Sam gang yi (2004)

User Rating:

7.2/10   

Directors:

Fruit Chan
Takashi Miike

Writers:

Haruko Fukushima (segment)
Lilian Lee (segment)

Release Date:

20 August 2004 (South Korea)

Genre:

Horror

Tagline:

From the Nightmares of 3 Horror Masters

Plot:

An Asian cross-cultural trilogy of horror films from accomplished indie directors. |

Plot Keywords:

Director | Dance | Critically Acclaimed | Bus | Pregnancy

Awards:

4 wins & 8 nominations

Cast

Ling Bai	...	Mei (segment "Dumplings")
Pauline Lau	...	Li's Maid (segment "Dumplings")
Tony Leung Ka Fai	...	Lee (segment "Dumplings")
Meme Tian	...	Connie (segment "Dumplings") (as Meme)
Miriam Yeung Chin Wah	...	Ching (segment "Dumplings")
Sum-Yeung Wong	...	Old Hairdresser (segment "Dumplings")
Kam-Mui Fung	...	Vomiting Woman (segment "Dumplings")
Wai-Man Wu	...	Nurse (segment "Dumplings")
Chak-Man Ho	...	Wang (segment "Dumplings")
Miki Yeung	...	Kate (segment "Dumplings")
So-Fun Wong	...	Kate's Mother (segment "Dumplings")
Kai-Piu Yau	...	Gynaecologist (segment "Dumplings")
Byung-hun Lee	...	Director (segment "Cut")
Won-hie Lim	...	Stranger (segment "Cut") (as Won-Hee Lim)
Hye-jeong Kang	...	Director's Wife (segment "Cut")

Also Known As:

Three, Monster (South Korea)
Three... Extremes (International: English title)

MPAA:

Rated R for strong disturbing violent content, some involving abortion and torture, and for sexuality and language.

Runtime:

South Korea:118 min | Argentina:118 min (Mar del Plata Film Festival) | Australia:121 min | USA:125 min

Country:

Hong Kong | Japan | South Korea

Language:

Cantonese | Japanese | Korean | Mandarin

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

USA:R | Brazil:16 | Sweden:15 | Australia:R | Germany:18 | Canada:16+ (Quebec) | Canada:18A (Manitoba/Ontario) | Canada:R (Alberta/Nova Scotia) | Malaysia:(Banned) | Portugal:M/18 | Finland:K-18 (self applied) | France:-16 | UK:18 (uncut) | New Zealand:R18 | Argentina:18 | Japan:R-15 | Italy:VM18 | Hong Kong:III | Singapore:R21 | South Korea:18

Company:

Applause Pictures

Goofs:

Crew or equipment visible: In the segment "Cut," towards the end of the film there is a panning shot looking in through a window. The reflection of one or more persons standing on the outside portion (the side the camera is on) can be seen.

Quotes:

Mei: You're rich but I'm free.

Movie Connections:

Referenced in Bakjwi (2009)

Disturbing and effective, but also rather simple omnibus

Known as Three... Monsters in Korea, where I bought the DVD, Three... Extremes is an omnibus horror film like Twilight Zone: The Movie and similar omnibus horror films, containing multiple shorts, often unrelated, with separate casts and actors.

In this case, we have three notable directors from east Asia: Japanese director Takashi Miike, Hong Kong director Fruit Chan, and South Korean director Chan-wook Park. Each presents their own short visions of horror, although perhaps it's more appropriate to say that although these are horror movies, they are more disturbing than outright frightening.

The first short, entitled Box, by Takashi Miike, relates the story of a young writer who is having some difficulty distinguishing between her dreams and reality. It's the most supernaturally oriented of the three films and the most ambiguous. There are no particularly outright scare moments, but the ambiguity of the story and the elements of the story are why the short can be a little disturbing. Primarily contemplative in nature, it's ambiguity also serves as its foil, as it's hard to draw anything more from the short than simple emotion and a sense of confusion.

The second short, entitled Dumplings, by Fruit Chan, is undoubtedly the most disturbing of the three. The film actually deals with some particularly relevant issues, particularly the things that we do to be considered attractive and to return to former glory, but the means by which the film makes such a commentary is very unpleasant. I'd have to say that it's a pretty effective film, but certainly not enjoyable. I've discovered that a longer 90+ minute version of this film exists as well and it'd be interesting to do a study comparing the two--if I could ever handle watching it again.

The final short, entitled Cut, by Chan-wook Park, is the the most lively and comical of the works. Wrapped in a maniacal revenge story is a comment about the nature of evil, in particular, the reasons for which evil is committed. It's certainly the most glossy of the films, utilizing CGI effects, an elaborate set and dynamic camera-work. The short is weakened by the ending, which doesn't appear to be prompted or meaningful, and we can only guess at the reasons for which the ending occurred the way it did.

All in all, the three shorts are fairly effective works and compose a whole by their disturbing nature. There is nothing particularly compelling, also Dumplings does make a particularly strong effort and Cut is particularly vibrant, if a little shallow. Either way, if you're looking to see three notable east Asian directors give their disturbing short takes on horror, this is almost as good a place as any to see it. 7/10.