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Match Point (2005)
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Overview
User Rating:
Release Date:
20 January 2006 (USA) moreTagline:
Passion Temptation Obsession morePlot:
At a turning point in his life, a former tennis pro falls for a femme-fatal type who happens to be dating his friend and soon-to-be brother-in-law. full summary | add synopsisAwards:
Nominated for Oscar. Another 6 wins & 10 nominations moreNewsDesk:
(101 articles)
Cast Gathers at the Edge of the World (From shocktillyoudrop. 9 November 2009)
Spin-ematical: New on DVD for 10/27
(From Cinematical. 27 October 2009, 11:32 AM, PDT)
User Comments:
a terrific film more (671 total)Cast
(Cast overview, first billed only)| Jonathan Rhys Meyers | ... | Chris Wilton (as Jonathan Rhys Meyers) | |
| Alexander Armstrong | ... | Mr. Townsend | |
| Paul Kaye | ... | Estate Agent | |
| Matthew Goode | ... | Tom Hewett | |
| Brian Cox | ... | Alec Hewett | |
| Penelope Wilton | ... | Eleanor Hewett | |
| Emily Mortimer | ... | Chloe Hewett Wilton | |
| Janis Kelly | ... | 'La Traviata' Performer | |
| Alan Oke | ... | 'La Traviata' Performer | |
| Mark Gatiss | ... | Ping-Pong Player | |
| Scarlett Johansson | ... | Nola Rice | |
| Philip Mansfield | ... | Waiter | |
| Simon Kunz | ... | Rod Carver | |
| Geoffrey Streatfield | ... | Alan Sinclair (as Geoffrey Streatfeild) | |
| Mary Hegarty | ... | 'Rigoletto' Performer |
Additional Details
MPAA:
Rated R for some sexuality.Parents Guide:
Add content advisory for parentsRuntime:
124 min | Turkey:115 min (TV version) | Finland:126 min (theatrical version)Language:
EnglishColour:
ColourAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby Digital (Mono)Certification:
UK:12A | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Ireland:15A | Finland:K-11 | Spain:18 | Germany:6 | Austria:12 | Portugal:M/12 | Singapore:NC-16 | Norway:11 | Australia:M | Sweden:15 | Malaysia:(Banned) | Brazil:14 | Argentina:13 | Hong Kong:IIA | Iceland:12 | Hungary:16 | Greece:K-13 | Canada:14A (Ontario) | South Korea:18 | Japan:PG-12 | New Zealand:M | USA:RFun Stuff
Trivia:
Kate Winslet was originally cast in this film as Nola Rice, but backed out in order to spend more time with her family. Since this was filmed in England Woody Allen had to have a certain percentage of an English cast and crew, apparently he made his quota before casting Winslet, after she dropped out Woody cast American actress Scarlett Johansson. moreGoofs:
Factual errors: When Chris lies to Nola about his overseas holiday she finally calls him on his mobile phone to ask him when he'll be home from Sardinia, when of course he never left the UK. Sardinia has a different dialing tone to the UK, so a frequent international traveler like Nola should instantly know that Chris was in the UK when his cell started ringing. moreQuotes:
[first lines]Christopher "Chris" Wilton: The man who said "I'd rather be lucky than good" saw deeply into life. People are afraid to face how great a part of life is dependent on luck. It's scary to think so much is out of one's control. There are moments in a match when the ball hits the top of the net, and for a split second, it can either go forward or fall back. With a little luck, it goes forward, and you win. Or maybe it doesn't, and you lose.
more
Soundtrack:
Desdemona moreFAQ
Any one know the Name/Brand of the wrist watch "Chris" wears through the later half!?more
more (671 total)
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Match Point is a cool, classically elegant and concise film that addresses all of the big questions--love, morality, death, fate, chance--without ever seeming heavy or self-conscious. I've never seen a Woody Allen film to match it. As a matter of fact, I can't remember another film of late that I thought was quite this good. From the opening shot, the film draws you in and doesn't let up, moving from shot to shot with a fine sense of rhythm and a narrative drive that builds the viewer's curiosity through a series of unexpected switchbacks. Rhys-Meyers is superb as an ex- professional tennis player from a poor Irish background who has turned social climber. Too proud to accept a favor from his upper class friends without immediately offering to pay it back, he affects an interest in opera and Strindberg. The viewer at once sympathizes with him and winces as he strains to seem refined and self-assured. Allen has put together a superb cast of young actors who bring his near flawless script to life so convincingly that one almost immediately suspends disbelief and becomes absorbed in the story. The shots of London are luxuriant and spacious, never self-indulgent. Few films, novels, or plays manage to form such rich dramatic material out of characters' inner obstacles. A classic piece of drama that reaches toward the likes of Shakespeare and Dostoevksy, every facet--from structure to dialog to editing to sound--is brought off with panache. This is not only Allen at his best but an example of what the cinematic medium is capable of when properly exploited.