnna Buring | ... | Sam | |
| Nora-Jane Noone | ... | Holly | |
| Oliver Milburn | ... | Paul | |
| Molly Kayll | ... | Jessica | |
| Craig Conway | ... | Crawler - Scar | |
| Leslie Simpson | ... | Crawler | |
| Mark Cronfield | ... | Crawler | |
| Stephen Lamb | ... | Crawler (as Steve Lamb) | |
| Catherine Dyson | ... | Crawler | |
| Julie Ellis | ... | Crawler | |
| Sophie Trott | ... | Crawler | |
| Tristan Matthiae | ... | Crawler | |
| Stuart Luis | ... | Crawler | |
| Justin Hackney | ... | Crawler |
Directed by | |||
| Neil Marshall | |||
Writing credits(in alphabetical order) | ||
| Neil Marshall | ||
Original Music by | |||
| David Julyan | |||
Cinematography by | |||
| Sam McCurdy | |||
Film Editing by | |||
| Jon Harris | |||
Casting by | |||
| William Davies | |||
| Gail Stevens | |||
Production Design by | |||
| Simon Bowles | |||
Art Direction by | |||
| Jason Knox-Johnston | |||
Costume Design by | |||
| Nancy Thompson | |||
Makeup Department | |||
| James Adams | .... | prosthetics assistant | |
| Jo Budden | .... | prosthetics assistant (as Joanna Budden) | |
| Stuart Conran | .... | senior prosthetic makeup artist | |
| Jacqueline Fowler | .... | prosthetic makeup effects artist (as Jackie Fowler) | |
| Jo Hannford | .... | hair stylist: MyAnna Buring | |
| Jennifer Harty | .... | makeup supervisor | |
| Paul Hyett | .... | special makeup effects designer | |
| Vicki Lang | .... | makeup supervisor (as Vickie Lang) | |
| Tanya Lodge | .... | makeup designer | |
| Chris Lyons | .... | special effects teeth | |
| Neil Morrill | .... | special makeup effects artist (as Neil Morille) | |
| Sandrine Mugglestone | .... | makeup trainee: FT2 | |
| Conal Palmer | .... | senior prosthetic makeup effects artist | |
| Robin Pritchard | .... | senior prosthetic makeup effects artist | |
| Robin Pritchard | .... | special makeup supervisor | |
| Stuart Sewell | .... | prosthetic makeup effects artist | |
| Dawn Stewart | .... | prosthetics assistant | |
| Daniel Vidal | .... | trainee sculptor | |
| Simon Webber | .... | lead sculptor | |
| Samia Wood | .... | prosthetics technician | |
Production Management | |||
| Jeanette Haley | .... | post-production supervisor | |
| Jennifer Wynne | .... | production manager | |
Art Department | |||
| David Abbott | .... | stand-by carpenter | |
| Barry Amos-Yeo | .... | greens assistant | |
| Kevin Amos-Yeo | .... | greens assistant | |
| Graham Baker | .... | stand-by rigger | |
| Paul Bradburn | .... | dressing props | |
| Alfie Burgess | .... | stand-by props | |
| Dean Clegg | .... | stand-by art director | |
| Jim Cornish | .... | storyboard artist | |
| Gary Dempsey | .... | painter | |
| Billy Edwards | .... | stand-by props | |
| Michael Kelm | .... | props | |
| Johnny Mann | .... | sculptor supervisor | |
| Jon Marson | .... | head greensman | |
| Jono Moles | .... | construction manager | |
| Lucy Moles | .... | construction coordinator | |
| Helen Morgan | .... | art department trainee | |
| Harry Pain | .... | art department assistant | |
| Barnaby Papworth | .... | carpenter | |
| Jo Sansom | .... | art department runner | |
| Zoe Smith | .... | production buyer | |
| Terry Stinson | .... | dressing props | |
| Terry Wood | .... | property master | |
| Terry Woods | .... | property master | |
| Thomas Jones | .... | mold maker (uncredited) | |
Sound Department | |||
| Stuart Bagshaw | .... | foley recordist | |
| James Bennett | .... | adr recordist | |
| Oliver Brierley | .... | assistant sound re-recording mixer | |
| Wayne Brooks | .... | adr editor | |
| Paul Carter | .... | foley editor | |
| Matthew Collinge | .... | supervising sound editor | |
| Ed Evers-Swindell | .... | additional crawler sound effects | |
| Robert Farr | .... | adr recordist | |
| Colin Gregory | .... | boom operator | |
| Nigel Heath | .... | sound re-recording mixer | |
| David Hoskins | .... | additional sound designer | |
| Claire Mahoney | .... | foley artist | |
| Michael Maroussas | .... | sound effects editor | |
| Joseph Paines | .... | FT2 sound trainee | |
| Jacques Plante | .... | adr supervisor | |
| Rob Prynne | .... | adr editor | |
| Jamie Roden | .... | adr mixer | |
| Danny Sheehan | .... | supervising sound editor | |
| Nick Thermes | .... | sound mixer | |
Special Effects by | |||
| Paul Hyett | .... | special effects makeup designer | |
| Clive R. Kay | .... | special effects contact lenses | |
| Richard Magrin | .... | special effects crew | |
| Neil Morrill | .... | special effects makeup | |
| Christine Overs | .... | fabricator: animals | |
| John Rafique | .... | special effects supervisor (as Johnny Rafique) | |
| Nick Rideout | .... | special effects supervisor | |
| Nick Smith | .... | senior special effects technician | |
| Mark Vanstone | .... | senior special effects technician | |
| Simon Webber | .... | lead sculptor | |
| Mark White | .... | model maker | |
| Stuart Wishart | .... | animatronics designer | |
Visual Effects by | |||
| Bob Ballan | .... | senior model maker | |
| James Ballan | .... | model maker | |
| Ritchie Beacham-Paterson | .... | post production manager: Lipsync Post | |
| Lee Clappison | .... | colourist | |
| Ivan Cornell | .... | digital lab systems support: Lipsync Post | |
| Neil Damman | .... | digital compositor: Mattes & Miniatures | |
| William Foxwell | .... | digital lab operator: Lip Sync Post (as Will Foxwell) | |
| Scott Goulding | .... | digital lab operator | |
| David Hewitt | .... | model maker (as David Hewit) | |
| Katja Hollmann | .... | digital lab supervisor: Lipsync Post | |
| Sue Lin | .... | model maker | |
| Alasdair MacCuish | .... | digital grade producer: Lipsync Post | |
| James Manning | .... | model maker | |
| Adrian Oostergetel | .... | digital effects artist | |
| Mike Peel | .... | model maker | |
| Adrian Platt | .... | digital matte artist: Mattes & Miniatures | |
| Leigh Took | .... | visual effects supervisor | |
| Howard Watkins | .... | visual effects supervisor: Lip Sync Post | |
| Phillip West | .... | camera operator: miniature effects | |
| Julia Hall | .... | digital effects artist (uncredited) | |
| Angela Rose | .... | visual effects (uncredited) | |
Stunts | |||
| Claire Alderton | .... | stunt assistant | |
| George Cottle | .... | stunt performer | |
| Ray De-Haan | .... | stunt double | |
| Jim Dowdall | .... | stunt coordinator | |
| John Fell | .... | wire assistant | |
| Stephen Fell | .... | wire assistant | |
| Steve Griffin | .... | stunt coordinator (as Steve 'Street' Griffin) | |
| Paul Hornsby | .... | stunt assistant: additional photography | |
| Paul Hornsby | .... | stunt supervisor | |
| Rob Hunt | .... | stunt double | |
| Kim McGarrity | .... | stunt double | |
| Daz Parker | .... | stunt double | |
| Robert Schofield | .... | wire supervisor (as Bob Schofield) | |
| Lee Sheward | .... | stunt driver | |
| Roy Weatherley | .... | wire effects | |
| Maxine Whittaker | .... | stunt double | |
| David Williams | .... | wire effects | |
Camera and Electrical Department | |||
| Alex Bailey | .... | still photographer | |
| Rami Bartholdy | .... | camera trainee: second unit | |
| Sergio Bernuzzi | .... | key grip | |
| Ashley Bond | .... | focus puller: second unit | |
| Tim Driscoll | .... | best boy | |
| Warwick Drucker | .... | additional crane grip | |
| Dai Evans | .... | crane grip | |
| Tony Fabian | .... | grip: second unit | |
| Kate Filby | .... | clapper loader: second unit | |
| Jon Garwes | .... | focus puller | |
| Ross Grainger | .... | electrician | |
| Rodrigo Gutierrez | .... | director of photography: second unit | |
| John Heald | .... | grip: second unit | |
| Alice Hobden | .... | clapper loader: second unit | |
| Phil Humphries | .... | clapper loader | |
| Bob Milton | .... | electrician | |
| Ang Richards | .... | camera trainee: FT2 | |
| Andrew Robertson | .... | video assist operator | |
| Steve Slocombe | .... | best boy | |
| Andrew Taylor | .... | gaffer | |
| John Taylor | .... | Steadicam operator | |
| Neil Tomlin | .... | crane technician dailies | |
| Amelia Troubridge | .... | still photographer | |
| Matthew Waving | .... | camera trainee | |
| Dave Wells | .... | trainee grip | |
| Gareth Williams | .... | electrician | |
Casting Department | |||
| David Wheal | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Helen Ingham | .... | costume supervisor | |
| Catherine Jordan | .... | costume trainee: FT2 | |
| Kate Laver | .... | costume assistant | |
Editorial Department | |||
| Ritchie Beacham-Paterson | .... | digital lab production manager: Lip Sync Post | |
| Siobhan Boyes | .... | post-production coordinator | |
| Lee Clappison | .... | colorist | |
| Alasdair MacCuish | .... | digital lab producer: Lip Sync Post | |
| Alexandra Montgomery | .... | post-production coordinator | |
| Russell Pawson | .... | HD DVD conform editor | |
| Kevin Phelan | .... | digital lab head of post-production: Lip Sync Post | |
| Catriona Richardson | .... | assistant editor (as Tina Richardson) | |
| Jason Wheeler | .... | negative cutter | |
Music Department | |||
| Chris Barrett | .... | score assistant | |
| Terry Edwards | .... | choir conductor | |
| Andrew Glen | .... | music editor (as Andy Glen) | |
| Isobel Griffiths | .... | musicians contractor | |
| Martyn Harry | .... | music arranger: choral | |
| Nick Ingman | .... | conductor | |
| Dana Niu | .... | orchestrator | |
| Steve Orchard | .... | score mixer | |
| Steve Orchard | .... | score recordist | |
| Emily Rogers Swanson | .... | music editor (as Emily Rogers) | |
| Bill Silcock | .... | music preparation | |
| Ian Wood | .... | assistant scoring engineer | |
| Gavyn Wright | .... | orchestra leader | |
Transportation Department | |||
| Chris Mayhead | .... | driver: cast | |
| Colin Simmons | .... | driver | |
|
|
|
|
|
| Centurion | Demons | Twitch of the Death Nerve | The Descent: Part 2 | Deep Red |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb UK section |
After watching "The Descent", my bud Robert and I decided that spelunking would now come off both our "To Do" listsfor good. Writer and Director Neil Marshall's "The Descent" crafts and sustains an unrelenting tension throughout, once you get past the suspended disbelief. As I watched the women one by one crawl through the tiny water filled crevice to enter the caverns somewhere in the Appalachian Mountains, I thought, "How are they going to get back? They've got to be nuts!" Well, you just have to go with it. Well, kind of. Fortunately, director Marshall effectively pretexts the story. The prior thrill-seeking jaunt for the group was a white water rafting trip. Following that trip, Sarah (Shauna MacDonald) suffers a life altering tragedy. A year later, Sarah and her close friend Beth (Alex Reid) join up with the gang at a cabin in the Appalachians. The 6 women are gearing up for a cave exploration trip headed by Juno (Natalie Mendoza). Apparently, Juno regrets not being there for Sarah following her personal tragedy and recovery. Juno sees this trip as an opportunity to empower Sarah. Those along for the ride include Becca (Saskia Mulder), Sam (MyAnna Buring), and Holly (Nora-Jane No one).
The trip starts out curious enough when Juno (Mendoza) discards her map of the caves. The women proceed, and are undeterred by the telltale signs of mysterious animal carcasses. Not surprisingly, the cave exploration goes horribly wrong. They are lost without a clue how to get out, and they are being hunted by terrifying fleshing eating creatures. So the women are literally in the fight for their lives. Marshall masterfully orchestrates the mood and tension. My bud Robert keenly pointed out that what really works in "The Descent" is that it never evolves into a trite action movie. No one screams, "Take that you, Mother F-----!" Granted Marshall may have intended his story as an empowerment allegory. The women are authentically terrified, and fight with all their courage and heart amidst their overwhelming fear. Somehow while they are thrashing and being thrashed by the fierce creatures, it is all strangely believablestrangely. Rather it gets you thinking: "Would I do the same?" Sarah (Macdonald) and Juno (Mendoza) in particular emerge as forces to be reckoned with. Mendoza's Juno warrior spirit is consistent and engagingshe is the brash leader. MacDonald is powerful and believable in Sarah's emergence as a heroic presence. All the performances are strong throughout.
Marshall maintains a claustrophobic feel and keeps us on edge. The unveiled details involving the cave creatures regarding their possible evolution is a nice touch. "The Descent" has to be one of the most gory horror movies with realistic violenceand I am not a big horror fan. However, I am a big hero fan. "The Descent" has great women heroes. Shauna Macdonald and Natalie Mendoza are awesome. "The Descent" is a wild tension filled ride. At the very end one wonders, "What next?"