| Photos (see all 61 | slideshow) | Videos (see all 13) |
| Jonathan Rhys Meyers | ... | Chris Wilton (as Jonathan Rhys Meyers) | |
| Alexander Armstrong | ... | Mr. Townsend | |
| Paul Kaye | ... | Estate Agent | |
| Matthew Goode | ... | Tom Hewett | |
| Brian Cox | ... | Alec Hewett | |
| Penelope Wilton | ... | Eleanor Hewett | |
| Emily Mortimer | ... | Chloe Hewett Wilton | |
| Janis Kelly | ... | 'La Traviata' Performer | |
| Alan Oke | ... | 'La Traviata' Performer | |
| Mark Gatiss | ... | Ping-Pong Player | |
| Scarlett Johansson | ... | Nola Rice | |
| Philip Mansfield | ... | Waiter | |
| Simon Kunz | ... | Rod Carver | |
| Geoffrey Streatfield | ... | Alan Sinclair (as Geoffrey Streatfeild) | |
| Mary Hegarty | ... | 'Rigoletto' Performer | |
| John Fortune | ... | John the Chauffeur | |
| Rupert Penry-Jones | ... | Henry | |
| Patricia Whymark | ... | Telephone Operator | |
| Anthony O'Donnell | ... | Custodian | |
| Miranda Raison | ... | Heather | |
| Rose Keegan | ... | Carol | |
| Zoe Telford | ... | Samantha | |
| Margaret Tyzack | ... | Mrs. Eastby | |
| Scott Handy | ... | Hewetts' Friend | |
| Emily Gilchrist | ... | Hewetts' Friend | |
| Selina Cadell | ... | Margaret | |
| Georgina Chapman | ... | Nola Co-Worker | |
| Colin Salmon | ... | Ian | |
| Toby Kebbell | ... | Policeman | |
| Steve Pemberton | ... | Detective Parry | |
| Ewen Bremner | ... | Inspector Dowd | |
| James Nesbitt | ... | Detective Banner | |
| rest of cast listed alphabetically: | |||
| Layke Anderson | ... | Etonian (uncredited) | |
| Alex Argenti | ... | Tourist (uncredited) | |
| Morne Botes | ... | Party Guest (uncredited) | |
| Dawn Murphy | ... | Cloakroom Girl (uncredited) | |
| Leonard Silver | ... | Bridge Player (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits(WGA) | ||
| Woody Allen | (written by) | |
Produced by | |||
| Letty Aronson | .... | producer | |
| Nicky Kentish Barnes | .... | co-producer | |
| Lucy Darwin | .... | producer | |
| Charles H. Joffe | .... | co-executive producer | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | co-executive producer | |
| Stephen Tenenbaum | .... | executive producer | |
| Gareth Wiley | .... | producer | |
Cinematography by | |||
| Remi Adefarasin | (director of photography) (as Remi Adefarasin) | ||
Film Editing by | |||
| Alisa Lepselter | |||
Casting by | |||
| Patricia Kerrigan DiCerto | |||
| Gail Stevens | |||
| Juliet Taylor | |||
Production Design by | |||
| Jim Clay | |||
Art Direction by | |||
| Diane Dancklefsen | |||
| Jan Spoczynski | |||
Set Decoration by | |||
| Caroline Smith | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Carmel Jackson | .... | makeup artist | |
| Sallie Jaye | .... | hair designer | |
| Sallie Jaye | .... | makeup designer | |
| Sharon Martin | .... | makeup artist | |
| Paul Mooney | .... | hair stylist | |
Production Management | |||
| Tori Parry | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Cara Cheeseman | .... | additional third assistant director | |
| Tom Glaisyer | .... | third assistant director | |
| Richard Goodwin | .... | second assistant director | |
| Christopher Newman | .... | first assistant director (as Chris Newman) | |
Art Department | |||
| Eddie Baker | .... | dressing props | |
| Nicola Barnes | .... | assistant set dresser | |
| Les Benson | .... | props storeman | |
| Steve Bohan | .... | construction manager | |
| Stephen Conway | .... | stand-by props | |
| Gill Ducker | .... | props buyer | |
| Sarah Forbes | .... | art department assistant | |
| Oliver Goodier | .... | assistant art director | |
| Saskia Green | .... | art depertment assistant | |
| Robert Hooker | .... | stand-by rigger | |
| Glenn Lewis | .... | stand-by stagehand | |
| David Lowery | .... | supervising carpenter (as Dave Lowery) | |
| Steve Macdonald | .... | chargehand stand-by props (as Stephen McDonald) | |
| Philip McDonald | .... | property master | |
| John McGee | .... | supervising carpenter | |
| Eamon McLoughlin | .... | supervising carpenter | |
| Neil Murrum | .... | chargehand dressing prop | |
| Roy O'Connor | .... | dressing props | |
| Nick Pearce | .... | stand-by painter | |
| Anthony Szuch | .... | drapes master | |
| David Williamson | .... | stand-by carpenter (as Dave Williamson) | |
Sound Department | |||
| Coll Anderson | .... | sound effects editor | |
| Nancy Cabrera | .... | foley artist | |
| Ryan Collison | .... | foley recording engineer | |
| Lee Dichter | .... | re-recording mixer | |
| Peter Glossop | .... | sound mixer | |
| Robert Hein | .... | supervising sound editor | |
| Thomas Kodros | .... | stereo sound consultant: Dolby Stereo | |
| Stephane Malenfant | .... | sound assistant | |
| Matthew McDonnell | .... | sound trainee: FT2 | |
| Sylvia Menno | .... | dialogue editor | |
| Shaun Mills | .... | boom operator | |
| David Wahnon | .... | sound editor | |
| Akil Wilson | .... | assistant sound editor | |
Special Effects by | |||
| Jonathan Bullock | .... | special effects technician | |
| Dean Ford | .... | special effects technician | |
Visual Effects by | |||
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Matthew Bristowe | .... | producer: The Moving Picture Company | |
| Richard Comline | .... | visual effects artist: The Moving Picture Company | |
| Martin Cook | .... | visual effects artist: The Moving Picture Company | |
| Mark Curtis | .... | visual effects artist: The Moving Picture Company | |
| Michael Elson | .... | head of production: MPC | |
| Richard Etchells | .... | title designer: The Moving Picture Company (as Dickie Etchells) | |
| Martin Hobbs | .... | visual effects supervisor: The Moving Picture Company | |
| Rudi Holzapfel | .... | visual effects artist: The Moving Picture Company | |
| Begoña Lopez | .... | producer: The Moving Picture Company | |
| Begoña López | .... | producer: The Moving Picture Company (as Begoña Lopez) | |
| Michelle Martin | .... | production assistant: The Moving Picture Company | |
| Andrew Morley | .... | visual effects artist: The Moving Picture Company | |
| Stuart Nelhams | .... | visual effects film editorial: MPC | |
| Patric Roos | .... | visual effects artist: The Moving Picture Company (as Patrick Roos) | |
| Daniel Walton | .... | digital artist | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
Camera and Electrical Department | |||
| John Adefarasin | .... | clapper loader (as Johnny Adefarasin) | |
| Remi Adefarasin | .... | camera operator | |
| John Arnold | .... | grip | |
| Ray Bateman | .... | generator operator | |
| Tony Burns | .... | electrician (as Tony Burnes) | |
| Clive Coote | .... | still photographer | |
| David Cozens | .... | focus puller (as Dave Cozens) | |
| Ian Franklin | .... | rigging gaffer | |
| Mark Funnell | .... | best boy electric | |
| Mark Funnell | .... | best boy | |
| Dennis Holliday | .... | electrician | |
| David Lee | .... | camera trainee | |
| Robert Rabson | .... | electrician (as Rob Rabson) | |
| Brian Sullivan | .... | rigging electrician | |
| Roger Tooley | .... | Steadicam operator | |
| David Wall | .... | chief rigging electrician | |
| David Wall | .... | rigging electrician (as David 'Jim' Wall) | |
| Jimmy Wilson | .... | gaffer | |
Casting Department | |||
| William Davies | .... | casting assistant | |
| Claire Saunders | .... | casting associate | |
| Julie Schubert | .... | casting assistant | |
| David Wheal | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Martin Chitty | .... | wardrobe master | |
| Nadia Dunn-Hill | .... | assistant costume buyer | |
| Charlotte Finlay | .... | costume supervisor | |
| Ella Hastings | .... | wardrobe assistant | |
| Charlotte Sewell | .... | assistant costume designer | |
| David Wootton | .... | wardrobe assistant | |
| Katie Hill | .... | daily costume assistant (uncredited) | |
Editorial Department | |||
| Ravi Desai | .... | trainee assistant editor: FT2 | |
| Steve Farman | .... | negative cutter | |
| Mo Henry | .... | negative cutter | |
| Kate Rose Itzkowitz | .... | apprentice editor | |
| Scott Kordish | .... | post-production coordinator | |
| Steve Mercer | .... | assistant editor: dailies | |
| Morgan Neville | .... | first assistant editor (as Morgan A. Neville) | |
| Katy Skjerping | .... | assistant editor (as Katy Fisher) | |
Transportation Department | |||
| Waseem Barlas | .... | unit driver | |
| Guy Bostock | .... | action vehicle coordinator | |
| John Burden | .... | driver: minibus | |
| Ian Clarke | .... | vehicle technician | |
| Steve Michard | .... | unit driver (as Steve Mitchard) | |
| Mike Moran | .... | driver: minibus | |
| Ron Narduzzo | .... | unit driver | |
| Robert Rabson | .... | supply truck (as Rob Rabson) | |
| Simon Saunders | .... | unit driver | |
| Darren Thackeray | .... | unit driver | |
| Sean Thornton | .... | picture vehicle technician | |
Other crew | |||
| Sarah Allentuch | .... | assistant: Mr. Allen | |
| Kim Armitage | .... | script supervisor | |
| Philip Ball | .... | stand-in | |
| Carrie-Ann Banner | .... | assistant production coordinator | |
| Isabel Begg | .... | head of business and legal affairs: BBC Films | |
| Sarah Best | .... | production and finance controller: BBC Films | |
| Peter Bevan | .... | production assistant | |
| Michelle Binieda | .... | cashier | |
| Colin Bishop | .... | projectionist: Mr. Youngs Preview Theatre | |
| Jake Bogert | .... | clearances coordinator | |
| Leah Chalk | .... | health and safety | |
| Antonia de Barton-Watson | .... | publicity assistant (as Antonia De Barton-Watson) | |
| Jimmy de Brabant | .... | production executive: Thema Production SA | |
| Michael Dounaev | .... | production executive: Thema Production SA | |
| Francesca Dowd | .... | production coordinator | |
| Jake Edmonds | .... | health and safety advisor | |
| Lucy Foulds | .... | location coordinator | |
| Max Greenhalgh | .... | floor runner: dailies | |
| Michael Harm | .... | location manager | |
| Nikki Inwood | .... | stand-in | |
| Joseph Jayawardena | .... | assistant location manager | |
| Carrie Johnson | .... | unit nurse | |
| Martin Joy | .... | unit location manager | |
| Pietro Lorino Jr. | .... | post-production accountant (as Pietro Lorino, Jr.) | |
| Steve Morphew | .... | stand-in | |
| Derry Neilan | .... | projectionist: Mr. Youngs Preview Theatre | |
| Louise O'Malley | .... | production accountant | |
| Finlay Pile | .... | location assistant | |
| Sue Quinn | .... | location manager | |
| Lee Robertson | .... | assistant location manager | |
| Maximillian Roeg | .... | runner (as Max Roeg) | |
| Kerry Smith | .... | assistant production accountant | |
| Aurelia Thomas | .... | assistant location manager | |
| David M. Thompson | .... | head: BBC Films | |
| Molly Tudhope | .... | location assistant | |
| Catherine Tyler | .... | floor runner | |
| Michael Wood | .... | production executive: BBC Films | |
| Michael J. Harker | .... | completion bond representative (uncredited) | |
Thanks | |||
| Rosine Handelman | .... | acknowledgment and thanks | |
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| Gone with the Wind | The Good Earth | Giant | Notes on a Scandal | Mansfield Park |
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Match Point is a cool, classically elegant and concise film that addresses all of the big questions--love, morality, death, fate, chance--without ever seeming heavy or self-conscious. I've never seen a Woody Allen film to match it. As a matter of fact, I can't remember another film of late that I thought was quite this good. From the opening shot, the film draws you in and doesn't let up, moving from shot to shot with a fine sense of rhythm and a narrative drive that builds the viewer's curiosity through a series of unexpected switchbacks. Rhys-Meyers is superb as an ex- professional tennis player from a poor Irish background who has turned social climber. Too proud to accept a favor from his upper class friends without immediately offering to pay it back, he affects an interest in opera and Strindberg. The viewer at once sympathizes with him and winces as he strains to seem refined and self-assured. Allen has put together a superb cast of young actors who bring his near flawless script to life so convincingly that one almost immediately suspends disbelief and becomes absorbed in the story. The shots of London are luxuriant and spacious, never self-indulgent. Few films, novels, or plays manage to form such rich dramatic material out of characters' inner obstacles. A classic piece of drama that reaches toward the likes of Shakespeare and Dostoevksy, every facet--from structure to dialog to editing to sound--is brought off with panache. This is not only Allen at his best but an example of what the cinematic medium is capable of when properly exploited.