| Thijs Römer | ... | Jim de Booy | |
| Tara Elders | ... | Ayse Him | |
| Cahit Ölmez | ... | Erdogan Demir | |
| Jack Wouterse | ... | Van Dam | |
| Johnny de Mol | ... | Redacteur NRC, John | |
| Caro Lenssen | ... | Marije de Booy | |
| Marcel Hensema | ... | Wester | |
| Gijs Naber | ... | Wouter Heemskerk | |
| Marlies Heuer | ... | Thera | |
| Georgina Verbaan | ... | Birgit Maas | |
| Ariane Schluter | ... | Ex Jim | |
| Tooske Breugem | ... | Grondstewardess | |
| Peer Mascini | ... | Buurman | |
| Marijke Veugelers | ... | Buurvrouw | |
| Reinout Bussemaker | ... | Volkert van der G | |
| Kristen Denkers | ... | Assistent Wester | |
| Michel Sluysmans | ... | Verzekeringsman | |
| Femke Lakerveld | ... | Lisa | |
| Maria Kraakman | ... | Petra | |
| Ira Goldwasser | ... | Man in vergadering | |
| John Pope | ... | Man in vergadering | |
| Krijn ter Braak | ... | Man in vergadering | |
| Jochum ten Haaf | ... | Man in vergadering | |
| Gijs van de Westelaken | ... | Man in vergadering | |
| Fouad Mourigh | ... | Hamid | |
| Cees Geel | ... | Politie-agent | |
| Farhane El Hamchaoui | ... | Ali | |
| Steve Hooi | ... | Ronald | |
| Mohammed El Hamchaoui | ... | Abou | |
| Urmie Plein | ... | Receptioniste | |
| Mike Reus | ... | Man in Dudok | |
| Tijn Docter | ... | Man in Dudok | |
| Martijn Nieuwerf | ... | Automobilist | |
| Kim Kok | ... | Sabientje | |
| rest of cast listed alphabetically: | |||
| Dave Abspoel | ... | Himself (archive footage) | |
| Alix Adams | ... | Vrouw in Dudok | |
| Jan Peter Balkenende | ... | Himself (archive footage) | |
| Ad Melkert | ... | Himself (archive footage) | |
| Dominique van der Heyde | ... | Herself (archive footage) | |
| Simon Zwiers | ... | Redacteur | |
| Thom de Graaf | ... | Himself (uncredited) (archive footage) | |
| Pim Fortuyn | ... | Himself (uncredited) (archive footage) | |
| Wim Kok | ... | Himself (uncredited) (archive footage) | |
| Paul Rosenmöller | ... | Himself (uncredited) (archive footage) | |
| Marcel van Dam | ... | Himself (uncredited) (archive footage) | |
Directed by | |||
| Theo van Gogh | |||
Writing credits(in alphabetical order) | ||
| Theo van Gogh | dialogue | |
| Tomas Ross | dialogue & scenario | |
Produced by | |||
| Gijs van de Westelaken | .... | producer | |
Original Music by | |||
| Rainer Hensel | |||
Cinematography by | |||
| Alex de Waal | |||
| Joost van Herwijnen | |||
| Thomas Kist | |||
Film Editing by | |||
| Merel Notten | |||
Casting by | |||
| Job Gosschalk | |||
| Marc van Bree | |||
Art Direction by | |||
| Jan Rutgers | |||
Costume Design by | |||
| Jacqueline Steylen | |||
Production Management | |||
| Ellen Havenith | .... | assistant production manager | |
| Judith Schuitert | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gijs Determeijer | .... | second assistant director | |
| Doesjka van Hoogdalem | .... | assistant director | |
| Milo Rietvelt | .... | first assistant director | |
Art Department | |||
| Taco Regtien | .... | set dresser | |
| Michel Rozestraten | .... | props | |
Sound Department | |||
| Victor Dekker | .... | boom operator | |
| Sophie Determeyer | .... | sound recordist | |
| Leo Franssen | .... | sound | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Visual Effects by | |||
| Arjen Abbestee | .... | visual effects | |
Editorial Department | |||
| Alexandra Keddeman | .... | post-production | |
Music Department | |||
| Gabriel Ríos | .... | composer: song "Broad Daylight" | |
Other crew | |||
| Ellen Havenith | .... | assistant to production manager | |
| Peter Hermans | .... | assistant location manager | |
| Martijn Overing | .... | assistant catering | |
| Menno Slot | .... | assistant location manager | |
| Reinier Smit | .... | production assistant | |
Thanks | |||
| Theodor Holman | .... | special thanks | |
| Hans Teeuwen | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Netherlands section | Add this title to MyMovies |
First off, let's all admit that this film would probably never had a chance to see a production budget of any kind before September 11th, 2001. Secondly, two of the main characters are westernized Muslims and in the film they drink alcohol, have a sexual affair, and wear regular clothes ( no hijab for the female character ). What all of that means, exactly, is something of a mystery to me.
Third, the story-telling in this film is far better than some of the other comments might indicate. Given that the fine DVD presentation requires the viewer to read subtitles for the parts given in other languages, which is about 98 per cent of the film, it all works real well. In my less-than-humble opinion, of course.
Apparently the Dutch secret service or spy agency does not believe in or perhaps does not need warrants to break into the homes of private citizens, and is not averse to random acts of vandalism, as well.
So, yes, the story is convoluted and to see this film without some basic back-grounding on the politics involved makes it a daunting task. On the other side, the principal actors mostly do a very fine job in their characterizations of real persons. The fact that the film ends without giving the viewer any kind of "in the face" explanation of who really killed the Dutch politician, Pym, does not make the story in any way irrelevant. Nor can any sensible person find anything racist in this intriguing drama. On the contrary, the Netherlands is presented as being a most tolerant place where natives and second-generation immigrants live next to each other and work together quite well.
It's a spy story and a murder story, after all, and it does provoke the viewer to ask ... who really wanted that fellow Pym to be killed ? The colorful, controversial life of Theo van Gogh, who was in life so very central to the creation of this film, is NOT the subject here.
The pacing and the direction were really rather good, and it is not a "slow-paced" film, but it is telling a rather convoluted story. Leading lady Tara Elders does a remarkable turn in a tough role, too, as the Muslim immigrant with a checkered past.
For my dollar two ninety-five, it was worth renting and worth viewing twice. The second time around the intrigue was much easier to grasp.
It is necessary to know something about the recent history of the Netherlands to get the full value of this production.