Factotum (2005)

Director:

Bent Hamer

Writers:

Charles Bukowski (novel)
Bent Hamer (written by) ...

Release Date:

29 April 2005 (Norway)

Genre:

Comedy | Drama | Romance

Tagline:

What matters most is how you well you walk through the fire.

Plot:

This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.

Plot Keywords:

Money | Drinking | Writing | Gambling | Writer

Awards:

3 wins & 2 nominations

Cast

Matt Dillon	...	Hank Chinaski
Lili Taylor	...	Jan
Didier Flamand	...	Pierre
Fisher Stevens	...	Manny
Marisa Tomei	...	Laura
Adrienne Shelly	...	Jerry
Karen Young	...	Grace
Thomas Lyons	...	Tony Endicott (as Tom Lyons)
Dean Brewington	...	Old Black Man
James Cada	...	Bald Man
James Michael Detmar	...	Smithson
Kurt Schweickhardt	...	Ice Plant Supervisor
Dee Noah	...	Hank's Mother
James Noah	...	Hank's Father
Michael Egan	...	Taxi Office Clerk

Also Known As:

Factotum (France)
Factotum: A Man Who Performs Many Jobs (USA) (long title)

Runtime:

94 min

Country:

France | Germany | Sweden | USA | Norway

Language:

English

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

UK:15 | Ireland:16 | Brazil:16 | Switzerland:16 (canton of Vaud) | Switzerland:16 (canton of Geneva) | Germany:12 | Singapore:M18 | Netherlands:12 | Hong Kong:IIB | USA:R (MPAA rating) | Australia:M | New Zealand:R16 | Norway:15 | Finland:K-15 | USA:R

Filming Locations:

Canterbury Park Racetrack - 1100 Canterbury Road, Shakopee, Minnesota, USA

Company:

Arte

Trivia:

Matt Dillon and Mickey Rourke, who played brothers in Francis Ford Coppola's cult film "Rumble Fish", have both played the role of "Henry Chinaski" (Rourke in "Barfly).

Goofs:

Crew or equipment visible: In the scene where Lili Taylor's character changes out of her high heel shoes the reflection of the dolly tracks is visible in the polished stone of the building.

Quotes:

Henry Chinaski: Amazing how grimly we hold on to our misery, the energy we burn fueling our anger. Amazing how one moment, we can be snarling like a beast, then a few moments later, forgetting what or why. Not hours of this, or days, or months, or years of this... But decades. Lifetimes completely used up, given over to the pettiest rancor and hatred. Finally, there is nothing here for death to take away.

Movie Connections:

Featured in "Siskel & Ebert & the Movies: (2006-09-02)" (2006)

Soundtrack:

Where Breathing Starts

Wickedly funny, near perfect dark comedy

Deliciously acerbic, wickedly funny, fast paced, expertly crafted dark comedy. Based on an autobiographical novel by the misanthropic Charles Bukowski, The Norwegian co-writer-director Bent Hamer, who made the droll 2003 comedy, "Kitchen Stories," has created a nearly perfect film here. Factotum, we are told in the opening credits, is a word that means "a person who performs many jobs." Indeed, the story is more-or-less organized around the myriad jobs sought and botched by the protagonist, unsuccessful short story writer and all around lowlife Henry Chinaski (Matt Dillon). The other principal organizing focus in Chinaski's life is the women he squeezes and drinks with, primarily slutty Jan (Lili Taylor) and, more passingly, the somewhat classier Laura (Marisa Tomei). Rounding out the cast are Henry's horse race handicapping buddy Manny (Fisher Stevens) and Pierre, a wealthy Frenchman who composes operas and surrounds himself with prostitutes (Didier Flamand).

If one were to posit a film genre called comedy noir - dark, devilish American comedies set in lowlife surrounds like taverns and sleazy apartments, when possible dimly lit and narrated by the anti-hero protagonist, intoning in flat, world-weary, matter-of-fact voiceovers, as in a Raymond Chandler detective story - then "Factotum" would be the defining film for this genre. What other films to include? Among recent ones, "Hustle & Flow" comes quickly to mind. "The Big Lebowski," and maybe some other films by the Coens. Quite a lot of Jim Jarmusch's oeuvre, but "Down By Law" for sure. Steve Buscemi's "Trees Lounge." "Pulp Fiction," of course. This film is steeped in richly cynical dialogue, well written (in collaboration with Jim Stark, who also co-wrote "Cold Fever"), well photographed (by John Christian Rosenlund), and well edited (alas, no credit is given for this achievement on either the IMDb or the film's own website). Dillon and Taylor give superb turns. My grade: 10/10 (A)