| Photos (See all 13 | slideshow) | Videos (see all 6) |
| Piper Perabo | ... | Rachel | |
| Lena Headey | ... | Luce | |
| Matthew Goode | ... | Heck | |
| Celia Imrie | ... | Tessa | |
| Anthony Head | ... | Ned | |
| Darren Boyd | ... | Cooper | |
| Sue Johnston | ... | Ella | |
| Boo Jackson | ... | H (Henrietta) | |
| Sharon Horgan | ... | Beth | |
| Eva Birthistle | ... | Edie | |
| Vinette Robinson | ... | Zina | |
| Ben Miles | ... | Rob | |
| John Thompson | ... | Priest | |
| Mona Hammond | ... | Mrs. Edwards | |
| Rick Warden | ... | Gordon | |
| Ruth Sheen | ... | Mrs. Webster | |
| Philip Bird | ... | Auctioneer | |
| Justine Mitchell | ... | Laura | |
| Gerard Horan | ... | Trevor | |
| Angel Coulby | ... | Anna | |
| Ben Willbond | ... | David Steele | |
| Krishan Naidoo | ... | Natesh | |
| Sharon Duncan-Brewster | ... | Ms. Fosley | |
| James Thorne | ... | Michael 1 | |
| Tom McKay | ... | Michael 2 | |
| Andrew Dunford | ... | Mr. Cornell | |
| Kellie Bright | ... | Terri | |
| Carl M. Smith | ... | Singing Cyclist | |
| rest of cast listed alphabetically: | |||
| Olivia d'Abo | |||
| Joanna Ranee Wood | ... | Wedding Guest | |
| Carolyn Morrison | ... | Heck's Sister (uncredited) | |
Directed by | |||
| Ol Parker | |||
Writing credits(in alphabetical order) | ||
| Ol Parker | ||
Produced by | |||
| Stefan Arndt | .... | executive producer | |
| Sophie Balhetchet | .... | producer | |
| Philip Bergkvist | .... | associate producer: Ealing Studios | |
| Marcos Kantis | .... | line producer | |
| Lynda La Plante | .... | executive producer | |
| Jamie Laurenson | .... | development producer: BBC Films | |
| Bill Shapter | .... | associate producer | |
| James Spring | .... | executive producer | |
| Andro Steinborn | .... | producer | |
| Barnaby Thompson | .... | producer | |
| David M. Thompson | .... | executive producer | |
Original Music by | |||
| Alex Heffes | |||
Cinematography by | |||
| Ben Davis | (director of photography) | ||
Film Editing by | |||
| Alex Mackie | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Eve Mavrakis | |||
Art Direction by | |||
| Richard Field | |||
Set Decoration by | |||
| Rebecca Alleway | |||
Costume Design by | |||
| Consolata Boyle | |||
Makeup Department | |||
| Francesco Alberico | .... | additional makeup assistant (as Francesco 'The Great' Alberico) | |
| Sarah Dickinson | .... | additional makeup assistant | |
| Fae Hammond | .... | additional makeup assistant | |
| Sallie Jaye | .... | additional makeup assistant | |
| Sarah Love | .... | additional makeup assistant | |
| Sharon Martin | .... | hair designer | |
| Sharon Martin | .... | makeup designer | |
| Gemma Richards | .... | additional makeup assistant | |
| Sue Westwood | .... | key makeup artist | |
Production Management | |||
| Jim Allan | .... | production supervisor | |
| Monty Allan | .... | unit manager | |
| Andreas Dobers | .... | post-production supervisor: X Films Creative Pool | |
| Susy Liddell | .... | head of production: BBC Films | |
Second Unit Director or Assistant Director | |||
| Adam Coop | .... | additional third assistant director | |
| Melanie Dicks | .... | first assistant director | |
| David Higgs | .... | third assistant director | |
| Dan John | .... | second assistant director | |
| Sarah MacFarlane | .... | third assistant director | |
Art Department | |||
| Joshua Barraud | .... | stand-by props | |
| Andy Carroll | .... | storyboard artist | |
| Jackie Castelli | .... | production buyer (as Jacki Castelli) | |
| Craig Cheeseman | .... | dressing props | |
| Noel Cowell | .... | property master | |
| David Dickinson | .... | stand-by carpenter | |
| Jessie Hammond | .... | stand-by painter (as Jesse Hammond) | |
| Stuart Headley-Read | .... | stand-by props (as Stuart Read) | |
| Mansel Jones | .... | stand-by carpenter | |
| Martin Kane | .... | dressing props | |
| Dale Manning | .... | assistant art director | |
| Harry Metcalfe | .... | construction manager | |
| Adrian Platt | .... | dressing props | |
| Mark Richards | .... | stand-by rigger | |
| Amelie von Harrach | .... | art department assistant (as Amelie Von Harrach) | |
Sound Department | |||
| Ben Barker | .... | supervising sound effects editor | |
| James Bennett | .... | adr recordist | |
| Frank Casaretto | .... | foley editor | |
| Frank Casaretto | .... | foley mixer | |
| Tobias Fleig | .... | sound re-recording mixer | |
| George Hapig | .... | foley artist (as Georg F. Hapig) | |
| John Hayes | .... | production sound mixer | |
| Sven F. Heubes | .... | foley recordist | |
| Max Hoskins | .... | supervising sound editor | |
| Jens Kriegel | .... | sound technician | |
| Markus Münz | .... | sound technician | |
| Joseph Paines | .... | sound trainee | |
| Manfred Plenter | .... | sound engineer: Prairie Home Productions | |
| Alexandra Raveane | .... | dialogue editor (as Alexandra Ravéane) | |
| Jamie Roden | .... | adr mixer | |
| Paul Schwartz | .... | boom operator | |
| Marita Strotkötter | .... | sound service coordinator | |
| Michael Wabro | .... | adr editor (as Mike Wabro) | |
| John Soukup | .... | sound transfer (uncredited) | |
Visual Effects by | |||
| Ronney Afortu | .... | scan operator: Optical Art | |
| Denny Allstaedt | .... | visual effects operator: Optical Art | |
| Axel Bohlmann | .... | visual effects operator: Optical Art | |
| Marc Briede | .... | visual effects operator: Optical Art | |
| Christian Burgdorff | .... | film recordist: Optical Art | |
| Thomas Diesselhorst | .... | titles | |
| Dirk Frischmuth | .... | visual effects supervisor | |
| Frank Hellmann | .... | digital intermediate supervisor: Optical Art | |
| Harald Lehmann | .... | head of production: Optical Art | |
| Detley Muckel | .... | visual effects operator: Optical Art | |
| Helge Rinker | .... | visual effects operator: Optical Art | |
| Markus 'Maggi' Selchow | .... | visual effects operator: Optical Art | |
| Andreas Teichert | .... | baselight colorist: Optical Art | |
| Stefan Tänzler | .... | visual effects operator: Optical Art | |
Stunts | |||
| Dave Holland | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Mick Allen | .... | additional focus puller | |
| John Arnold | .... | additional camera grip | |
| Ian Buckley | .... | additional camera grip | |
| Pete Cavaciuti | .... | additional Steadicam operator (as Peter Cavaciuti) | |
| Jackie Dewe Mathews | .... | additional clapper loader (as Jackie Dew-Matthews) | |
| Paul Edwards | .... | additional Steadicam operator | |
| Guy Frost | .... | additional focus puller | |
| Billy Gamble | .... | electrician | |
| Gary Hedges | .... | electrician | |
| Nikos Kalimerakis | .... | rigging gaffer | |
| David Morgan | .... | additional camera operator (as Dave Morgan) | |
| Paul Murphy | .... | electrician | |
| Abi Oseni | .... | camera trainee: FT2 | |
| Ashley Palin | .... | gaffer | |
| Steve Parker | .... | additional camera operator | |
| Ben Pritchard | .... | additional clapper loader | |
| Sam Renton | .... | focus puller | |
| Ang Richards | .... | camera trainee: FT2 | |
| Andy Sandom | .... | additional video assist operator | |
| Tom Scott | .... | rigger | |
| Philip Sindall | .... | key camera operator | |
| Colin Strachan | .... | key grip | |
| Simon Surtees | .... | clapper loader | |
| Alf Tramontin | .... | additional Steadicam operator | |
| Oliver Upton | .... | still photographer (as Ollie Upton) | |
| Darren Vincent | .... | camera trainee | |
Casting Department | |||
| Deborah Aquila | .... | casting: US | |
| Shaheen Baig | .... | casting: children | |
| Jay Benedict | .... | adr voice casting | |
| Tracey Brennan | .... | casting assistant | |
| Juliet Horsley | .... | casting assistant | |
| Stephen Moore | .... | casting assistant | |
| Phoebe Scholfield | .... | adr voice casting | |
| Jennifer L. Smith | .... | casting associate | |
| Tricia Wood | .... | casting: US | |
Costume and Wardrobe Department | |||
| Sue Casey | .... | costume assistant | |
| Charlotte Law | .... | costume department trainee | |
| Magdalen Rubalcava | .... | assistant costume designer | |
| Dulcie Scott | .... | costume supervisor | |
Editorial Department | |||
| Ann Marie Crotty | .... | editing trainee: FT2 | |
| Amar Ingreji | .... | editing trainee: FT2 | |
| Boris Mang | .... | post-production assistant: X Filme Creative Pool | |
| Amy Quince | .... | first assistant editor | |
| Verity Wislocki | .... | post-production coordinator | |
Music Department | |||
| Sharif Ahmed | .... | music clearance coordinator | |
| Liz Gallacher | .... | music supervisor | |
| Ian MacPherson | .... | orchestrator (as Ian Macpherson) | |
| Ian MacPherson | .... | orchestrator | |
| Stephen McLaughlin | .... | music mixer | |
| Stephen McLaughlin | .... | score mixer | |
| Rosie Perry | .... | assistant to music supervisor | |
| Steve Price | .... | score recording engineer | |
| Colin Rae | .... | music preparation | |
| Hilary Skewes | .... | musician contractor | |
| Michael Wabro | .... | music editor | |
Transportation Department | |||
| Brian Davis | .... | driver: stand-by props truck | |
| Ian Drinkwater | .... | driver: additional mini-bus | |
| Gwyn Ethall | .... | driver: mini-bus | |
| Barry Goodwin | .... | additional unit driver | |
| Stuart Hasse | .... | driver: prop runaround truck | |
| John Ott | .... | driver: camera truck | |
| Andy Read | .... | unit driver | |
| Scott Richardson | .... | unit driver | |
| Jason Vanezis | .... | unit driver (as Jason Vanezi) | |
Other crew | |||
| Johnathan Abbott | .... | studio operations | |
| Jo Beckett | .... | location finder | |
| Isabel Begg | .... | head of legal and business affairs: BBC Films | |
| Stuart Bell | .... | production office runner | |
| Barbara Berkery | .... | voice coach | |
| Terry Blyther | .... | location manager | |
| Jake Bogert | .... | assistant production coordinator | |
| Paula Chitty | .... | location assistant | |
| Matthew Curtis | .... | stand-in | |
| Emma Davis | .... | assistant: James Spring, Ealing Studios | |
| Richard Dobbs | .... | executive assistant: lynda la plante | |
| Francesca Dowd | .... | production coordinator | |
| Tina Falcone | .... | first assistant accountant | |
| Kevin Freemantle | .... | production accountant | |
| Helen Giles | .... | legal and business affairs executive: BBC Films | |
| Charlie Goldberg | .... | legal services: Harbottle & Lewis | |
| Boyd Harvey | .... | insurance services: Media Insurance Brokers | |
| Sarah Hayward | .... | additional script supervisor | |
| Alan Higgman | .... | facilities company representative: NGP | |
| Lawrence Huck | .... | production assistant: Ealing Studios | |
| Stephanie Hurst | .... | tutor | |
| Kevin Jenkins | .... | location assistant | |
| Carrie Johnson | .... | unit nurse | |
| Paul Jones | .... | facilities company representative: NGP | |
| Diane Kelly | .... | publicist: Freud Communications | |
| Karl. B. Koepsell | .... | production coordinator: X Filme Creative Pool (as Karl-Bernhard Koepsell) | |
| Paula Lamont | .... | location assistant | |
| Darren Lane | .... | facilities company representative: NGP | |
| Skady Lis | .... | assistant: Andro Steinborn, X Filme Creative Pool | |
| Geanie Little | .... | chef | |
| Cassandra Manita | .... | legal services: Harbottle & Lewis | |
| Nichola Martin | .... | development executive: EalingStudios | |
| Sheila Fraser Milne | .... | completion bond: Film Finances | |
| Paul Padfield | .... | facilities company representative: NGP | |
| Michael Parke | .... | production executive | |
| Jon Parker | .... | operations | |
| Abigail Payne | .... | legal services: Harbottle & Lewis | |
| Jeremy Pelzer | .... | studio general manager | |
| Lisa Radin | .... | floor runner | |
| Alex Rae | .... | chef | |
| Alister Robertson | .... | chef | |
| Caroline Sax | .... | script supervisor | |
| James Shirras | .... | completion bond: Film Finances | |
| Robert Storer | .... | legal services: Harbottle & Lewis | |
| Anja Uhland | .... | production coordinator: X Filme Creative Pool (as Ania Uhland) | |
| Matthew Vizard | .... | production and finance coordinator: BBC Films | |
Thanks | |||
| Rod Hall | .... | dedicatee | |
| Thandie Newton | .... | special thanks | |
| Malcolm Sheehan | .... | dedicatee | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Imagine Me and You is best described as delicate. Very simply this film is about love.
As a British romantic comedy, Imagine Me and You will always draw comparisons to films such as Love Actually, Notting Hill and Four Weddings and Funeral but the level of reality portrayed in these films compared to Imagine Me and You is one of the major distinctions. Glittery moments, such as the doorstep scene between Keira Knightley and Andrew Lincon in Love Actually, are few and far between in the film, but this is by no means a criticism. The film never lacks any tenderness, in fact quite the contrary as it creates a greater impression of reality because of less ostentatious cinematography and mise-en scene. Occasionally the film falls into the trap of representing a very American idea of Britishness. The characters are all upper class Londoners, attractive, well-off with successful jobs. The male characters are foolish, awkward, hapless 'twits' but this does not detract from the charm of the film.
The film follows Rachel (Piper Perabo) her fiancé/husband Heck (Matthew Goode) and their wedding florist Luce (Lena Heady) who immediately has an impact on Rachel leading her to re-assess her seemingly perfect relationship.
The film honours love of different kinds. The love between Rachel and Heck, who are married at the beginning of the film is never disputed or questioned, they were best friends and this developed into a quite obvious love and adoration between the couple. Rachel loves Heck, but she is not *in* love with him. However, with Luce, Rachel experiences the instant, intense, exciting, passionate, all encompassing love at first sight. The fact that Rachel is experiencing this with a woman is not the issue, but rather that the first time Rachel catches Luce's eye is on her way down the aisle.
Unlike other films of the same genre, the characters are well developed and multi-layered. The comedy is typical foot-in-the-mouth humour, and silly one-liners, but is delivered with impeccable timing mostly by the parents. (Anthony Head plays an excellent aged Hugh Grant character and Celia Imrie is wonderful as a prim and proper, sharp mother.) The other performances are subtle, with all of the tenderness, heartbreak, humour, intensity and confusion that the script asked of the performers.
Imagine Me and You has high production values, is written and directed with care and sensitivity the truth isn't over thought, over polished, or softened and is a refreshing modern representation of love.
But of course, most important for a British viewer - Piper Perabo's accent is remarkably good.