| Photos (see all 2 | slideshow) | Videos |
| Michelle Langstone | ... | Lisa | |
| Timothy Balme | ... | Grant Wilson | |
| Miranda Harcourt | ... | Mother | |
| Tim Gordon | ... | Father | |
| Adam Gardiner | ... | Flatmate | |
| Hera Dunleavy | |||
| rest of cast listed alphabetically: | |||
| Charlie Bleakley | ... | Abbott | |
| Anneke-Lee Gough | |||
| Lucy Wigmore | ... | Reporter | |
Directed by | |||
| Stuart McKenzie | |||
Writing credits(in alphabetical order) | ||
| Stuart McKenzie | writer | |
Produced by | |||
| Miranda Harcourt | .... | co-producer | |
| Stuart McKenzie | .... | co-producer | |
| Neil Pardington | .... | producer | |
Original Music by | |||
| Shayne Carter | |||
Cinematography by | |||
| Duncan Cole | |||
Film Editing by | |||
| Richard Hobbs | |||
| Paul Sutorius | |||
Production Design by | |||
| Andrew Thomas | |||
Costume Design by | |||
| Amanda Neale | |||
Makeup Department | |||
| Catherine Maguire | .... | makeup department head | |
| Cath McGuire | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Anton Steel | .... | first assistant director | |
Art Department | |||
| Wayde Beckman | .... | on-set art director | |
| Alice Tinning | .... | property master | |
Sound Department | |||
| Gethin Creagh | .... | sound re-recording mixer | |
| Michael Hedges | .... | sound re-recording mixer | |
| Gilbert Lake | .... | assistant re-recording mixer | |
| Matthew Lambourn | .... | assistant sound editor | |
| Robyn McFarlane | .... | foley recordist | |
| Polly McKinnon | .... | sound effects editor | |
| Carolyn McLaughlin | .... | foley artist | |
| Tim Prebble | .... | sound designer | |
Visual Effects by | |||
| Nick Booth | .... | scanning and recording supervisor: Weta Digital | |
| Mark Smith | .... | visual effects | |
| Jonathan Woodford-Robinson | .... | visual effects editor | |
Other crew | |||
| Veronique Lawrence | .... | continuity | |
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| In My Father's Den | The Tub | Fracture | Heaven | The Platform |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb New Zealand section |
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It is remarkable how badly a good movie can be received in its own country. Perhaps the contemplative pacing and intersecting of past and present along with the inter-splicing of two of the key characters just had too much competition from the succession of Peter Jackson blockbusters.
Contrary to many reviews from fellow New Zealanders, I found the movie atmospheric, thoughtful, compelling, and well acted. Indeed, I was startled to realise it was a local product, the 'feel' of it being more Nordic.
There is a jarring turn toward the end when it suddenly shifts gears into action-thriller. However this is soon resolved satisfactorily - and not over-predictably. One could argue it was indeed necessary to the story.
There has been some criticism to the effect this movie gives little insight into the subject of rape and murder. Yet those involved in making this film have been involved for years in working with .... rapists and murderers! One wonders what such critics expected? Is the truth of the matter just too banal for those in film-land to find 'convincing'?