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16 out of 19 people found the following review useful: Buckle your seatbelts., 17 September 2004 Author: Dare_Devil007_ from Toronto
Being of Korean descent and a huge film buff (especially Harry Potter), but having no knowledge of Korean films (which my parents find is a disgrace), my father thought it would be good for me to watch "Arahan". It's set in a modern-time period, but takes martial arts and special effects to a whole new level with characters running down the side of buildings, jumping great distances and even having this power called "jangpung", which is blasting objects out of the way. Normally, I would have called this cheesy, but the director and writers actually made it funny. Now, the main character isn't a typical superhero. He's a deadbeat cop with no self-esteem whatsoever. You follow him as he's recruited by the Seven Masters and trained into shape. He falls in love with one of the Seven Masters, Eui-Jun. An evil spirit takes human form and looks for this legendary sword. It's your typical Asian action movie, but it's also extremely funny and fast-paced. I recommend this movie to fans of Asian action and/or comedy.
10 out of 11 people found the following review useful: Good Brain Candy!, 4 February 2005 Author: ncc1205 (trekscribbler@yahoo.com) from Phoenix, AZ
There's an awful lot to like in "Arahan," but, then again, there's always something to like in any film that features a bumbling misfit saving the world.Sang-hwan is a young police officer, and he's not a very good one. Bespectacled and nervous, he's not exactly welcomed with open arms at work. He bumbles his way into one mess and out of another, all despite his good intentions, and he ends up causing himself (and others) more harm than good. When several old masters guarding the key to enlightenment identify a strong ch'i in him that – if properly nourished and trained – could save mankind from a newly awakened evil, Sang-hwan decides to believe in himself and accept his new role as a guardian of society … but not without bumbling headfirst into the responsibility."Arahan" opens with a pace and tone that feels far more dark than the script ever delivers, and moments of whimsy aren't as funny as was quite possibly intended. In fact, Sang-hwan's beating at the hands of a street gang is downright violent, completely void of any humor. Thankfully, the uneven pacing of the first half gives way to some welcome surprises in the second, complete with a spectacular showdown to save mankind with frenetic swordfights, great humor, and some spectacular wire-fu.If anything, "Arahan" takes itself a bit too seriously again in the closing moments of the fisticuffs when too many fight sequences are photographed in brain-friendly slow motion (gee, doesn't this all look pretty and significant?). But that's a small complaint for a film that delivers some impressive action sequences, some inspired special effects, and more than a dozen good belly laughs.
8 out of 8 people found the following review useful: Comedic action film has plenty to recommend it, however the juggling of two many styles makes it less than the sum of its parts, 2 September 2005 Author: dbborroughs from Glen Cove, New York
This is the story of the Seven Masters who recruit a bumbling police officer into their group in order when its discovered that he possesses a high level of Chi. The timing is very fortuitous since an ancient enemy has awoken and is once more spreading evil in the world.I first read about this movie when several on-line reviews said that this was destined to be the next big thing in movies. Later reviews were positive, but were less glowing noting that the film has several parts that don't fully mix together. I'm in the camp with the later reviews since I find the mixture of styles works against the parts.I should begin with the action. If you want to see great action this is the movie for you. Hand to hand and weapons such as swords are used through out the film to great effect. Sure its done with wires and computers, but it doesn't matter since its so much fun to look at. Very often you watch the madness on screen and go "OH Cool" even though you know how its done. I loved when our hero throws a cup at the villain who catches it on the flat end of his sword, and then sends it spinning back with even more force. Amazing.(You really should try this film for the action if nothing else.) The humor in this film is both knowing and very funny. The opening round-table of the masters discussing the difficulty of training is priceless, especially if you've seen any martial arts movies. There is a nice friendly edge to it, that is mostly right on target. The problem is that our hero is often much to bumbling to be believed, especially after he's been in the training program for a while. The too slapsticky attitude is what really hurts the movie since there is no natural progression, just silliness for silliness sake (The ending for example).The cast and the characters are great. These are people you can really root for. The villain is also suitably evil.If you were to take all of the movies parts and look at them separately you'd be amazed at how good they all are. The problem is that when you put the bits together the film doesn't quite work together. As I said the slapstick doesn't hold up all the way through. The film is overly jokey at times, even in serious moments. Its hard to keep a light edge when characters are spewing blood and being run through with swords. It takes a bit of the love for the film away and leaves you with admire and simply like. The film also suffers from a pacing problem with slow period in the middle with the training bookended by a funny beginning and an action packed end.Still I think you should give the movie a shot especially if you like action movies, especially when they have a humorous side to them. In all probability you're going to be like me and like this movie, but you won't love it.
10 out of 13 people found the following review useful: Fun, Action and Special-Effects, 5 July 2004 Author: haimoff from Zürich - Switzerland
I had a chance to view this film during the NIFFF 2004 (Neuchatel International Fantasy Film Festival) in Switzerland. Far Eastern Films are very popular this days (at least in Europe) and offer a different way of telling stories than the big US-productions. The naive downtown policeman Sang Hwan helps the good and punishes the bad. He is discovered b a martial art master and trained to unleash the powers within him, in order to fight the ultimate evil Heung Un and save the world. This South-Korean film is combining humor, action and special effects a little bit in the tradition of Jackie Chan-films. "Arahan" is based on a Korean cartoon. 3 out of 5 *
6 out of 6 people found the following review useful: Manic, funny and... dark!?, 16 July 2006 Author: mastac-1 from United Kingdom
As Eastern cinema grows more and more popular in the West, largely thanks to its being aped by such filmmakers as the Wachowskis and Quentin Tarantino, an increasing number of cinematic gems from across Eastern Asia are now arriving in the West. While films like Hero and House of Flying Daggers gain widespread theatrical releases, the more common place to find some of these films is on DVD and that's precisely where I found Arahan.Having never heard of it before I was struck by the synopsis on the back of the box that likened it to Stephen Chow's (he of Kung Fu Hustle and Shaolin Soccer fame) manic output I took a chance on it and was mildly surprised by what I saw.Directed with confidence and occasional flare by Ryu Seung-Wan, Arahan tells the story of Sang (played Ryu Seung-Bum who you may recognise from Sympathy for Mr. Vengeance), a somewhat goofy and ineffective cop who no one can seem to take seriously. After a disastrous attempt to ticket the local congressman's chauffeur for running a red light, Sang spies a purse-snatcher and promptly gives chase. Unknown to him the purse-snatcher is also being pursued by Eui-Jin (played by Yun Soy), a Tao master in training. When Sang is struck by her errant palm blast he finds himself in the care of the Seven Masters (oddly enough there are only five of them). Harbouring a crush on Eui-Jin and a strong desire to kick some ass, Sang begins training under the Masters in the hopes of Maruchi, or enlightened male master.One thing Arahan is not is slow. It moves at a brisk clip while at the same time managing to feel unhurried in reaching it's destination. It also boasts some fun characters. Seung-Bum is delightful to watch as Sang. The unusual combination of barrel bottom self esteem, stubborn pride and impatience is interesting to watch and Seung-Bum manages to carry it off wonderfully without ever letting the character descend into a mess of neuroses which could have so easily happened. Yun Soy makes a suitable foil and displays a lot of fire in her performance but her delivery sometimes falls a little flat. Admittedly she has less to work with as the slightly clichéd girl with great power and responsibility who just wants to lead a normal life has been a fairly common theme in recent years but all in all she acquits herself well. Jeong Doo-Hong is also well cast as the movies icy villain Heuk-Un, a former Tao Master with a neat line in martial arts moves and a PhD in not knowing when to call it quits.In terms of action (for Arahan is a Kung Fu movie so not to mention it would defeat a lot of the object in a review of the film) Arahan manages to pull out some neat scenes, using the full gamut of tricks currently employed in the genre including extensive wire work in some of the later battles, occasional use of CG and a nice mixture of sword and fist fights to lend the scenes some variety. It never truly raises the bar and on occasion the fights can be heavily edited, perhaps to cover some of the performers lack of skill. By and large though it gets the blood pumping and will make you wince at just the right moments, all the ingredients of some decent Kung Fu.Unfortunately Arahan does have one fairly large flaw. While billed as a comedy, Arahan can be surprisingly uneven in its tone. Much of the films humour tends to be slapstick although there are some knowing asides to Kung Fu genre in general particularly at the very beginning. The result of this somewhat broad humour combined with the manic performances will bring smiles to all but the most jaded. The downside to this however is when the film wants to get serious it pulls some nasty sucker punches that deaden the otherwise light and bouncy mood so suddenly you'll wonder if you're still watching the same film. Sang's ego destroying beating at the hands of a gang of thugs and any scene where Heuk-Un turns up are good examples of this and it's only toward the movies end that the two distinct tones of the movie begin to mesh any where close to successfully. It's a bit of a shame really. While the humour is welcome and largely on the nose (if a little broad at times), had it been reigned in slightly, perhaps been made a little more subtle, the films jarring changes of mood would have been less noticeable and the film itself doubtless would have been stronger for it.In the end Arahan overcomes its flaws to provide a largely entertaining and irreverent slice of Kung Fu with a sideline in unexpected brutality. It may not be able to go head to head with best of Chow's output, but that it can be mentioned in the same sentence is more than praise enough.
6 out of 6 people found the following review useful: Let's have fun..., 20 August 2004 Author: JayJay2003 from Germany
I've seen ARAHAN at the FantasyFilmFest. It based on a Korean manga. Sang-hwan isn't a hero at first sight. He is a police officer, who is taking his job too serious. After he was beaten up, he met the Seven Masters. They see that this dumb has huge chi-power. And its time to get in shape, because evil is coming back to earth. So he and Eui-Jin (a real babe) train to fight... ARAHAN could be yours, if you liked TOKYO RIDERS or DUEL. Don't be like Sang-hwan and take it too serious. Its loud, fast and funny. This colourful urban martial arts action feast won't allow you much time for breathing. Fasten your seat belt. This is a ride you won't soon forget.
6 out of 8 people found the following review useful: Wildly imaginative and funny., 30 September 2006 Author: Shawn Watson (gator_macready@yahoo.com) from The Underverse
I ain't no fan of chop-socky Asian martial arts movies. You could run off a list of any of the 1000 films Jet Li made before going to America and I'd say, 'Um...Kiss of the Dragon?' So, that's how bad my knowledge and devotion is. It was surprising therefore to discover that Arahan is actually a very funny and very exciting movie that zips along loud, fast and funny.Sang-Hwan is a lowly beat cop. He's clumsy, accident prone and bumbles more than the average bee. He doesn't believe he has any special powers, but when he makes friends with a group of five old masters, they recognise his potential and recruits him to help preserve the balance of the world from evil...or something. Which is great timing, because an ancient bad guy has come out of a long, long hibernation to seek the key to the ultimate nirvana and spread order over the whole world...or something.Yes, it's gobbledygook. In fact, it's alarmingly similar to Bulletproof Monk, only not total crap. There are loads of laughs to be had. Arahan has a great sense of comic timing and the ability to jump from silly gags to serious action in just a few seconds.When it comes to plain old hands-and-feet fighting, Hollywood movies seem to be lacking of late. It's all CGI and spandex. Eye candy it may be, but it's good to see something filled with practical fighting effects, despite the final showdown going on a bit.The one bad thing that costs it half a star is the nasty Eighties synthesised score. Doesn't Korea have anything better than those shoddy Yamaha keyboards that I used in music class in high school? Hell, I could do better myself.You can criticise the film for being mindless - hey, just because it's subtitled doesn't mean it's artsy fartsy - but for two hours of fun, Arahan will do nicely.
1 out of 1 people found the following review useful: A modern martial arts fantasy comedy with a mediocre core, but energetic execution, 23 February 2009 Author: J Chang from United States
Arahan is the third feature by Corean action-boy Ryu Seungwan and in this picture he takes on the fantasy martial arts genre, but instead of doing the traditional genre piece, he sets it in the present and throws his sense of comedy in the mix as well. Arahan was one of Ryu's more commercially successful films and of all his films, it's the most "blockbuster", featuring plenty of kinetic, but fantastic fights. All the same, what we witness is a typical main storyline for the genre, saved by good direction and witty writing.The story is fairly cliché and can be linked to a dozen "chosen one" martial arts stories, like that of Kung Fu Hustle or any number of older martial arts movies and comic books. It's the details that make it stand out. In modern Seoul, a rookie cop runs into a confrontation between a purse-snatcher and a convenience store clerk, who unleashes a "palm blast", missing the crook and nailing the cop. He wakes to discover that a handful of Tao masters think that he's a "chosen one". Twist is that he'll have none of it, being that "chi powers" are just a matter of fantasy. Things change as he encounters physical confrontation with some street thugs and is beaten soundly. In the meantime, an ancient evil awakens and you can pretty much see where the story's going to go.With a fairly plain story, the interesting part of Arahan is the context and the humor. I found that the modern setting confers an interesting visual palette for this genre, but it mostly lends itself to comedy, from some modern humorous implications of powers, to bumbling masters trying to increase their student base. And while the film isn't laugh out loud, its sense of humor is immediately apparent and doesn't jar at all, providing welcome breaks from an otherwise unimpressive story. Also keeping the film from pointlessness is that it's pretty visually impressive with fight scenes that are long but don't become interesting and the direction is pretty kinetic, but that can be expected from a director whose previous works are known for action.One of the films best features is its lead actor and the director's brother, Ryu Seungbum, who has both a strong charismatic presence, and great comedic timing. He is certainly a standout in most of the films I've seen him in. The cast is rounded out pretty well by some veterans, providing some great straight-faced comedy. The female lead and the villain, however, are a little stiff, or perhaps their parts just didn't leave much to work with. Technically, the film has good production values and while the CGI can be a little obvious at times, I didn't find it overly distracting.So, Arahan is a rather mediocre story that you've heard over and over again (if you watch films in the related genres). In the story aspect, it's rather uninspiring, but terms of how it's told, it's pretty entertaining. As such, it's like eating confections, it's tasty, but it's all empty calories. Ultimately, it actually fulfills the stereotypical role of the blockbuster that it appears to aspire to and for that, I can't hate it. I admit that during the critical points, I felt my body quaking in anticipation, but in no way is this a masterpiece. Just entertaining fluff and you could definitely find worse fluff to watch. At least it's not pretentious about what it's trying to be. 7/10.
5 out of 9 people found the following review useful: A Clumsy Anti-Hero Is Born, 26 May 2007 Author: Claudio Carvalho from Rio de Janeiro, Brazil
When a thief driving a motorcycle steals a purse of a pedestrian, the clumsy, naive and honest rookie policeman Sang-hwan (Seung-beom Ryu) runs after him, but the skilled specialist in martial arts Wi-jin (So-yi Yoon) captures the criminal and Sang-hwan is severely injured. She brings Sang-hwan to her home, where the six Masters of Tao heal him and believe that he has a powerful Qi, the spiritual energy of the universe, and could be a powerful warrior. Sang-hwan begins his training to ascend to a Maruchi, while the evil and ambitious Heuk-woon (Doo-hong Jung) is accidentally released from his imprisonment. The powerful Heuk-woon attacks the masters, searching a key that they protect, which would permit him to become an Arahan and dominate the world. When the masters are defeated, Sang-hwan and Wi-jin are the only hope to mankind."Arahan" has great special effects, a nice cast and could be a good action movie. Unfortunately the comedy never works, with the clumsy anti-hero Sang-hwan being a confused not-funny character. Maybe this type of humor works in other cultures, but I did not like it. The developments of the rich characters is weak, and maybe in Asian cultures the concepts of Qi and Tao are clear, but at least for me, I was forced to research about these concepts of the Chinese culture to understand their meanings. But for fans like me of South-Korean movies, "Arahan" is essential. My vote is six.Title Brazil): "Arahan"
Good enough for martial arts fans but damaged by an uneven approach, 23 January 2009 Author: bob the moo from Birmingham, UK
Hapless and idealistic young police officer Sang-hwan is pursuing a purse snatcher when he is "helped" by a young woman called Wi-jin. Unbeknownst to Sang, Wi-jin is being trained by the masters ot Tao and has great skills – great skills she accidentally uses on him. When he comes to he is in the company of the masters and decides to train with them and help to be a better officer. As he trains though, the release of the evil Heuk-woon from his underground prison brings a reality to the training that previously had been lost on Sang.I saw this film after a recommendation on LoveFilm and others had said good things about it. Watching it for myself I found a film that has good bits and will appeal to martial arts fans but somehow doesn't really come together. The problem is in the delivery of the story and, to a point, where the story actually goes. At times it appears that this is a Jackie Chan style action comedy, with plenty of bumbling laughs mixed with the action. Then at others it feels like a full-on action film where the focus is on big sequences done without a hint of knowing humour. The again it seems to be a really self-important film about mysticism that takes it entirely seriously. Now, as a fan of cocktails and smoothies, I can get with the idea that things that don't naturally sit together can work great in the right mix – but it has to be the right mix. With Arahan the mix is never right and it feels fractured as if sections of the film were made by different people with different ideas of what the film is all about.As far as individual parts go, there is nothing specifically wrong with anything on its own, even if I personally found the more weighty material to be far too silly to support that tone. This is contributed to by the mix of tones though because it is hard to take the film too seriously when it has characters running vertically down tower blocks and the like. It is a shame because the tone affects the characters and they are uneven as well but the main impact is how much you are able to really enjoy the film. So, you're into the light fun but then suddenly people are dying bloody deaths. Then you get into the seriousness of the mysticism but just as you do then it changes it up again without much connection. The cast do their best with it but most of them are best with the lighter touch and action. Ryu is a likable lead who can "do" geeky as well as he does "muscled-arrogance" later on. Yoon works well with him and she is both pretty and cool, making for another likable lead. The older masters are best when they are allowed to work with the modern twist on their characters but are not so good when the plot makes them get serious and worthy.Overall Arahan is an OK film that has plenty of specific good bits in the comedy and the action sequences – certainly genre fans will like what they find. It is a real shame that the uneven tone breaks it up so much and prevents it really getting a constant flow that the viewer can get into.
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