| Natalie Press | ... | Zoë | |
| Danny Dyer | ... | Dave | |
| Jodie Mitchell | ... | Kelly | |
| Molly Griffiths | ... | Sinead | |
| Kaitlyn Raynor | ... | Leanne | |
| Danny Daley | ... | Kai | |
| Lizzie Colbert | ... | Bullet-head | |
| Ashley Routledge | ... | Brown-haired girl | |
| Tabitha Crewe | ... | Barmaid |
Directed by | |||
| Andrea Arnold | |||
Writing credits(in alphabetical order) | ||
| Andrea Arnold | writer | |
Produced by | |||
| Caroline Cooper | .... | executive producer (as Caroline Cooper Charles) | |
| Eve Harrison | .... | video producer | |
| Andrew Litvin | .... | line producer | |
| Natasha Marsh | .... | producer | |
| Nic Muirson | .... | executive producer (as Nic Murison) | |
Cinematography by | |||
| Robbie Ryan | (director of photography) | ||
Film Editing by | |||
| Nicolas Chaudeurge | |||
Casting by | |||
| Kate Brasier | |||
| Des Hamilton | |||
| Amanda Tabak | |||
Production Design by | |||
| Helen Scott | |||
Costume Design by | |||
| Merryn Conaway | |||
Makeup Department | |||
| Wendy Bombrick | .... | hair assistant | |
| Wendy Bombrick | .... | makeup assistant | |
| Merryn Conaway | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Kate Brasier | .... | third assistant director | |
| Josh Hyams | .... | second assistant director | |
| Paul Monaghan | .... | first assistant director | |
Art Department | |||
| Nathan Lines | .... | props assistant | |
| Tina Lines | .... | props assistant | |
| Ocean Tunley | .... | props assistant | |
Sound Department | |||
| Steph Baldini | .... | sound recordist | |
| Karima Benchemakh | .... | boom operator | |
| Chris Burdon | .... | dubbing mixer | |
| Neil Herd | .... | sound recordist | |
| Rupert Ivey | .... | sound recordist | |
| Kate Norrington | .... | tracklayer | |
| Ben Norrington | .... | supervising sound editor (uncredited) | |
Visual Effects by | |||
| Adam Gascoyne | .... | compositor | |
| Olly Nash | .... | animator | |
Camera and Electrical Department | |||
| Holly Horner | .... | unit photographer | |
| Simon Vickery | .... | additional camera operator | |
Casting Department | |||
| Holly McAlister | .... | casting assistant | |
Other crew | |||
| Horace Baker | .... | wasp wrangler | |
| Taryn Gruber | .... | production assistant | |
| Kate Jewell | .... | floor runner | |
| Alex Knights | .... | titles | |
| Jaime McInerney | .... | floor runner (as Jamie McInerney) | |
| Sheleena Naidoo | .... | production assistant | |
| Jo Sheehan | .... | location manager | |
Thanks | |||
| Kelvin Arnold | .... | thanks | |
| Robert Bray | .... | thanks | |
| Lisa Bryer | .... | thanks | |
| Livia Burton | .... | thanks | |
| Netty Crabbe | .... | thanks | |
| Jane Davis | .... | thanks | |
| Jeremy Gawade | .... | thanks (as Jeremy Gawde) | |
| Louise Gow | .... | thanks | |
| Des Hamilton | .... | thanks | |
| Tracey Josephs | .... | thanks | |
| Max Longton-Lockton | .... | thanks (as Max Langton Lockton) | |
| Teresa Moneo | .... | thanks | |
| Gerardine O'Flynn | .... | thanks | |
| Phil Salter | .... | thanks | |
| Charles Steel | .... | thanks | |
| Carly Stone | .... | thanks | |
| Tony Wall | .... | thanks | |
| John Whitehead | .... | thanks | |
| Ira Zloczower | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Where can I purchase 'Wasp' | janehollander |
| Watch it here | mynameissean |
| Strong movie | otaku_ariane |
| Better than Fish Tank? | pinkylulu |
| subtitles | gneidisch |
| Reference to song | musujyay |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb UK section |
This really is an extraordinary and exceptional film. Gritty, real, touching and also incredibly tense and full of suspense. The free flowing nature of the camera-work adds to the already vivid realism, almost docudrama style. As a viewer you are drawn into this impoverished and deprived world, you feel immediate empathy for the central character in her desperate situation. She shows warmth, love and humanity to her children side by side with an appalling judgement about their well-being and safety. She is wonderfully contrasting yet totally believable and genuine.
It's a true eye opener of a film. Certainly one of the best short films I have ever seen. Worth going out of your way too see.