| Jesper Christensen | ... | Carsten | |
| Pernilla August | ... | Nina | |
| Charlotte Fich | ... | Lisbeth | |
| Beate Bille | ... | Pil | |
| Vibeke Hastrup | ... | Jette | |
| Julie Ølgaard | ... | Lærke | |
| rest of cast listed alphabetically: | |||
| Samy Andersen | ... | Politiassistent | |
| Lars Bangsholt | ... | Journalist | |
| Melany Denise | ... | Supporter of Court Case | |
| Kurt Dreyer | ... | Dommer | |
| Mogens Holm | ... | Fængselbetjente | |
| Jesper Hyldegaard | ... | Fængselspræst | |
| Joel Hyrland | ... | Family member | |
| Mads Keiser | ... | Lars | |
| Magnus Polar Kjær | ... | Mikkel (as Magnus Kjær) | |
| Henrik Larsen | ... | Forsvarsadvokat | |
| Susanne Lessel | ... | Fængselbetjente | |
| Jakob Ulrik Lohmann | ... | Politiassistent (as Jacob Lohmann) | |
| John Martinus | ... | Boghandler | |
| Jan Meyer | ... | Dingo | |
| Lars Mogelberg | ... | Police officer | |
| Michael Moritzen | ... | Poul | |
| Vivian Nielsen | ... | Kriminalassistant | |
| Birgitte Prins | ... | Fængselbetjente | |
| Bodil Sangill | ... | Lisbeths mor | |
| Morten Thunbo | ... | Civil betjent | |
| Thomas Voss | ... | Tobias / The son | |
| Mads Wille | ... | Peter | |
Directed by | |||
| Per Fly | |||
Writing credits(in alphabetical order) | ||
| Per Fly | writer | |
| Dorthe Warnø Høgh | writer | |
| Kim Leona | writer | |
| Mogens Rukov | writer | |
Original Music by | |||
| Halfdan E | |||
Cinematography by | |||
| Harald Gunnar Paalgard | (director of photography) | ||
Film Editing by | |||
| Morten Giese | |||
Casting by | |||
| Marie Louise Hedegaard | (as Rie Hedegaard Fenger) | ||
| Lene Seested | |||
| Jette Termann | |||
Production Design by | |||
| Søren Gam | |||
Costume Design by | |||
| Louize Nissen | |||
Makeup Department | |||
| Kamilla Bjerglind | .... | makeup department head | |
| Morten Jacobsen | .... | special makeup effects artist | |
| Theo Mayes | .... | key makeup artist | |
| Lili Malene Rasmussen | .... | assistant makeup artist | |
| Soile Valpuri Lutjonen | .... | makeup artist | |
Production Management | |||
| Christine Ekstrand | .... | post-production manager | |
| Carsten Sparwath | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Anders Barlebo | .... | first assistant director | |
Art Department | |||
| Arvid Berg-Ørnbak | .... | property master | |
| Sune Elskær | .... | storyboard artist | |
| Lars Fog-Møller | .... | props | |
| Camilla Hjersing | .... | assistant props | |
| Søren Jochumsen | .... | carpenter | |
| Søren Lundborg | .... | carpenter | |
| Birgitte Thiesen | .... | painter | |
Sound Department | |||
| Alex Hudd | .... | sound consultant: dolby | |
| Jonas Langkilde | .... | boom operator | |
| Christian Howard Lund | .... | foley recordist (as Christian H. Lund) | |
| Hans Møller | .... | sound designer | |
| Kasper Munck-Hansen | .... | boom operator | |
| Julien Naudin | .... | foley artist | |
| Mick Raaschou | .... | sound designer | |
Special Effects by | |||
| Lars Andersen | .... | special effects | |
Visual Effects by | |||
| Morten Bartholdy | .... | visual effects | |
| Søren Buus | .... | visual effects | |
| Niels Valentin Dal | .... | visual effects (as Niels Valentin) | |
| Søren Tomas | .... | visual effects | |
Stunts | |||
| Stig Günther | .... | stunt coordinator | |
| Janek Lesniak | .... | stunts | |
| Marcus Malmqvist | .... | stunts | |
Camera and Electrical Department | |||
| Per Arnesen | .... | still photographer | |
| Jakob Bonfils | .... | camera operator | |
| Magnus Sort Eidemark | .... | first assistant camera: "b" camera | |
| Edvard Friis-Moeller | .... | Steadicam operator | |
| Edvard Friis-Moeller | .... | camera operator: "b" camera | |
| Claus Langtved Johansen | .... | video assistant | |
| Anders Leegaard | .... | first assistant camera | |
| Sune Lolk | .... | best boy electric | |
| Aslak Lytthans | .... | gaffer | |
| Niels Kjær Olsen | .... | lighting assistant | |
| Morten Schultz | .... | video assistant | |
| Søren Sielemann | .... | electrician | |
| Jannik Weylandt | .... | best boy electric | |
Casting Department | |||
| Lena Paaske | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sara Mau Jensen | .... | costumer | |
Editorial Department | |||
| Stefan Ciupek | .... | digital colorist | |
| Cecilie Ross Gaardbo Eegehauge | .... | post-production assistant (as Cecilie Eegehauge) | |
| Christine Ekstrand | .... | post-production assistant | |
| Richard Pilmore | .... | color grader: UK | |
| Ludivine Saes | .... | assistant editor | |
| Mette Walter | .... | post-production assistant | |
Music Department | |||
| Nicholas Dodd | .... | conductor | |
| Maj-Britt Kramer | .... | orchestrator | |
| Mikkel Maltha | .... | music supervisor | |
Other crew | |||
| Marianne Ahrne | .... | film consultant: Swedish Film Institute | |
| John Allaker | .... | laboratory coordinator: UK | |
| Lina Bach Christensen | .... | production assistant | |
| Mick Barham | .... | laboratory coordinator: UK | |
| Rasmus Christoffersen | .... | location assistant | |
| Birgitte Clasen | .... | accountant | |
| Carrie Comerford | .... | production executive: UK | |
| Anna Duffield | .... | assistant to producer: UK | |
| Lillian Rype Fokdal | .... | script supervisor | |
| Christoffer Harding | .... | location scout | |
| Thomas Kelly | .... | runner | |
| Ann Køj | .... | production accountant | |
| Kasper Kristoffersen | .... | runner assistance | |
| Elisabeth Victoria Poulsen | .... | assistant to producer | |
| Thomas Schindel | .... | production coordinator | |
| Ann Vognsen | .... | production accountant (as Anse Vognsen) | |
| Sarah Wells | .... | production accountant: UK | |
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For the last film in his trilogy Per Fly has made a very good film about the Danish middle class. For me the problem is that the two first films in his trilogy about the three Danish classes, Bænken (The Bench) and Arven (The Inheritance) were excellent, while this is just very good. For those not in the know about of Danish society, the Danish middle class is by far the largest class in Denmark and maybe the most boring -at least it seems that way in Per Fly's film. He may have a point but he certainly hammers it home with a lot of looooong, slow scenes. It works, as some of the scenes conveys very embarrassing moments for the characters and in the process makes you, the viewer, embarrassed as well. Still, that concept was better realised in Thomas Winterberg's "Festen (The Party)". The story in Drabet is based on a real life incident: In the 80's a group of seven well-educated middle class men with leftish leanings committed a series of robberies against banks and post offices all over Denmark and Sweden with the aim to acquire money and weapons for PFLP (the Palestinan Liberation Front, or maybe their mortal enemies The Liberation Front of Palestine - sorry, Monty Python reference there). At a robbery against a post office in central Copenhagen in 1988 they shot and killed a young policeman. The group was eventually caught and tried but since it couldn't be established who had fired the mortal shot, no one was sentenced for the murder. The whole group did serve jail time for the robberies but have been free since 1995 - not exactly a hard sentence for the person who pulled the trigger. It is certainly an interesting dilemma how you deal with killing someone - even if it's for a cause you think is just. As usual, the best Danish actor, Jesper Christensen, is doing a delightful job in the lead role, but I still feel the slow pace - even if it's artistically justified - drags a good film from excellent to very good. Still, I'm sure Per Fly's trilogy will stand as a beacon for Danish film-making for many years to come.