Hideaki Anno is one of the most brilliant voices in animation -- a writer, director, and animator responsible for masterpieces such as the hugely influential "Neon Genesis Evangelion" (and its many endings), but also the anime that did the same twist as Pixar's "Lightyear" much better and decades earlier. Anno additionally belongs to the prestigious club of animators who successfully made the jump to directing live-action projects alongside Phil Lord and Chris Miller, Brad Bird, Tim Burton, and more. Anno not only brought Go Nagai's "Cutie Honey" to live-action successfully, but he also reinvented iconic franchises like "Kamen Rider" and "Godzilla."
The last one is important because Anno's "Shin Godzilla" is part of a new golden age of Godzilla stories. "Shin Godzilla" is a more satirical take on the King of the Monsters and a poignant movie inspired by the Fukushima nuclear disaster, as well as the response...
The last one is important because Anno's "Shin Godzilla" is part of a new golden age of Godzilla stories. "Shin Godzilla" is a more satirical take on the King of the Monsters and a poignant movie inspired by the Fukushima nuclear disaster, as well as the response...
- 2/12/2024
- by Rafael Motamayor
- Slash Film
Fatally, perhaps, I went into Shin Kamen Rider as a Hideaki Anno fan first and a Kamen Rider fan… not so much. I knew about it, of course: the iconography of the motorbike-riding superhero with his bug-eyed grasshopper mask is as thoroughly ingrained into Japan’s pop-cultural consciousness as any Marvel or DC character in the States, having been a staple of TV, film, manga, and young boys’ imaginations for over half a century. Consume enough Japanese pop culture, and some exposure to Kamen Rider––his bike, his mask, his kabuki-like battle poses––is inevitable. Having seen barely one of the hundreds of hours of Kamen Rider content out there, however, I could not fill you in on the finer points of its character names, relationships, or plotlines––meaning that when Anno’s latest, allegedly standalone film stopped for regular applause lines and deep-cut lore references that received whooping ovations...
- 6/6/2023
- by Eli Friedberg
- The Film Stage
Let’s appreciate Hideaki Anno so long as he’s with us. Less than a year since gifting us a fitting, fittingly head-spinning finale to his Evangelion saga, his Shin Ultraman—on which he holds screenwriting credit, directorial duties going to Shinji Higuchi, co-director of the great Shin Godzilla—has just debuted in Japan to fine notices. (The trailer sure promised something well beyond the scale of American blockbusters.) As of late he’s turned directing duties towards Shin Kamen Rider, a reboot of the ’70s series about a superhuman, motorcycle-riding hero who fights evil. Last year we learned a March 2023 debut was planned, and today a brief trailer promises that debut.
At only 51 seconds it’s not per se worth dissecting too greatly, though those well-versed in Kamen Rider may have more takeaway. As an Anno acolyte—I’ve watched Cutie Honey, for God’s sake—the flashes of his confrontational style,...
At only 51 seconds it’s not per se worth dissecting too greatly, though those well-versed in Kamen Rider may have more takeaway. As an Anno acolyte—I’ve watched Cutie Honey, for God’s sake—the flashes of his confrontational style,...
- 5/13/2022
- by Leonard Pearce
- The Film Stage
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