Memoirs of a Geisha (2005)

Director:

Rob Marshall

Writers (WGA):

Robin Swicord (screenplay)
Arthur Golden (book)

Release Date:

23 December 2005 (USA)

Genre:

Drama | Romance

Plot:

Nitta Sayuri reveals how she transcended her fishing-village roots and became one of Japan's most celebrated geisha.

Plot Keywords:

Geisha | Japan | Jealousy | Love | Coming Of Age

Awards:

Won 3 Oscars. Another 17 wins & 28 nominations

Cast

Suzuka Ohgo	...	Chiyo
Togo Igawa	...	Tanaka
Mako	...	Sakamoto
Samantha Futerman	...	Satsu
Elizabeth Sung	...	Sakamoto's Wife
Thomas Ikeda	...	Mr. Bekku
Li Gong	...	Hatsumomo (as Gong Li)
Tsai Chin	...	Auntie
Kaori Momoi	...	Mother
Zoe Weizenbaum	...	Young Pumpkin
David Okihiro	...	Shamisen Teacher
Miyako Tachibana	...	Dance Teacher
Kotoko Kawamura	...	Granny
Karl Yune	...	Koichi
Eugenia Yuan	...	Korin

MPAA:

Rated PG-13 for mature subject matter and some sexual content.

Runtime:

145 min | Philippines:140 min

Country:

USA

Language:

English | Japanese

Colour:

Colour

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Finland:K-11 | UK:12A | Australia:M | Singapore:PG | Ireland:12A | Czech Republic:12 | Sweden:7 | Argentina:13 | Hong Kong:IIA | Germany:12 | Netherlands:MG6 | Malaysia:18PL | Malaysia:U (cut version) | Indonesia:Dewasa | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Brazil:14 | Canada:G (Quebec) | Canada:PG (Alberta/British Columbia/Canada Video Rating/Manitoba/Nova Scotia/Ontario) | Philippines:PG-13 (MTRCB) | France:Unrated | France:U | Singapore:NC-16 (special edition DVD) | Iceland:L | Hungary:14 | South Korea:15 | USA:PG-13 (certificate #41007) | China:(Banned)

Filming Locations:

American River, Sacramento, California, USA

Company:

Columbia Pictures Corporation

Trivia:

The actresses had a six-week crash course on geisha culture.

Goofs:

Revealing mistakes: When Chiyo/Sayuri and Pumpkin are listening on Mrs. Nitta and Mameha's discussion of Chiyo's future, and the camera zooms in on the girls' eyes peering through the crack in the door, Chiyo's eyes move very fast and you can clearly see Chiyo's blue contact, since it does not move with the rest of her eye.

Quotes:

Sayuri Nitta: About your kimono...
Mameha: There's no need to apoligize. I'm not foolish. Hatsumomo cannot tolerate competition.
Sayuri Nitta: She is jealous of you?
Mameha: Not me I'm afraid. Someone closer to home.

Movie Connections:

Featured in 2006 MTV Movie Awards (2006) (TV)

Soundtrack:

Tokyo Boogie Woogie

A worthy big screen experience

Going into the film, I had worries with all the slamming critics have given, even though I didn't read all of them in details. However, I'm happy to say it turns out to be one of more satisfying movie experiences of the year.

First I echo the sentiment that the film is simply technically perfect. The retro-mood it created had me immensed in the world of geisha from beginning to the end. It's very 1930 Shanghai like. The music score isn't as haunting as the one in CTHD, but it is still masterfully composed and fits in the background very well. It's worth seeing for the big screen experience alone. The story also never dragged, as each of the three parts flowed nicely. I normally don't like voice-over, but here it really held the movie together and helped to move the story along.

As for the accents, the problem has definitely been exaggerated. I was expecting a lot of unpleasant broken English to be spoken, but they all sounded fine to good, not just from the most fluent Michelle Yeoh, but Ken Watanabe, Youki Kudoh (who plays Pumpkin) and other supporting casts. Gong Li had a few awkward lines at the beginning, and Ziyi had more and is the one who had to try the hardest, but both pulled off admirably and didn't hurt their performances in the process.

Talking about performances, I think almost all of them did well. It's much more of an ensemble piece, and I was especially impressed by the young Sayuri and Ken Watanabe.

The main problem I have is with character development. It is a Cinderella story at heart, but the good and evil are too clear-cut and lack dimension. I also want to see more ups and downs for the competition between Ziyi and Gong Li. Gong did all she could, but the script didn't allow her to be a worthy opponent. Except for some verbal back-and-forth between the two and a few dirty tricks from Gong, there was no reason to believe why she was the most famous geisha in Japan before Ziyi arrived.

In addition, the Mother character is over-the-top and didn't fit the emotional aspect the film quite well, although she did provide some comical moments. The big dance scene had excellent buildup, but the execution of the dance felt flat. It lasted only about 30 seconds, while doubling that and making it more mesmerizing would have made the whole middle act more effective.

These flaws didn't overshadow the fact that what was put on screen worked for me. Will I be willing to watch it again with friends? In a heartbeat. Will I recommend it to others? Definitely. With that in mind, I give the film an A-.