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Finn Taylor (written by)
5 July 2006 (United Arab Emirates) more
A forensic detective (Fiennes) and an insurance claims investigator (Ryder) trek to investigate a potential Darwin Award winner. From www.darwinawards.com: "The Darwin Awards salute the improvement of the human genome by honoring those who accidentally kill themselves in really stupid ways." | full synopsis
"There's No Story In The Book!" - Six Films Adapted From Non-Narrative Nonfiction
(From IFC. 5 February 2009, 7:22 AM, PST)
Sundance 2006: Wrap Up
(From ioncinema. 30 January 2006)
not going to win a nobel peace prize...but more (30 total)
Directed by | |||
| Finn Taylor | |||
Writing credits(WGA) | ||
| Finn Taylor | (written by) | |
Produced by | |||
| Jason Blum | .... | producer | |
| Debbie Brubaker | .... | co-producer | |
| Dieter Busch | .... | associate producer | |
| Frank Capra III | .... | co-producer | |
| Charles Hsiao | .... | executive producer | |
| Laurel Ladevich | .... | post producer | |
| Andy Mayson | .... | co-executive producer | |
| Christos Michaels | .... | associate producer | |
| Joseph Middleton | .... | associate producer | |
| Laurie Miller | .... | executive producer | |
| Peter Naish | .... | co-executive producer | |
| Steven Siebert | .... | executive producer | |
| Jane Sindell | .... | producer | |
| Johnny Wow | .... | producer | |
Original Music by | |||
| David Kitay | |||
Cinematography by | |||
| Hiro Narita | (director of photography) | ||
Film Editing by | |||
| Rick LeCompte | |||
Casting by | |||
| Nina Henninger | |||
| Joseph Middleton | |||
Production Design by | |||
| Peter Jamison | |||
Art Direction by | |||
| Don Day | |||
Set Decoration by | |||
| Katherine Covell | |||
Costume Design by | |||
| Amy Brownson | |||
Makeup Department | |||
| Karen Bradley | .... | personal makeup artist | |
| Gretchen Davis | .... | makeup department head | |
| Yvette Rivas | .... | department head hair | |
| Yvette Rivas | .... | personal hair stylist | |
| Sara J. Wielandt | .... | first hair assistant | |
Production Management | |||
| Angela Mixan | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Dieter 'Dietman' Busch | .... | second assistant director | |
| Frank Capra III | .... | first assistant director | |
| Sean Vawter | .... | second second assistant director | |
Art Department | |||
| Max Baloian | .... | set dresser | |
| Max Baloian | .... | swing | |
| Matt Barrie | .... | art intern | |
| Richard Baum | .... | property master (as Rich Baum) | |
| Amy Gatzert | .... | art department coordinator | |
| Anne Marie Hamill | .... | set dresser | |
| Guy Harrington | .... | lead set dresser | |
| Sean House | .... | assistant property master | |
| Christopher Kristant | .... | shop foreman | |
| Jessica M. Lapin | .... | on-set dresser | |
| Linda Lodico | .... | set dresser | |
| Patrick Ludden | .... | property master | |
| Jill Anne Miller | .... | graphic designer: props | |
| Russ Milligan | .... | construction coordinator | |
| Annie Mueller | .... | assistant property master | |
| Katherine L. Murphy | .... | art intern | |
| Eric Olson | .... | art intern | |
| Mark Van Osborne II | .... | swing gang | |
| Sarah Shores | .... | construction foreman | |
Sound Department | |||
| Michael Aarvold | .... | sound recordist | |
| Brian Dettor | .... | boom operator: day-play | |
| Sean England | .... | foley recordist | |
| Anthony Faust | .... | adr mixer | |
| Erik Foreman | .... | sound editor | |
| Bob Gitzen | .... | sound mixer | |
| Etina Hom | .... | boom operator | |
| Kris Kristofferson | .... | sound intern | |
| Brian Magerkurth | .... | sound mix technician | |
| Gene Radzik | .... | stereo sound consultant: Dolby | |
| Gwendolyn Yates Whittle | .... | dialogue editor | |
Special Effects by | |||
| Yves De Bono | .... | special effects coordinator | |
| Scott Dwyer | .... | special effects technician | |
| Ken Gorrell | .... | on-set coordinator | |
| Sean House | .... | specialty prop constructor | |
| Matt Kutcher | .... | special effects supervisor | |
| Arthur G. Schlosser | .... | snow effects technician | |
| Jennifer M. Sheppard | .... | special effects project coordinator | |
Visual Effects by | |||
| John L. Jack | .... | executive producer: Evil Eye Pictures | |
| Douglas R. MacMillan | .... | digital compositor | |
| Matt McDonald | .... | visual effects supervisor: Evil Eye Pictures | |
| Scott Raymond | .... | intern: elementFX | |
| Daniel P. Rosen | .... | visual effects supervisor: Evil Eye Pictures | |
| Marjolaine Tremblay | .... | visual effects supervisor: elementFX | |
Stunts | |||
| Thomas M. Ficke | .... | stunt double | |
| Kevin Larson | .... | stunt double | |
| Tim Meredith | .... | stunt double | |
| Cain Smead | .... | utility stunts | |
| Dick Ziker | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Eric Blum | .... | gaffer | |
| Jeph Folkins | .... | camera loader | |
| Donovan Gates | .... | grip | |
| Emily L.G. Goodwin | .... | camera intern | |
| Paul Marbury | .... | assistant camera | |
| Gerardo Merino | .... | grip | |
| David Moir | .... | still photographer | |
| Georgia Packard | .... | camera operator | |
| Georgia Packard | .... | director of photography: second unit | |
| John M. Perry | .... | grip | |
| Sean Prichard | .... | best boy grip | |
| Sophie Shellenberger | .... | electrician | |
| Todd Stoneman | .... | key grip | |
| Paciano Triunfo | .... | dolly grip | |
Casting Department | |||
| Nina Henninger | .... | location casting | |
| Sarah Kliban | .... | background casting | |
| Sarah Kliban | .... | location casting associate | |
Costume and Wardrobe Department | |||
| Denny Colliver | .... | costume supervisor | |
| Chan Thai | .... | costumer | |
Editorial Department | |||
| Heather Baker | .... | post-production coordinator | |
| Catherine Roehl | .... | post-production controller | |
Music Department | |||
| Michael Aarvold | .... | score recordist | |
| Christine Bergren | .... | music legal and clearance | |
| Robin Lee | .... | music editor | |
| William Levine | .... | orchestrator | |
| Charles Raggio | .... | music supervisor | |
| George Shaw | .... | conductor | |
| George Shaw | .... | orchestrator | |
| Andrea von Foerster | .... | music coordinator | |
| Dan Wallin | .... | music scoring mixer | |
Transportation Department | |||
| John Bromstead | .... | driver | |
| Bundy Chanock | .... | transportation | |
| Glenn Mack | .... | transportation coordinator | |
Other crew | |||
| Deirdre Ashby | .... | stand-in | |
| Heather Baker | .... | assistant: Ms Sindell & Mr Wow | |
| Brad Beedle | .... | set medic | |
| Cathryn Blum | .... | location manager | |
| Atticus Culver-Rease | .... | office production assistant | |
| Jamison Empey | .... | post-production accountant | |
| Pamela Wei Endrina | .... | clearance/product placement coordinator | |
| Andrew Epstein | .... | assistant: Mr. Blum | |
| Megan Fenton | .... | intern | |
| Nora L. Ferris | .... | insurance broker | |
| W. Harry Fortuna | .... | location production assistant | |
| Ulises Franco | .... | intern (as Randy Franco) | |
| Marcy Guiragossian | .... | photo double: Winona Ryder | |
| Marcy Guiragossian | .... | set production assistant | |
| Kristian Hansen | .... | key assistant location manager | |
| Jeffrey E. Kramer | .... | key set production assistant (as Jeff Kramer) | |
| Matthew Labate | .... | production coordinator | |
| Dionne Lotivio | .... | intern | |
| Jim Maguire | .... | key set production assistant | |
| Lisette Perelle | .... | assistant: Mr. Taylor | |
| Irwin M. Rappaport | .... | production attorney | |
| Amy Sauro | .... | assistant: Mr. Fiennes | |
| John Patrick Shulak | .... | stand-in | |
| Carlo Silvio | .... | epk director | |
| Kelly Sollars | .... | intern | |
| Susan Stuart | .... | assistant product placement | |
| Amy Louise Tripodi | .... | assistant: Ms. Ryder (as Amy Tripodi) | |
| Brad Ungar | .... | intern | |
| Darryl Vance | .... | title designer | |
| Claire Varney | .... | unit publicist | |
| Michael Greggans | .... | stand-in (uncredited) | |
Thanks | |||
| Cliff Bernstien | .... | special thanks | |
| Sean Penn | .... | special thanks | |
| Helen Wang | .... | special thanks | |
| Ray Arthur Wang | .... | special thanks | |
Rated R for language, violent images, some sexuality and drug use.
USA:94 min (DVD version)
1.85 : 1 more
USA:R | Malaysia:(Banned) | Finland:K-15 | South Korea:18 | Australia:M | Japan:PG-12 | New Zealand:M | Australia:MA (TV rating)
Metallica are performing their song "Sad but true" in the film. It was recorded at a regular live show in Salt Lake City on November 22, 2004. The show was interrupted during "Sad but True" but the song was only played once. To celebrate the premier of the movie at the Sundance Film Festival on Wednesday, January 25, 2006, the band played at a private party following the screening that day. more
Continuity: James Hetfields guitar changes a few times during one song in the concert scene. First he starts with the Ken Lawrence Explorer, then he has the Gibson Les Paul "Iron Cross", only to end up with an ESP Truckster. more
Sad but True more
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Definitely a great entertaining film. Not saying that because I'm a child or have little intelligence (thank you previous commenter for that insightful look into my iq). This movie was pretty simplistic...did the people who rated it that bad want this to be an in-depth soul searching look into the darwin awards? Did they want more politics thrown in for more intellectual fare? Why were they bothered so? I'm really getting annoyed with how some people will tear apart a movie so voraciously you'd think the movie's creators killed their dog for something. I mean, hell, tear apart real fluff like "wild hogs" or something. So it didn't live up to your super high expectations, but hell, not every movie is going to move your soul. And this one was named "darwin awards" what did you expect??? It's like thinking the movie "Idiocracy" will change our education system for the better. This movie was not pee your pants funny, but it was funny on par with "America's funniest videos". Not going to rock your world, but gives you pleasure for about 1.5 hours. Me and my husband liked it and would definitely recommend it. (And not just because my father-in-law may someday qualify for the Darwin Awards. ;) ) So it was filmed documentary style, I think it added a bit of spice-especially when he wouldn't call 911. The love interest thing well, at least we didn't get full on cheese. I don't know if anyone knows this...but anytime you travel with a good looking man or woman and they are single and you spend every waking moment with them, lust or love will ALWAYS come up. That's what humans do.