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Jim Jarmusch (written by)
Bill Raden (inspired by an idea from) ...
(more)
26 August 2005 (Iceland) more
Sometimes life brings some strange surprises.
As the devoutly single Don Johnston is dumped by his latest girlfriend, he receives an anonymous pink letter informing him that he has a son who may be looking for him. The situation causes Don to examine his relationships with women instead of moving on to the next one, and he embarks on a cross-country search for his old flames who might possess clues to the mystery at hand. full summary | add synopsis
4 wins & 11 nominations more
Joshua Leonard to star in and direct The Lie
(From Movie Jungle. 16 October 2009, 3:15 AM, PDT)
Joshua Leonard Takes on The Lie
(From MovieWeb. 15 October 2009, 6:43 PM, PDT)
A low-key picaresque more (478 total)
| Bill Murray | ... | Don Johnston | |
| Julie Delpy | ... | Sherry | |
| Heather Simms | ... | Mona (as Heather Alicia Simms) | |
| Brea Frazier | ... | Rita | |
| Jarry Fall | ... | Winston and Mona's Kid (as Jarry) | |
| Korka Fall | ... | Winston and Mona's Kid | |
| Saul Holland | ... | Winston and Mona's Kid (as Saul) | |
| Zakira Holland | ... | Winston and Mona's Kid | |
| Niles Lee Wilson | ... | Winston and Mona's Kid | |
| Jeffrey Wright | ... | Winston | |
| Meredith Patterson | ... | Flight Attendant | |
| Jennifer Rapp | ... | Girl on Bus | |
| Nicole Abisinio | ... | Girl on Bus | |
| Ryan Donowho | ... | Young Man on Bus | |
| Alexis Dziena | ... | Lolita | |
| Sharon Stone | ... | Laura Daniels Miller | |
| Frances Conroy | ... | Dora | |
| Christopher McDonald | ... | Ron | |
| Dared Wright | ... | Rabbit Owner | |
| Chloë Sevigny | ... | Carmen's Assistant | |
| Suzanne Hevner | ... | Mrs. Dorston | |
| Jessica Lange | ... | Carmen | |
| Brain McPeck | ... | Guy in S.U.V. (as Brain F. McPeck) | |
| Matthew McAuley | ... | Guy in S.U.V. | |
| Chris Bauer | ... | Dan | |
| Larry Fessenden | ... | Will | |
| Tilda Swinton | ... | Penny | |
| Pell James | ... | Sun Green | |
| Mark Webber | ... | The Kid | |
| Homer Murray | ... | Kid in Car | |
| rest of cast listed alphabetically: | |||
| Rachel Puchkoff | ... | Girl in House (unconfirmed) (uncredited) | |
Directed by | |||
| Jim Jarmusch | |||
Writing credits | ||
| Jim Jarmusch | (written by) | |
| Bill Raden | (inspired by an idea from) and | |
| Sara Driver | (inspired by an idea from) | |
Produced by | |||
| Jon Kilik | .... | producer | |
| Ann Ruark | .... | co-producer | |
| Stacey E. Smith | .... | producer (as Stacey Smith) | |
| Karen L. Thorson | .... | associate producer (uncredited) | |
Original Music by | |||
| Mulatu Astatke | |||
Cinematography by | |||
| Frederick Elmes | (director of photography) | ||
Film Editing by | |||
| Jay Rabinowitz | |||
Casting by | |||
| Ellen Lewis | |||
Production Design by | |||
| Mark Friedberg | |||
Art Direction by | |||
| Sarah Frank | |||
Set Decoration by | |||
| Lydia Marks | |||
Costume Design by | |||
| John A. Dunn | (as John Dunn) | ||
Makeup Department | |||
| Milton Buras | .... | hair stylist: Sharon Stone | |
| Judy Chin | .... | key makeup artist | |
| Frances Hannon | .... | hair stylist: Bill Murray | |
| Frances Hannon | .... | makeup artist: Bill Murray | |
| Mandy Lyons | .... | key hair stylist | |
Production Management | |||
| Gwen Bialic | .... | production supervisor | |
| Ann Ruark | .... | unit production manager | |
| Karen L. Thorson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sarah Rae Garrett | .... | second second assistant director | |
| Todd Pfeiffer | .... | first assistant director | |
| Shea Rowan | .... | second assistant director | |
Art Department | |||
| Robert Barnett | .... | camera scenic (as Bob Barnett) | |
| Stephen Barth | .... | scenic artist | |
| Peter Bundrick | .... | head carpenter (as Pete Bundrick) | |
| Dominick Cocuzzo | .... | construction grip | |
| Ralph Contrado | .... | scenic artist | |
| Alex DiGerlando | .... | art department coordinator | |
| Lauren Doner | .... | scenic foreman | |
| Stephen Finkin | .... | on-set dresser (as Steve Finkin) | |
| Tanis Gray | .... | art department assistant | |
| Sandy Hamilton | .... | property master | |
| Richard Hebrank | .... | construction coordinator (as Richie Hebrank) | |
| Arlo Hoffman | .... | set dresser | |
| T.W. John House | .... | construction grip (as John House) | |
| Robert Keller | .... | carpenter (as Bob Keller) | |
| Lisa Kennedy | .... | scenic artist | |
| Jon Kim | .... | set dresser | |
| Rob Landoll | .... | scenic artist | |
| Elizabeth Linn | .... | charge scenic | |
| John Peter Melendez | .... | set dresser (as John Melendez) | |
| Michael Miller | .... | construction grip | |
| Kris Moran | .... | assistant property master | |
| Mark Pollard | .... | graphic artist | |
| Heather Prendergast | .... | assistant set decorator | |
| Will Scheck | .... | leadman | |
| Mark Paul Selemon | .... | set dresser (as Mark Selemon) | |
| Jonathan Tessler | .... | additional props | |
| Ajamu Walker | .... | artwork | |
| Don Zappia | .... | construction grip | |
| Tomas Zeman | .... | art department intern | |
Sound Department | |||
| Coll Anderson | .... | sound effects editor | |
| Ryan Collison | .... | foley recordist | |
| Mark Goodermote | .... | boom operator | |
| Robert Hein | .... | supervising sound editor | |
| Drew Kunin | .... | sound mixer | |
| Terrance Laudermilch | .... | re-recordist (as Terry Laudermilch) | |
| Tommy Louie | .... | sound utility | |
| Jan McLaughlin | .... | sound utility (as Jan Mclaughlin) | |
| Sylvia Menno | .... | dialogue editor | |
| Glenfield Payne | .... | sound effects editor | |
| Jay Peck | .... | foley artist | |
| Kira Smith | .... | sound utility | |
| Dominick Tavella | .... | sound re-recording mixer (as Dominick 'The Dominator' Tavella) | |
| Marilyn Teorey | .... | foley editor | |
| David Wahnon | .... | sound editor | |
| Doug Winningham | .... | sound effects recordist | |
Visual Effects by | |||
| J. John Corbett | .... | visual effects | |
| Mark Tureski | .... | digital film recording | |
| Keith Yurevitz | .... | visual effects | |
| Jan Cilliers | .... | digital compositor: Big Film Design (uncredited) | |
| Chris Halstead | .... | digital compositor: Big Film Design (uncredited) | |
Stunts | |||
| Manny Siverio | .... | stunt coordinator | |
Casting Department | |||
| Jennifer Euston | .... | casting associate (as Jen Euston) | |
| Meghan Rafferty | .... | casting assistant | |
| Kristian Sorge | .... | background casting associate | |
| Grant Wilfley | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Stephanie Biear | .... | seamstress | |
| David Davenport | .... | wardrobe supervisor | |
| Amy Habacker | .... | costumer | |
| Rebecca Hofherr | .... | wardrobe production assistant | |
| Susan J. Wright | .... | key costumer | |
| Debbie Lucas | .... | seamstress (uncredited) | |
Editorial Department | |||
| Noah Amos | .... | apprentice editor | |
| Jennifer Apel | .... | first assistant editor | |
| Sebastian Bear-McClard | .... | editorial assistant | |
| Lance Edmands | .... | post-production intern | |
| Jonathan Keogh | .... | editing intern | |
| Matt Mayer | .... | first assistant editor | |
| Perri Pivovar | .... | first assistant editor | |
| Cathy Rait | .... | color timer | |
| Mike Selemon | .... | editorial assistant | |
| Stan Sztaba | .... | negative cutter | |
| Joe Violante | .... | dailies advisor | |
Music Department | |||
| Evan Greenspan | .... | music clearances | |
| Jay Rabinowitz | .... | music editor | |
Transportation Department | |||
| Frank Appedu | .... | driver | |
| William Baker | .... | driver (as Bill Baker) | |
| Joe Blessington | .... | driver | |
| John Canavan | .... | driver | |
| Thomas Crehan | .... | driver (as Tom Creehan) | |
| James Giblin | .... | driver (as James Giblin Jr.) | |
| Paul Kane | .... | driver | |
| Jim Kelly | .... | driver (as Jim Kelley) | |
| Robert Lapine | .... | driver (as Bob Lapine) | |
| Jimmy Mahr | .... | driver (as Jim Mahr) | |
| Eugene O'Neill | .... | transportation captain (as Gene O'Neill) | |
| Joshua Priestley | .... | picture cars | |
| John Queenie | .... | driver | |
| J.R. Scarlatos | .... | driver (as Stratis Scarlatos Jr.) | |
Thanks | |||
| Paul Auster | .... | personal thanks | |
| Jeanne Campbell | .... | special thanks | |
| Sarah Carlson | .... | special thanks | |
| Alexandra Cassavetes | .... | personal thanks (as Xan Cassavetes) | |
| Helen W. English | .... | special thanks | |
| Jean Eustache | .... | dedicatee: for | |
| Francis Falceto | .... | special thanks | |
| Craig Fox | .... | personal thanks | |
| Rena Fuchs | .... | special thanks | |
| Holly Golightly | .... | personal thanks | |
| Richard W. Haynes | .... | special thanks | |
| Anette Hidary | .... | special thanks | |
| Siri Hustvedt | .... | personal thanks | |
| Rennie Jaffe | .... | special thanks | |
| Ginger Johnson | .... | special thanks | |
| Patrick Keeler | .... | personal thanks | |
| Abebaw Kelkay | .... | special thanks: the Ethiopian Football Federation | |
| Jean Labadie | .... | very special thanks | |
| Jack Lawrence | .... | personal thanks (as Jack 'The Product' Lawrence) | |
| Nemo Librizzi | .... | personal thanks | |
| Julie Lipsius | .... | special thanks | |
| Teodore Ludwiczak | .... | special thanks | |
| Lee Myles | .... | special thanks | |
| James Nares | .... | personal thanks | |
| Anton Newcombe | .... | personal thanks | |
| Pat Padgett | .... | personal thanks (as Pat) | |
| Ron Padgett | .... | personal thanks | |
| Fred Perry | .... | special thanks | |
| James Pollard | .... | special thanks (as Jim Pollard) | |
| Mark Pollard | .... | special thanks | |
| Isabel Riley | .... | special thanks | |
| Joe Sacco | .... | special thanks | |
| Luc Sante | .... | personal thanks | |
| Christie Scheele | .... | special thanks | |
| Lola Schnabel | .... | personal thanks | |
| Jim Sotet | .... | personal thanks | |
| Ajamu Walker | .... | special thanks (as Ajamu Kojo * Chioke Walker) | |
| Bart Walker | .... | titanium respect and thanks | |
| Joan Waltemath | .... | personal thanks | |
| Ron Wilber | .... | special thanks | |
| Linda Williams | .... | personal thanks | |
| Antony Zito | .... | personal thanks (as Zito) | |
Dead Flowers (USA) (working title)
Untitled Jim Jarmusch Project (USA) (working title)
more
Rated R for language, some graphic nudity and brief drug use.
106 min
1.85 : 1 more
Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:15 | Australia:M | Norway:A | Finland:K-7 | Ireland:15A | Singapore:M18 | Hong Kong:IIA | Germany:o.Al. | Sweden:11 | Belgium:KT | Netherlands:MG6 | Brazil:14 | Mexico:B15 | Singapore:NC-16 (edited version) | USA:R (#41745) | Malaysia:U | France:U | Argentina:13 | Hungary:14 | Portugal:M/12 | Canada:14A | Iceland:L | South Korea:18 | Malaysia:18SX | New Zealand:M | Canada:PG (British Columbia) | Canada:G (Québec) | Canada:14A (Alberta/Ontario)
Jim Jarmusch finished the script in two and a half weeks. more
Errors in geography: As can be evidenced by the symbols on the airport signs (the letters A, B, and C, individually, are in the center of rounded triangles, designating sections of the airport) Newark Airport (NJ) was used for each of the airport scenes, although Murray's character was supposedly going to many different places in the US. more
[first lines]
Sherry:
I pretty much have all my stuff.
[picks up mail]
Sherry:
Looks like you got a love letter from one of your other girlfriends.
more
Alone in the Crowd more
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Barely dramatic, thematic but enigmatic, that's Jim Jarmusch's Broken Flowers. His Stranger than Paradise was exactly that, a Cleveland road trip to existential uncertainty. In Broken Flowers, Bill Murray as Don Johnston is also on a trip, but more certain of his goal than anyone in Stranger, for he seeks out his alleged son by visiting former lovers, one of whom anonymously wrote that she had borne him a child 19 years ago.
The formidable women, including a randy Sharon Stone happily lampooning her film persona and Tilda Swinton, tougher and more dangerous than all the others in her biker mom role, never really sway him from seeking his son or finding himself. Beyond discovering that you can't change the past of "an over-the-hill Don Juan," much less understand him, reflected in the depressing but authentic lack of communication with all but one of his wives, Murray may have discovered on his low-key picaresque a truer self than he had ever known before. He may be beaten up physically, he may be unable to close the case of his putative son, and he may have divorced himself from his millionaire persona as a computer whiz, but he remains a deeply calm, lonely wanderer in his effort to solve his case.
An amateur detective, neighbor Winston has the spirit and energy Don does not have, yet Don is deeper and more reflective. In fact he outstrips all of his former loves in kindness and caring in calm response to often explosive situations, for instance when Stone's daughter, Lolita, comes on to him only to find he is not available.
I complain American films are not sophisticated like Euro flicks, but Jarmusch has come close with this slow, laconic, and demanding indie. Hats off to Bill Murray for mixing minimalist with passionate this time aroundhis purpose and his change of character make his aging Hollywood star Bob from Lost in Translation just a dress rehearsal for this Oscar-worthy performance and film.
Perhaps Don's discovery is twofold: his potential to love others and himself. As Alexander Smith declared, "Love is but the discovery of ourselves in others, and the delight in the recognition."