| Ryan Larkin | ... | Interview Voice (voice) | |
| Chris Landreth | ... | Interview Voice (voice) | |
| Felicity Fanjoy | ... | Interview Voice (voice) | |
| Derek Lamb | ... | Interview Voice (voice) |
Directed by | |||
| Chris Landreth | |||
Produced by | |||
| Jed DeCory | .... | executive producer | |
| Jeremy Edwardes | .... | associate producer | |
| Steven Hoban | .... | producer | |
| Karyn Nolan | .... | executive producer | |
| Marcy Page | .... | producer | |
| Noah Segal | .... | executive producer | |
| Mark Smith | .... | producer | |
| David Verrall | .... | executive producer | |
Original Music by | |||
| Fergus Marsh | |||
| Michael White | |||
Film Editing by | |||
| Alan Code | |||
Production Management | |||
| Larry Deflorio | .... | executive in charge of production: Seneca College (as Larry DeFlorio) | |
| Paula Devonshire | .... | post-production supervisor | |
Art Department | |||
| Paul Cieniuch | .... | set design | |
| Brian Lemay | .... | storyboard artist | |
| Ian MacLeod | .... | set design | |
| Helen Zotalis | .... | set designer (as Helen Zotalis van Emmerik) | |
Sound Department | |||
| Ray Cook | .... | optical soundtrack | |
| Eliot Crackower | .... | assistant re-recording mixer | |
| Erik Culp | .... | foley recordist | |
| Roderick Deogrades | .... | sound effects editor (as Rod Deogrades) | |
| Robert Di Gioia | .... | adr recordist (as Robert DiGioria) | |
| John Elliot | .... | foley assistant (as John Elliott) | |
| Steve Hammond | .... | foley artist | |
| Martin Gwynn Jones | .... | adr editor | |
| Martin Gwynn Jones | .... | dialogue editor | |
| Garrett Kerr | .... | sound effects editor | |
| David McCallum | .... | sound supervisor | |
| David Rose | .... | sound effects editor | |
| Lou Solakofski | .... | re-recording mixer | |
| Jane Tattersall | .... | sound effects editor | |
| David Yonson | .... | adr mixer | |
Visual Effects by | |||
| Belma Abdicevic | .... | compositing | |
| Belma Abdicevic | .... | lighting/rendering | |
| David Baas | .... | computer graphics producer | |
| Dave Bachelor | .... | character and set texturing | |
| Dave Bachelor | .... | render assistant | |
| Heather Chan | .... | assistant: Seneca | |
| Ted Charlton | .... | character modeller | |
| Yiqun Chen | .... | additional effects animation | |
| Paul Cieniuch | .... | modeling and texturing | |
| Patrick Coleman | .... | production programmer | |
| William Dwelly | .... | additional effects animation (as Bill Dwelly) | |
| William Dwelly | .... | character setup (as Bill Dwelly) | |
| George Elkoura | .... | production programmer | |
| Heather Gagnier-Souliere | .... | assistant: Seneca (as Heather Gagnier) | |
| Martin Hesselink | .... | pre-visualization | |
| Daniel Hornick | .... | additional texturing | |
| Joseph Kim | .... | character modeller | |
| Rick Kogucki | .... | character setup | |
| Martin Kumor | .... | programmer | |
| Martin Kumor | .... | technical administrator | |
| Steven Lin | .... | assistant systems administrator | |
| Ian MacLeod | .... | additional lighting | |
| Ian MacLeod | .... | modeling and texturing | |
| Alex Murtaza | .... | assistant: Seneca (as Ali Murtaza) | |
| Fred Ni | .... | character setup | |
| Joe Raasch | .... | additional compositing | |
| Simon Sherr | .... | character setup | |
| Karan Singh | .... | director: software research and development | |
| Gavin Soares | .... | pre-visualization | |
| Glenn Tsang | .... | production programmer | |
| Derek Verdonck | .... | pre-visualization | |
| Helen Zotalis | .... | additional lighting (as Helen Zotalis van Emmerik) | |
| Helen Zotalis | .... | modeling and texturing (as Helen Zotalis van Emmerik) | |
Animation Department | |||
| Robb Denovan | .... | animator | |
| Wadi Ejiwunmi | .... | animator: additional animation | |
| Thomas Hendry | .... | additional character design | |
| Terry Kalinich | .... | animator | |
| Terry Kalinich | .... | animator: additional animation | |
| Sebastian Kapijimpanga | .... | animator | |
| Paul Kohut | .... | animator | |
| Chris Landreth | .... | character design | |
| Alison Reiko Loader | .... | animator: additional animation | |
| Fred Ni | .... | additional character design | |
| Jeff Panko | .... | animator | |
Editorial Department | |||
| Michael Morrow | .... | assistant editor | |
| Melanie Moulton | .... | post scheduling | |
Music Department | |||
| Brian Barlow | .... | musician: percussion | |
| Jeremy Edwardes | .... | musician: bass clarinet | |
| Ormond Jobin | .... | music engineer | |
| Hugh Marsh | .... | musician: violin | |
| Roberto Occhipinti | .... | musician: double bass | |
| Don Rooke | .... | musician: guitars | |
Other crew | |||
| Rob Aitchison | .... | pre-production consultant | |
| Brian Borts | .... | production accountant | |
| Winston Emano | .... | publicist | |
| R. Todd Ivey | .... | slates (as Todd Ivey) | |
| R. Todd Ivey | .... | titles (as Todd Ivey) | |
| Kimberly Killam | .... | production accountant (as Kim Killam) | |
| David Magdael | .... | publicist | |
| David Steinberg | .... | legal | |
| Steven Wallace | .... | publicist | |
| Anne Stulz | .... | publicist (uncredited) | |
Thanks | |||
| Shawn Dunn | .... | special thank you | |
| Jade LaMarche | .... | special thank you | |
| Ryan Larkin | .... | special thank you | |
| Rick Miner | .... | special thank you | |
| Jodi A. Tario | .... | special thank you (as Jody Terio) | |
| Patrice Theroux | .... | special thank you | |
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| Hard Core Logo | The Far Side of the Moon | Factory Girl | Adoration | Capote |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Canada section |
This animated short uses its animation style to express human situations that would be immediately accessible, even if you didn't know English. The excerpts of Ryan Larkin's work "Walking" (titled in the original French as "En Marchant" 1969) give you a glimpse of the genius of this man. Chris' street characters near the end are hauntingly familiar. Is that a fat Michael Richards I see? Well done, Chris, et al. I first saw this on CBC's ZED and it will likely get more play there, probably on their request program on "Feedback Friday" nights. Zed classifies this film as both Experimental and Educational genres. You can see an overview on their web site.