Munich (2005)

User Rating:

7.8/10   

Director:

Steven Spielberg

Writers (WGA):

Tony Kushner (screenplay) and
Eric Roth (screenplay) ...

Release Date:

6 January 2006 (USA)

Genre:

Drama | History | Thriller

Tagline:

The world was watching in 1972 as 11 Israeli athletes were murdered at the Munich Olympics. This is the story of what happened next.

Plot:

Based on the true story of the Black September aftermath, about the five men chosen to eliminate the ones responsible for that fateful day.

Plot Keywords:

Mossad | Olympics | Munich | Terrorist | Palestinian

Awards:

Nominated for 5 Oscars. Another 7 wins & 21 nominations

Cast

Eric Bana	...	Avner
Daniel Craig	...	Steve
Ciarán Hinds	...	Carl
Mathieu Kassovitz	...	Robert
Hanns Zischler	...	Hans
Ayelet Zurer	...	Daphna
Geoffrey Rush	...	Ephraim
Gila Almagor	...	Avner's Mother
Michael Lonsdale	...	Papa
Mathieu Amalric	...	Louis
Moritz Bleibtreu	...	Andreas
Valeria Bruni Tedeschi	...	Sylvie
Meret Becker	...	Yvonne
Marie-Josée Croze	...	Jeanette the Dutch Assassin
Yvan Attal	...	Tony - Andreas' Friend

Also Known As:

Munich (Canada: French title) (France)
Steven Spielberg's Munich (Australia)
Untitled 1972 Munich Olympics Project (USA) (working title)

MPAA:

Rated R for strong graphic violence, some sexual content, nudity and language.

Runtime:

164 min | Philippines:163 min (cut)

Country:

USA | Canada | France

Language:

English | German | French | Hebrew | Arabic

Colour:

Colour

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS-ES | Dolby Digital EX | SDDS

Certification:

Ireland:15A | Australia:MA | Czech Republic:12 | UK:15 | Singapore:M18 | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Finland:K-15 | Netherlands:16 | Norway:15 | Argentina:16 | Portugal:M/16 | Germany:16 | Hong Kong:IIB | Spain:18 | Philippines:R-13 | Sweden:15 | Iceland:16 | Malaysia:18PL | Malaysia:U (heavily cut) | Hungary:16 | New Zealand:R16 | South Korea:15 | Japan:PG-12 | Brazil:16 | Peru:14 | Canada:13+ (Quebec) | Canada:14A (Ontario) | Denmark:15 | South Africa:16 | Canada:18A (Alberta/British Columbia/Manitoba) | USA:R (certificate #42321) | France:U (with warning) | Australia:M (TV rating) | India:A (cinema release)

Filming Locations:

Bir-Hakeim Bridge, Paris, France

Company:

DreamWorks SKG

Trivia:

At the beginning of the scene where the team tries to assassinate Salameh in London, Eric Bana's character walks by a movie theater. One of the posters on display outside the theater is for Spielberg's friend George Lucas's film, American Graffiti (1973)

Goofs:

Continuity: Just before the credits roll, Avner asks probing questions of Ephraim. They are in a small park on the north end of Gantry Plaza State Park, near 48th. Ave. & Center Blvd., just north of Avalon Riverview, Queens West, Long Island City. SSE across the East River are the high-rises of Peter Cooper Village behind Avner and to his left (our right), and the low-rises of Stuyvesant Town directly behind him. The World Trade Center towers have not been digitally added to these shots - "Break bread with me, Ephraim" - but have been added to the pullback about a minute later.

Quotes:

[first lines]
American Athlete: Hey! Oh! Shame, shame! Closing down the beer garden. 100 meter dash powered by knackwurst and lager.
American Athlete: Where are you guys from?
American Athlete: What is your event?

Movie Connections:

Featured in Spielberg on Spielberg (2007) (TV)

Soundtrack:

Black Magic Woman

An Outstanding Thriller

'Munich' is, on the whole, a straight forward hit-man movie. The assignments are handed out; the team is assembled, each with their own specialty; and they travel about Europe plotting and carrying out their hits. We have the inevitable paranoia, the double agents and suspicious loyalties. So far, so familiar. Only 'Munich' is wrapped in the thin veneer of 'history' and 'fact', and mob bosses and corporate espionage is replaced with Middle Eastern politics and Israeli-Arab relations. I mention this because the politics of 'Munich' are really nothing more than a topical plot devise, used the same way as cold-war relations and soviet villainy was used thirty years ago.

What prevents 'Munich' becoming just a generic updated-cold-war thriller, is the sheer quality of the production. From the flawless recreation of European capitals in the early seventies to the impeccable costume design to the beautiful cinematography – 'Munich' is a visually fascinating movie. The performances are universally outstanding, with Bana in particular bringing a sense of tough nobility that seems to be his forte. The script is intelligent and thought-provoking, and it is Kushner's focus on the emotional and psychological landscape of his characters rather than the details of political contract killing, that ultimately lifts the movie above the generic. The kind of self-consciously poetic prose for which he is known, so often seeming unrealistically erudite, is kept to a minimum, and when it does appear, is so beautifully written and performed that all reservations are forgotten.

Ultimately, the greatest praise must be reserved for Spielberg, who has, with 'Munich', created perhaps the first truly adult movie of his career. We see no signs of his trademark sentimentality, his descents into fantasy, his childish simplification of motivation. With 'Munich', he embraces ambiguity and complexity, and as a result, has invited criticism from those who prefer their drama simplistically black and white. Above all, one can't help but wonder what the Spielberg oeuvre would look had he not dedicated his career to kid's movies, fantasies and feel-good sci-fi.

'Munich' is an intelligent and gripping thriller that is a major contender for award recognition, and deservedly so. An outstanding achievement.