| Photos (see all 41 | slideshow) | Videos (see all 18) |
Directed by | |||
| Edgar Wright | |||
Writing credits | ||
| Edgar Wright | (written by) & | |
| Simon Pegg | (written by) | |
Produced by | |||
| Karen Beever | .... | associate producer | |
| Tim Bevan | .... | producer | |
| Eric Fellner | .... | producer | |
| Nira Park | .... | producer | |
| Ronaldo Vasconcellos | .... | line producer | |
| Natascha Wharton | .... | executive producer | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| Jess Hall | (director of photography) | ||
Film Editing by | |||
| Chris Dickens | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Marcus Rowland | |||
Art Direction by | |||
| Dick Lunn | |||
Set Decoration by | |||
| Liz Griffiths | |||
Costume Design by | |||
| Annie Hardinge | |||
Makeup Department | |||
| Candice Banks | .... | hair stylist | |
| Candice Banks | .... | makeup artist | |
| Tricia Cameron | .... | additional hair stylist (as Trisha Cameron) | |
| Tricia Cameron | .... | additional makeup artist (as Trisha Cameron) | |
| Tony Lilley | .... | hair stylist | |
| Tony Lilley | .... | makeup artist | |
| Darren Long | .... | additional hair stylist | |
| Darren Long | .... | additional makeup artist | |
| Deborah Taylor | .... | additional hair stylist (as Debbie Taylor) | |
| Deborah Taylor | .... | additional makeup artist (as Debbie Taylor) | |
| Kate Thompson | .... | additional hair stylist | |
| Kate Thompson | .... | additional makeup artist | |
| Tristan Versluis | .... | prosthetics supervisor | |
| Jane Walker | .... | hair designer | |
| Jane Walker | .... | makeup designer | |
| Eve Wignall | .... | additional hair stylist | |
| Eve Wignall | .... | additional makeup artist | |
Production Management | |||
| James Biddle | .... | production manager | |
| Tania Blunden | .... | post-production supervisor | |
| John David Gunkle | .... | unit manager | |
| Angela Morrison | .... | chief operating officer: Working Title Films | |
| Michelle Wright | .... | executive in charge of production: Working Title Films | |
Second Unit Director or Assistant Director | |||
| Dan Channing-Williams | .... | third assistant director | |
| Michael Elliott | .... | first assistant director (as Mike Elliott) | |
| Nathan Holmes | .... | additional first assistant director | |
| Charlie Leech | .... | additional first assistant director | |
| Jeremy Lovering | .... | second unit director | |
| Samar Pollitt | .... | additional third assistant director | |
| Jack Ravenscroft | .... | additional first assistant director | |
| Gareth Tandy | .... | additional first assistant director | |
| Anthony Wilcox | .... | second assistant director | |
Art Department | |||
| Rachel Atherton | .... | additional scenic painter | |
| Ed Barker | .... | additional stand-by propman | |
| Jenny Bowers | .... | graphic designer | |
| Jason Brown | .... | storeperson | |
| Guy Cope | .... | additional stand-by rigger | |
| Kevin Day | .... | dressing propman | |
| Brian Dowling | .... | construction manager | |
| Dave Engelman | .... | additional stand-by carpenter | |
| Richard Field | .... | stand-by art director | |
| Segan Friend | .... | stand-by propman | |
| Bryan Griffiths | .... | additional rigger (as Brian Griffiths) | |
| George Hobbs | .... | additional rigger | |
| David Horrill | .... | propmaster (as David 'Springer' Horrill) | |
| Toni Kelly | .... | stand-by rigger | |
| Pat Killeen | .... | additional rigger | |
| Dougie Lankston | .... | dressing prop daily | |
| Shay Leonard | .... | stand-by propman | |
| Syreeta Makan | .... | assistant prop buyer | |
| Jonathan Maris | .... | storyboard artist | |
| Daryn McLaughlan | .... | draughtsman | |
| Helen Morgan | .... | art department trainee: FT2 | |
| Paul Oakman | .... | additional stand-by carpenter | |
| Mark Richards | .... | additional rigger | |
| Michael Smale | .... | assistant art director | |
| Rebecca Thomas | .... | art department trainee: FT2 | |
| Rosy Thomas | .... | prop buyer | |
| Oli van der Vijver | .... | dressing propman (as Oliver Van Der Vijver) | |
| Tom Walker | .... | stand-by carpenter | |
| Danny Webster | .... | additional rigger | |
| Penny White | .... | storeperson | |
| Peter Woods | .... | dressing propman | |
| Oscar Wright | .... | storyboard artist | |
Sound Department | |||
| Annabel Acquaviva | .... | boom operator | |
| Antony Bayman | .... | adr recordist | |
| Anna Billington | .... | audio post coordinator | |
| Oliver Brierley | .... | assistant sound re-recording mixer | |
| Peter Burgis | .... | foley artist | |
| Craig Butters | .... | sound designer | |
| Andie Derrick | .... | foley artist (as Andi Derrick) | |
| Robert Edwards | .... | adr recordist | |
| Michael Fentum | .... | sound effects editor (as Mike Fentum) | |
| Richard Flynn | .... | sound equipment provider | |
| Richard Flynn | .... | sound recordist | |
| Arthur Graley | .... | foley editor | |
| Charlotte Gray | .... | cable maintenance | |
| Nigel Heath | .... | sound re-recording mixer | |
| Alex Joseph | .... | foley editor | |
| Mitch Low | .... | sound mixer: pick ups | |
| Dan Morgan | .... | adr editor | |
| Dan Morgan | .... | dialogue editor | |
| Mark Paterson | .... | sound re-recording mixer | |
| Jamie Roden | .... | adr mixer | |
| Julian Slater | .... | supervising sound editor | |
| Iain Jamieson | .... | assistant adr recordist (uncredited) | |
Visual Effects by | |||
| Louie Alexander | .... | retouch and restoration: Framestore CFC | |
| Papavramides Alexandra | .... | digital compositor: Baseblack VFX | |
| Varga András | .... | compositor: Cube Effects | |
| Szapek Attila | .... | roto artist: Cube Effects | |
| Ben Baker | .... | head of digital lab: Framestore CFC | |
| Judy Barr | .... | digital compositor | |
| Pete Bebb | .... | digital artist: Double Negative | |
| Zoltán Benyó | .... | visual effects producer: Cube Effects | |
| Rodrigo Bernardo | .... | systems engineer | |
| Richard Briscoe | .... | visual effects supervisor | |
| Clare Brody | .... | data operator: Framestore | |
| Jason Burnett | .... | scanning and recording: Framestore CFC | |
| Andy Burrow | .... | scanning and recording manager: Framestore CFC | |
| Andrew Chapman | .... | digital artist: Double Negative | |
| Marco Checa Garcia | .... | digital compositor: Machine FX | |
| Lee Clappison | .... | compositor: LipSync Post | |
| James Clarke | .... | scanning and recording supervisor: LipSync Post | |
| Tom Collier | .... | lead compositor: LipSync Post | |
| Martin R. Davison | .... | digital compositor: Baseblack | |
| Jerome Dewhurst | .... | digital lab engineer: Framestore CFC | |
| Stefan Drury | .... | head of film effects: LipSync Post | |
| Eric D'Souza | .... | digital lab engineer: Framestore CFC | |
| Laura Dubsky | .... | compositor: LipSync Post | |
| Richard Edwards | .... | data operator - framestore | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Péter Farkas | .... | lead roto artist/compositor: Cube Effects | |
| Reischig Ferenc | .... | systems admistrator: Cube Effects | |
| Antonella Ferrari | .... | visual effects editorial | |
| James D. Fleming | .... | digital artist: Framestore CFC | |
| Mike Foyle | .... | rotoscope artist: Double Negative | |
| Steve Garrad | .... | visual effects producer: Double Negative | |
| Joe Godfrey | .... | scanning and recording: Framestore CFC | |
| Elysia Greening | .... | digital compositor: Baseblack | |
| Charlie Habanananda | .... | conform editor: Framestore CFC | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Adam Hawkes | .... | retouch and restoration: Framestore CFC | |
| Marcus Hindborg | .... | digital compositor: Double Negative | |
| Joe Hoare | .... | scanning and recording: Framestore CFC | |
| Jan Hogevold | .... | production executive: Framestore-CFC | |
| Pete Howlett | .... | digital compositor: Double Negative (as Peter Howlett) | |
| Vajda István | .... | roto artist: Cube Effects | |
| Matthew Jacques | .... | digital artist | |
| Yan Jennings | .... | film mastering engineer: Framestore CFC | |
| David Johnston | .... | data operator: Framestore CFC | |
| Abraham Kambanopoulos | .... | visual effects | |
| Rafiqur Khan | .... | data operator: Framestore CFC | |
| Pál Klemm | .... | lead digital compositor: Cube Effects | |
| Brian Krijgsman | .... | additional colourist: Framestore CFC | |
| Danius Kvedaras | .... | compositor: LipSync Post | |
| Serena Lam | .... | digital compositor: Double Negative | |
| Aaron Lear | .... | retouch and restoration: Framestore CFC | |
| Luke Letkey | .... | digital compositor: Double Negative | |
| David Lloyd | .... | head of film technology: LipSync Post | |
| Andrew Lockley | .... | digital compositor: Double Negative | |
| John Lockwood | .... | visual effects supervisor: Machine | |
| James Long | .... | data operator | |
| Imre Lovász | .... | pipeline technical director: Cube Effects | |
| Kevin Lowery | .... | film mastering engineer: Framestore CFC | |
| Alasdair MacCuish | .... | scanning and recording producer: Lipsync Post | |
| Veronica Marcano | .... | scanning and recording: Framestore CFC | |
| Simon Margetts | .... | visual effects director of photography | |
| Ivan Mena | .... | digital compositor | |
| Steve Mercer | .... | visual effects editor | |
| Károly Mesterházy | .... | digital artist: Cube Effects | |
| Miklós Mesterházy | .... | digital artist: Cube Effects | |
| Sarah Micallef | .... | digital intermediate producer: Framestore CFC | |
| Alberto Montañés | .... | digital compositor | |
| Mike Morrison | .... | production manager: Framestore CFC | |
| Ephraim Mwakandu | .... | digital artist: Framestore CFC | |
| Savneet Nagi | .... | retouch and restoration: Framestore CFC | |
| James Nicholl | .... | digital artist: LipSync Post | |
| Stuart Nippard | .... | conform editor: Framestore CFC | |
| Lara Zoe Northway | .... | visual effects producer: Machine | |
| Sona Pak | .... | visual effects coordinator: Double Negative | |
| Dan Perry | .... | scanning and recording: Framestore CFC | |
| Fred Place | .... | digital compositor: Double Negative | |
| Tristan Porter | .... | digital compositor: Baseblack | |
| Scott Pritchard | .... | digital compositor: Double Negative | |
| Ian Redmond | .... | digital lab engineer: Framestore CFC | |
| Dave Robinson | .... | systems engineer | |
| Gavin Round | .... | editorial: Framestore CFC | |
| Iván Sarosácz | .... | digital artist: Cube Effects | |
| Jimmy Saul | .... | scanning and recording | |
| Aatesh Shah | .... | systems engineer: Framestore CFC | |
| Asa Shoul | .... | colourist: Framestore CFC | |
| Ian Simpson | .... | digital artist: Double Negative | |
| Nick Stanley | .... | retouch and restoration: Framestore CFC | |
| Richard Stay | .... | digital compositor: Double Negative | |
| Steve Street | .... | visual effects supervisor: Machine | |
| Mátyás Szabó | .... | digital compositor: Cube Effects | |
| Attila Szalma | .... | digital compositor: Cube Effects | |
| Zoltán Szegedi | .... | digital artist: Cube Effects | |
| Gábor Székely | .... | technical director: Cube Effects | |
| Ria Tamok | .... | digital compositor: Cube Effects | |
| Odean Thompson | .... | retouch and restoration: Framestore CFC | |
| Gábor Tóth | .... | senior digital compositor: Cube Effects | |
| Mark Tremble | .... | digital artist: Double Negative (as Mark Tran-Tramble) | |
| Jenõ Udvardi | .... | visual effects producer: Cube Effects | |
| Gábor Vaszkun | .... | digital artist: Cube Effects | |
| Dan Victoire | .... | conform editor: Framestore CFC | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack | |
| Sharon Warmington | .... | digital compositor: Double Negative | |
| Imery Watson | .... | digital matte painter: Double Negative | |
| Simon Wessely | .... | data operator: Framestore CFC | |
| Sheila Wickens | .... | compositing supervisor: LipSync Post | |
| Stephen Willey | .... | senior systems engineer | |
| Annabel Wright | .... | conform editor: Framestore CFC | |
| Péter Zavorszky | .... | visual effects production manager: Cube Effects | |
| Julia Hall | .... | digital compositor (uncredited) | |
| Taz Lodder | .... | technical support: Double Negative (uncredited) | |
Stunts | |||
| Lucy Allen | .... | stunt performer | |
| Richard Bradshaw | .... | stunt performer | |
| Michael Byrch | .... | stunt performer | |
| Nick Chopping | .... | stunt performer | |
| Stuart Clark | .... | stunt performer | |
| Siobhan Coughlin | .... | stunt performer (as Siobhan Coughlan) | |
| Jamie Edgell | .... | stunt performer | |
| Bradley Farmer | .... | stunt performer | |
| Sarah Franzl | .... | stunt performer | |
| Paul Herbert | .... | stunt coordinator | |
| Rowley Irlam | .... | stunt performer | |
| Sid Karne | .... | stunts | |
| Ian Kay | .... | stunt performer | |
| Kim McGarrity | .... | stunt performer | |
| Andy Merchant | .... | stunt performer | |
| Wayne Michaels | .... | stunt performer | |
| Peter Miles | .... | stunt performer | |
| Jamie Millington | .... | stunt performer | |
| Mark Mottram | .... | stunt performer | |
| Daniel Naprous | .... | stunt performer | |
| Curtis Rivers | .... | stunt performer | |
| Seon Rogers | .... | stunt performer | |
| Lee Sheward | .... | stunt performer | |
| C.C. Smiff | .... | stunt performer | |
| Tony Van Silva | .... | stunt performer | |
| Rowley Irlam | .... | stunt double: Simon Pegg (uncredited) | |
| Curtis Rivers | .... | stunt double: Jim Broadbent (uncredited) | |
Camera and Electrical Department | |||
| Simon Baker | .... | additional camera operator | |
| Tim Battersby | .... | additional focus puller | |
| Jeremy Braben | .... | aerial camera operator | |
| Roy Branch | .... | electrician | |
| Frank Cox | .... | additional electrician | |
| Martin Cox | .... | additional electrician | |
| Chris Dale | .... | clapper loader: "a" camera | |
| Steve Davis | .... | additional electrician | |
| Frank Dawson | .... | additional electrician | |
| Carlos De Carvalho | .... | focus puller: "a" camera | |
| Andy Duncan | .... | gaffer: main unit (as Andrew Duncan) | |
| Martin Duncan | .... | additional electrician | |
| Andy Edridge | .... | grip: "b" camera | |
| Tony Fenner | .... | additional electrician | |
| Peter Field | .... | director of photography: second unit | |
| Steve Foster | .... | gaffer: second unit | |
| John Gamble | .... | additional focus puller | |
| Andy Gardener | .... | additional electrician (as Andy Gardner) | |
| Bill Geddes | .... | additional grip | |
| Stuart Godfrey | .... | additional grip | |
| Tony Goulding | .... | additional electrician | |
| Mikey Ray Harkins | .... | lighting desk operator | |
| Adam Harris | .... | additional electrician | |
| David Harrison | .... | additional electrician | |
| Rawdon Hayne | .... | focus puller: "b" camera | |
| Alex Howe | .... | first assistant camera: vfx unit | |
| Pip Keeling | .... | additional electrician | |
| Nick Kenealy | .... | video assist operator | |
| Stephen Lee | .... | additional video assist operator | |
| Iain Mackay | .... | clapper loader: "b" camera | |
| Chris McAleese | .... | camera trainee: FT2 | |
| Adrian McCarthy | .... | additional grip | |
| Mark Moriarty | .... | director of photography: second unit | |
| Dean Morrish | .... | additional focus puller | |
| Matthew Nettheim | .... | still photographer (as Matt Nettheim) | |
| Jennie Paddon | .... | additional clapper loader | |
| Mike Parsons | .... | electrician | |
| Chris Polden | .... | additional electrician | |
| Bernie Prentice | .... | rigging gaffer | |
| Nick Ray | .... | grip: "a" camera | |
| Peter Robertson | .... | Steadicam operator | |
| Peter Robertson | .... | camera operator: "a" camera | |
| Ashley Rowe | .... | director of photography: additional filming | |
| Sky Sharrock | .... | additional clapper loader (as Sky Sharroch) | |
| Paul Slatter | .... | gaffer: second unit | |
| Danny Smith | .... | additional clapper loader | |
| Malcolm Smith | .... | additional grip | |
| Rob Stewart | .... | additional electrician | |
| Dean Thompson | .... | additional focus puller | |
| Oliver Ward | .... | camera technician: Wescam camera | |
| Paul Wheeldon | .... | additional clapper loader | |
| Charlie Whitaker | .... | additional clapper loader | |
| Terry Williams | .... | additional grip | |
| Sophie Wilson | .... | additional clapper loader | |
| Sarah Woodward | .... | additional clapper loader | |
| Simon Baker | .... | additional Steadicam operator (uncredited) | |
Casting Department | |||
| Stephen Moore | .... | casting assistant | |
| Kate Rudge | .... | extras casting coordinator | |
| Robert Sterne | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sheena Gunn | .... | wardrobe supervisor | |
| Charlie Knight | .... | costume assistant | |
| Phil Lester | .... | assistant costume designer | |
| Janine Marr | .... | costume assistant | |
| Julie Merritt | .... | costume assistant | |
| Dan Summerville | .... | costume assistant | |
| Aaron Timperley | .... | costume assistant | |
| Sarah Ward | .... | costume assistant | |
Editorial Department | |||
| Jonathan Amos | .... | additional editor | |
| Tom Balogh | .... | look management operator: Kodak | |
| Aisha Bicknell | .... | post-production coordinator | |
| Matt Gauci | .... | avid technical support | |
| Kathryn Morey | .... | second assistant editor | |
| Ben Renton | .... | second assistant editor | |
| Catriona Richardson | .... | first assistant editor | |
| Lawrence Howard Williams | .... | post digital media operator | |
| Mark Wright | .... | negative cutter | |
Music Department | |||
| Nick Angel | .... | music supervisor | |
| Chris Barrett | .... | assistant score mixer | |
| Chris Barrett | .... | assistant score recordist | |
| Nicholas Cervonaro | .... | assistant score mixer (as Nick Cervonaro) | |
| Nicholas Cervonaro | .... | assistant score recordist (as Nick Cervonaro) | |
| Chris Cozens | .... | auricle programmer | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Dina Eaton | .... | music editor | |
| Geoff Foster | .... | score mixer | |
| Geoff Foster | .... | score recordist | |
| Isobel Griffiths | .... | orchestra contractor | |
| Stephen Hilton | .... | music programmer | |
| Charles Lane | .... | music consultant | |
| Kirsten Lane | .... | music consultant | |
| Stuart Morton | .... | assistant music editor | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Alex Nutton | .... | music programmer | |
| Rob Playford | .... | music programing: score | |
| Rob Playford | .... | music programmer | |
| Michael Price | .... | composer: additional music | |
| Robin Quinn | .... | assistant music editor (as Robin Whittaker) | |
| Matt Roberts | .... | music programmer | |
| Matt Robertson | .... | music programmer | |
| Vicki Williams | .... | music coordinator | |
Transportation Department | |||
| Martin Alderdice | .... | action vehicles coordinator | |
| Orest Andrijiw | .... | unit driver | |
| Kevin Bradley | .... | unit driver | |
| John D'Arcy | .... | driver: grip truck | |
| Gary Davenport | .... | driver: stand-by props truck | |
| James Evans | .... | utility driver | |
| Colin Giffin | .... | unit driver (as Colin Goffin) | |
| Dave Hockey | .... | driver: minibus | |
| Geoff Holland | .... | unit driver (as Geoffrey Holland) | |
| Paul Hutchinson | .... | action vehicles assistant | |
| Nick Kenyon | .... | unit driver | |
| Gill King | .... | driver: minibus | |
| Jason King | .... | driver: minibus | |
| Dean Macey | .... | driver: grip truck | |
| Andrew McArthur | .... | driver: director | |
| Chris Parker | .... | driver: camera truck (as Chris 'Kiwi' Parker) | |
| Steve Stentaford | .... | driver: minibus | |
| Colin Stephenson | .... | driver: wardrobe truck | |
| Colin Stone | .... | driver: makeup trailer (as Colin 'Bod' Stone) | |
| Brian Tame | .... | driver: props | |
| Dean Tyler | .... | driver: rushes | |
| Barrie Williams | .... | transportation captain | |
| Ian Wotherspoon | .... | unit driver | |
Other crew | |||
| Christina Angeloudes | .... | legal & business affairs manager: Working Title Films | |
| Just Ardalan-Raikes | .... | production assistant | |
| Ruth Atkinson | .... | additional script supervisor | |
| Samantha Barber | .... | script supervisor trainee: FT2 | |
| Katrina Barton | .... | script supervisor trainee: FT2 | |
| Horace Beckford | .... | catering assistant | |
| David Blank | .... | assistant production accountant | |
| Charles Bodycomb | .... | armourer (as Charlie Bodycomb) | |
| Caroline Bowker | .... | script supervisor trainee: FT2 | |
| Julie Brown | .... | additional script supervisor | |
| Greg Corke | .... | armorer | |
| James Crestani | .... | production runner | |
| Joss Crowley | .... | set runner | |
| Joss Crowley | .... | stand-in | |
| Cuong Dang | .... | assistant production coordinator | |
| Sue Darcey | .... | dog handler | |
| Steve Dent | .... | horse handler | |
| Kay Di Rezze | .... | trainee assistant accountant | |
| Marie Dong | .... | assistant production accountant | |
| Chloe Dorigan | .... | assistant: Tim Bevan, Working Title Films (as Chloé Dorigan) | |
| Cathy Doubleday | .... | additional script supervisor | |
| Nicky Earnshaw | .... | production coordinator | |
| Timothy Easthill | .... | financial director: Working Title Films (as Tim Easthill) | |
| Emily Elgar | .... | assets administrator | |
| Dave Evans | .... | armorer | |
| Ian Evans | .... | aerial helicopter pilot | |
| Eleanor Fazan | .... | choreographer | |
| Sue Field | .... | additional script supervisor | |
| Amy Flanagan | .... | researcher | |
| Jessica Forte | .... | assistant production coordinator: Working Title Films | |
| Phil Gates | .... | location scout (as Phillip Gates) | |
| Maree Gecks | .... | assets administrator | |
| Shefali Ghosh | .... | chief financial officer: Working Title Films | |
| Ben Gladstone | .... | location manager | |
| Flax Glor | .... | publicist | |
| Gaynor Fitzgerald Gould | .... | caterer | |
| Glyn Harper | .... | floor runner: dailies | |
| Tarn Harper | .... | post-production accountant | |
| Dom Harris | .... | daily floor runner | |
| Naomi Harvey | .... | daily runner | |
| Richard Hooper | .... | armorer | |
| Mick Hurrell | .... | health & safety advisor | |
| Aliza James | .... | assistant: Eric Fellner, Working Title Films | |
| Diane Kelly | .... | unit publicist | |
| Roger Kendall | .... | fireman | |
| Ruth Key | .... | production runner | |
| Sally King | .... | children licensing | |
| Ann Koska | .... | children licensing | |
| Bala Lashmi | .... | caterer | |
| Susanna Lenton | .... | script supervisor | |
| Zoe Liang | .... | key set runner | |
| Ann Lynch | .... | executive coordinator: Working Title Films | |
| Gráinne Mckenna | .... | vice president of legal and business affairs: Working Title Films (as Gráinne McKenna) | |
| Nora Meyer | .... | researcher | |
| Dan Mudford | .... | documentarian: behind the scenes/blogs | |
| Scott Penrose | .... | magic consultant | |
| Roger Phillips | .... | titles | |
| Rachel Plose | .... | production accountant | |
| Caroline Pope | .... | choreographer | |
| Rachael Prior | .... | development executive: Working Title Films | |
| Alex Pritchard | .... | production runner | |
| Kevin Proctor | .... | junior assistant: Nira Park and Edgar Wright, Big Talk Productions | |
| Denzel Robbins | .... | caterer | |
| Sascha Robey | .... | armorer | |
| Liam Roper | .... | set runner (as William 'Liam' Roper) | |
| Liam Roper | .... | stand-in (as William 'Liam' Roper) | |
| Sheeraz Shah | .... | head of legal/business affairs: Working Title Films | |
| Asha Sharma | .... | location assistant | |
| Ian Smith | .... | pilot | |
| Andy 'Cheffy' Southey | .... | caterer | |
| Mario Spanna | .... | head technician: Libra | |
| Tom Stourton | .... | assistant location manager | |
| Neil Swain | .... | dialogue coach | |
| Christopher Sweet | .... | studio assistant: Double Negative | |
| Amie Tridgell | .... | location scout | |
| Helen Varty | .... | senior assistant: Edgar Wright and Nira Park | |
| Lucy Wainwright | .... | legal and business affairs executive: Working Title Films | |
| Morag Webster | .... | unit nurse | |
| Jessica Weetch | .... | development executive: Big Talk Productions (as Jess Weetch) | |
| Andrew White | .... | titles | |
| Laura Windebank | .... | base runner | |
| Oscar Wright | .... | title designer | |
| Sarah Jane Wright | .... | production executive: Working Title Films (as Sarah-Jane Robinson) | |
Thanks | |||
| Russell Allen | .... | with thanks to | |
| Greg Barrett | .... | with thanks to | |
| Chris Bassett | .... | with thanks to | |
| Dave Bassett | .... | with thanks to (as Dave) | |
| David Cartwright | .... | with thanks to (as Sgt David Cartwright) | |
| Philip Cooper | .... | with thanks to | |
| Felix Cornish | .... | with thanks to | |
| Stuart Cundy | .... | with thanks to (as DCI Stuart Cundy) | |
| Simon Davies | .... | with thanks to | |
| Maurice Day | .... | with thanks to | |
| Keith Donahue | .... | with thanks to | |
| Matthew Dravitzki | .... | with thanks to (as Matt Dravitzki) | |
| Alex Duxbury | .... | with thanks to | |
| Nick Eckland | .... | with thanks to | |
| Keith Faulkner | .... | with thanks to | |
| Charlotte Hatherley | .... | with thanks to | |
| Colin Hibberd | .... | with thanks to | |
| Phil Hines | .... | with thanks to | |
| Alex Hope | .... | with thanks to | |
| Peter Jackson | .... | with thanks to | |
| Garth Jennings | .... | with thanks to | |
| Andy Leafe | .... | with thanks to (as PC Andy Leafe) | |
| Stuart Lutes | .... | with thanks to (as DS Stuart Lutes) | |
| Paul Machliss | .... | with thanks to | |
| Sinead Moran | .... | with thanks to | |
| Tommy Moran | .... | with thanks to | |
| Andrew Nash | .... | with thanks to | |
| Gregory Nicotero | .... | with thanks to (as Greg Nicotero) | |
| Andy Noble | .... | with thanks to (as Sgt Andy Noble) | |
| Mark Osmater | .... | with thanks to | |
| Debra Pallet | .... | with thanks to | |
| Gill Pegg | .... | with thanks to | |
| Katy Pegg | .... | with thanks to | |
| Maureen Pegg | .... | with thanks to | |
| Andy Pritchard | .... | with thanks to (as Sgt Andy Pritchard) | |
| Martin Roddy | .... | with thanks to (as PC Martin Roddy) | |
| Robert Rodriguez | .... | with thanks to | |
| Scarlett Sheriff | .... | with thanks to | |
| Quentin Tarantino | .... | with thanks to | |
| Ron Taylor | .... | with thanks to | |
| Guillermo del Toro | .... | with thanks to (as Guillermo Del Toro) | |
| Tommy Traylen | .... | with thanks to | |
| Liz Webb | .... | with thanks to | |
| Peter Wild | .... | with thanks to | |
| James Wilson | .... | with thanks to (as Jim Wilson) | |
| Jason Wingrove | .... | with thanks to | |
| Chris Wright | .... | with thanks to | |
| Lesley Wright | .... | with thanks to | |
| Steve Wyatt | .... | with thanks to (as PC Steve Wyatt) | |
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"Shaun of the Dead" was probably one of the funniest (if not the best) British black comedy that had been released in 2004. With gritty violence that made you squirm, innocent humour (Nick Frost) with blaspheming insults that just made you laugh out loud, and the quick wit of Simon Pegg with some great fun and horror mixed together, "Hot Fuzz" had a huge task of competing with the sheer greatness, of which was "Shaun of the Dead".
After much keen excitement upon seeing the teaser trailers of Hot Fuzz last year, my stomach churned as if to say "At god damn last, a film I can look forward to in the new year!" I felt as though it was best however, to go in with an open-neutral-mind, as I didn't want to spoil the film with high expectations.
I actually was starting to get worried into the first segments of the film, the humour wasn't as sharp as SOTD's first 20 minutes, and there were so many characters to remember, most of whom didn't make sense for a while. It wasn't till Nick Frost was introduced - that the film started picking up its pace and then decided to grab me by the throat. The film from then, was so funny, action packed, gruesome and dark! You just do not expect anything which was what made SOTD so great. The spontaneous actions and humour just kept the film's pace fantastically back on track.
The great thing about Hot Fuzz was just how original it was, and the ending (no spoilers here) just gave itself the stamp of "Most Exciting & Fun Ending In British Comedy".
The mystery and murder factor was well done as well, leaving me guessing "who did it" all the way through the film, but as with SOTD, the dark and grotesque violence kept its mature rating of 15, very enjoyable, yet very squirming to watch.
I highly recommend this film for anyone who just wants a good laugh and likes simple great black comedies. If you loved Shaun of the Dead, you will love this film. Just go in with an open-mind and have fun. Definitely worth the £6.50 (and the £15 when it comes out on DVD)!