| Photos (see all 82 | slideshow) | Videos (see all 23) |
| Tom Hanks | ... | Dr. Robert Langdon | |
| Audrey Tautou | ... | Agent Sophie Neveu | |
| Ian McKellen | ... | Sir Leigh Teabing | |
| Jean Reno | ... | Captain Bezu Fache | |
| Paul Bettany | ... | Silas | |
| Alfred Molina | ... | Bishop Manuel Aringarosa | |
| Jürgen Prochnow | ... | Andre Vernet | |
| Jean-Yves Berteloot | ... | Remy Jean | |
| Etienne Chicot | ... | Lt. Collet | |
| Jean-Pierre Marielle | ... | Jacques Saunière | |
| Marie-Françoise Audollent | ... | Sister Sandrine | |
| Rita Davies | ... | Elegant Woman at Rosslyn | |
| Francesco Carnelutti | ... | Prefect | |
| Seth Gabel | ... | Michael | |
| Shane Zaza | ... | Youth on Bus | |
| Andrew Clark | ... | Docent | |
| Fausto Maria Sciarappa | ... | Young Church Official | |
| Joe Grossi | ... | Old Church Official | |
| Denis Podalydès | ... | Flight Controller | |
| Harry Taylor | ... | British Police Captain | |
| Clive Carter | ... | Biggin Hill Police Captain | |
| Garance Mazureck | ... | Sophie at 13 Years | |
| Daisy Doidge-Hill | ... | Sophie at 8 Years | |
| Lilli Ella Kelleher | ... | Sophie at 3 Years (as Lilli-Ella Kelleher) | |
| Crisian Emanuel | ... | Sophie's Mother | |
| Charlotte Graham | ... | Mary Magdalene | |
| Xavier De Guillebon | ... | Junkie | |
| Tonio Descanvelle | ... | Bank Guard | |
| David Bark-Jones | ... | Hawker Pilot | |
| Seretta Wilson | ... | American Woman (as Serretta Wilson) | |
| Eglantine Rembauville-Nicolle | ... | Student (as Eglantine Rembauville) | |
| Dan Tondowski | ... | Student | |
| Aewia Huillet | ... | Student | |
| Roland John-Leopoldie | ... | Student | |
| David Saracino | ... | DCPJ Agent | |
| Lionel Guy-Bremond | ... | Officer Ledoux | |
| Yves Aubert | ... | Louvre Computer Cop | |
| Rachael Black | ... | Policewoman | |
| Dez Drummond | ... | London Police | |
| Mark Roper | ... | London Police | |
| Brock Little | ... | American Embassy Cop | |
| Matthew Butler | ... | Westminster Cop | |
| Roland Menou | ... | DCPJ Technician | |
| Hugh Mitchell | ... | Young Silas | |
| Tina Maskell | ... | Mother of Silas | |
| Peter Pedrero | ... | Father of Silas | |
| Sam Mancuso | ... | Pope | |
| Andre Lillis | ... | Pope | |
| Mario Vernazza | ... | Young Constantine | |
| Agathe Natanson | ... | Ritual Priestess | |
| Daz Parker | ... | Peasant Mother | |
| Andy Robb | ... | Peasant Father | |
| Tom Barker | ... | Peasant Boy | |
| Maggie McEwan | ... | Peasant Girl | |
| Michael Bertenshaw | ... | Priest | |
| Sarah Wildor | ... | Priestess | |
| David Bertrand | ... | French Newscaster | |
| rest of cast listed alphabetically: | |||
| Paul Adams | ... | Grail Knight (uncredited) | |
| Lili Briand | ... | Driver (uncredited) | |
| Dan Brown | ... | Man at Book Signing Party (uncredited) | |
| Anna Cachia | ... | Wedding Guest (uncredited) | |
| Christopher Fosh | ... | Armed Responce Police Officer (uncredited) | |
| Sean Francis George | ... | Scribe (uncredited) | |
| Paul Hann | ... | Policeman (uncredited) | |
| Martin Heathcote | ... | Arresting Police Officer (uncredited) | |
| Paul Herbert | ... | Sophie's Father (uncredited) | |
| Cheryl Howard | ... | Person at Robert Langdon book-signing lecture (uncredited) | |
| Arnaud Klein | ... | French Police Officer (uncredited) | |
| Dhaffer L'Abidine | ... | PTS Agent (uncredited) | |
| Michael Norton | ... | French Detective (uncredited) | |
| Lynn Picknett | ... | Bus Passenger (uncredited) | |
| Clive Prince | ... | Bus Passenger (uncredited) | |
| Norman Campbell Rees | ... | Passerby (uncredited) | |
| Robert Stone | ... | Priory Of Sion (uncredited) | |
| Chris Wilson | ... | Newton Funeral Guest (uncredited) | |
Directed by | |||
| Ron Howard | |||
Writing credits(WGA) | ||
| Akiva Goldsman | (screenplay) | |
| Dan Brown | (novel) | |
Produced by | |||
| Dan Brown | .... | executive producer | |
| John Calley | .... | producer | |
| Brian Grazer | .... | producer | |
| Todd Hallowell | .... | executive producer | |
| Ron Howard | .... | producer | |
| Kathleen McGill | .... | associate producer | |
| Louisa Velis | .... | associate producer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| Salvatore Totino | (director of photography) | ||
Film Editing by | |||
| Daniel P. Hanley | (as Dan Hanley) | ||
| Mike Hill | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| Allan Cameron | |||
Art Direction by | |||
| Giles Masters | |||
| Tony Reading | |||
Set Decoration by | |||
| Richard Roberts | |||
Costume Design by | |||
| Daniel Orlandi | |||
Production Management | |||
| Jean-Pierre Avice | .... | unit production manager: France | |
| Annie Baudlet | .... | production supervisor: France | |
| Sam Breckman | .... | production manager: Malta | |
| Nigel Gostelow | .... | unit production manager | |
| Steve Harvey | .... | unit manager | |
| Joseph Jayawardena | .... | unit manager | |
| Kathleen McGill | .... | unit production manager | |
| Gavin Milligan | .... | unit manager: second unit, UK | |
| Suzie F. Wiesmann | .... | production supervisor (as Suzie Wiesmann) | |
| Laure de Butler | .... | assistant production manager (uncredited) | |
Art Department | |||
| Louis Alley | .... | stand-by plasterer | |
| Martin Asbury | .... | storyboard artist | |
| David Balfour | .... | property master | |
| Rob Ballantyne | .... | storyboard artist | |
| Ray Barrett | .... | construction manager | |
| Alex Cameron | .... | assistant art director | |
| Rob Cameron | .... | assistant set decorator (as Robert Cameron) | |
| Anthony Challenor | .... | stand-by carpenter | |
| Temple Clark | .... | storyboard artist | |
| Benoît Clémenceau | .... | leadperson buyer: France (as Benoit Clemenceau) | |
| Jean-Michel Ducourty | .... | art director: France | |
| Jack Dyer | .... | construction buyer | |
| Trevor Dyer | .... | hod carpenter | |
| Peter Edge | .... | stand-by painter | |
| James Gemmill | .... | head scenic artist | |
| Christopher Glass | .... | storyboard artist | |
| Jacky Hardouin | .... | construction manager: France | |
| Kevin Harris | .... | assistant construction manager | |
| Robert Hill | .... | supervising set dresser | |
| Patricia Johnson | .... | assistant art director (as Patsy Johnson) | |
| Kenneth Langridge | .... | hod stagehand | |
| Mary Mackenzie | .... | graphic artist | |
| David Meeking | .... | hod painter | |
| Geoff Newton | .... | hod carpenter: model unit | |
| John O'Shaughnessy | .... | production buyer | |
| Alan Payne | .... | graphic artist | |
| Marc Pinquier | .... | property master: France (as Mark Pinquier) | |
| Michel Romestaing | .... | picture car prop master: France | |
| Mel Sansom | .... | hod rigger (as Melvyn Sansom) | |
| Anna Skrein | .... | art department coordinator | |
| Martin Smeaton | .... | head of department sculptor | |
| Jim Stanes | .... | graphic artist | |
| Paul Tappin | .... | hod plasterer | |
| John Webster | .... | hod carpenter: model unit | |
| John Wells | .... | locations property master | |
| Tristan Carlisle-Kitz | .... | dressing props (uncredited) | |
| Gary Dawson | .... | stand-by props (uncredited) | |
| Andrew Dyer | .... | stagehand (uncredited) | |
| Jack Garwood | .... | stand-by prop: second unit (uncredited) | |
| Bruce Gordon | .... | sculptor (uncredited) | |
| Jonathan Holbert | .... | painter (uncredited) | |
| Robert Jackson | .... | carpenter (uncredited) | |
| Stephen McGregor | .... | chargehand carpenter (uncredited) | |
| Jonathan Moore | .... | sculptor (uncredited) | |
| Colin Mutch | .... | stand-by prop (uncredited) | |
| Kelly Neary | .... | property coordinator (uncredited) | |
| Scott Orr | .... | sculptor (uncredited) | |
| Michael Panevics | .... | stand-by props (uncredited) | |
| Francis Poirier | .... | sculptor (uncredited) | |
| Annushka Russell | .... | art department assistant (uncredited) | |
| Jason Torbett | .... | stand-by property master (uncredited) | |
| Lloyd Vincent | .... | props (uncredited) | |
| Jackson Pearce White | .... | property trainee (uncredited) | |
| Dorrie Young | .... | set decorating assistant (uncredited) | |
Special Effects by | |||
| Adam Aldridge | .... | special effects technician | |
| Alistair Bell | .... | special effects technician: model unit (as Alastair Bell) | |
| Paul Dimmer | .... | senior special effects technician | |
| Peter Fern | .... | senior special effects technician | |
| David Ford | .... | special effects supervisor | |
| Garth Gutteridge | .... | special effects technician | |
| Dan Homewood | .... | special effects technician (as Daniel Homewood) | |
| Philippe Hubin | .... | special effects supervisor: France | |
| John Morris | .... | senior special effects technician | |
| Luke Murphy | .... | special effects animatronic designer | |
| Martin Neill | .... | special effects supervisor: second unit, UK (as Martin Neil) | |
| Mark Phillips | .... | special effects animatronic designer | |
| Robert Thompson | .... | senior special effects technician | |
| Dominic Tuohy | .... | special effects supervisor | |
| Matthew G. Armstrong | .... | special effects assistant (uncredited) | |
| Jonathan Barrass | .... | special effects technician (uncredited) | |
| Oliver Shyal Beardsley | .... | research & development (uncredited) | |
| Paula Eden | .... | propmaker (uncredited) | |
| Stephen Hutchinson | .... | special effects senior technician (uncredited) | |
| Nick Joscylene | .... | special effects technician (uncredited) | |
| Jess Lewington | .... | special effects buyer (uncredited) | |
| Jess Lewington | .... | special effects coordinator (uncredited) | |
| Jeremy Lovett | .... | special effects workshop supervisor (uncredited) | |
| Jean-Christophe Magnaud | .... | special effects coordinator (uncredited) | |
| Noah Meddings | .... | special effects technician (uncredited) | |
| Sebastian Sue | .... | special effects technician (uncredited) | |
| Phoebe Tait | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Kevin Ahern | .... | visual effects editor | |
| Glenn Allen | .... | visual effects producer: Brainstorm Digital | |
| Craig Allison | .... | I/O systems & network: The Senate VFX | |
| Oliver Atherton | .... | digital artist: Double Negative | |
| Bob Ballan | .... | senior model maker: MMAD | |
| Sarah Barker | .... | editorial: Double Negative | |
| Judy Barr | .... | digital artist: Double Negative | |
| Michael Bell | .... | digital artist: Double Negative | |
| Stephen Bennett | .... | digital artist: Double Negative (as Stephen Bennet) | |
| John Benn | .... | line-up: Cinesite | |
| James Benson | .... | lead artist: Double Negative | |
| Jordan Benwick | .... | compositor: Rainmaker UK | |
| Angus Bickerton | .... | visual effects supervisor | |
| Vlad Bina | .... | digital set designer: The Senate VFX | |
| Virginie Bourdin | .... | concept artist: MPC | |
| Dameon Boyle | .... | digital artist: Double Negative | |
| Mark Breakspear | .... | visual effects supervisor: Rainmaker UK | |
| James Breen | .... | line-up: Cinesite | |
| Steve Brooke Smith | .... | additional operator: model unit | |
| Gary Brozenich | .... | visual effects supervisor: MPC | |
| Shauna Bryan | .... | visual effects executive producer: Rainmaker UK | |
| Jose Burgos | .... | computer graphics artist: Rainmaker UK | |
| Mark Buschbacher | .... | scanning operator: Cinesite | |
| Paul Campion | .... | previs: MPC | |
| Daniel Canfora | .... | digital artist: The Senate VFX | |
| Adriano Cirulli | .... | digital artist: The Senate VFX | |
| Ashley Clark | .... | visual effects associate producer: Rainmaker UK | |
| Isabel Cody | .... | computer graphics artist: MPC | |
| Angela Cole | .... | computer graphics artist: MPC | |
| Peter Connelly | .... | digital artist: MPC | |
| Michelle Corney | .... | visual effects producer: MPC | |
| Ciaran Crowley | .... | lead artist: Double Negative | |
| Neil Damman | .... | lead model maker: MMAD | |
| Martin R. Davison | .... | digital artist: The Senate VFX (as Martin Davison) | |
| Kristin Dearholt | .... | digital production manager: Rainmaker UK | |
| Claudia Dehmel | .... | visual effects coordinator: Double Negative | |
| Max Dennison | .... | lead matte painter: The Senate VFX | |
| Ferran Domenech | .... | computer graphics artist: MPC | |
| Nick Drew | .... | visual effects producer: Rainmaker UK | |
| Michael Elson | .... | executive producer: MPC | |
| Daniel Evans | .... | shader artist: Double Negative (as Dan Evans) | |
| Sean Farrow | .... | digital artist: The Senate VFX (as Sean H. Farrow) | |
| Andy Feery | .... | senior technical director: MPC | |
| Richard Friedlander | .... | visual effects producer: Brainstorm Digital | |
| John J. Galloway | .... | digital artist: Double Negative (as John Galloway) | |
| Steve Garrad | .... | visual effects producer: Double Negative | |
| Adam Gascoyne | .... | compositing supervisor: MPC | |
| Roger Gibbon | .... | digital matte painter: MPC | |
| David Gibbons | .... | digital matte painter: MPC | |
| Rohit Gill | .... | digital artist: Double Negative | |
| Ben Goldschmied | .... | motion control operator | |
| Lisa Gonzalez | .... | matchmover: MPC | |
| Holly Gosnell | .... | visual effects assistant | |
| Sandra Guarda | .... | digital artist: The Senate VFX | |
| Metin Gungor | .... | digital artist: The Senate VFX | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Mick Harper | .... | digital artist: The Senate VFX | |
| Mark Harrison | .... | computer graphics artist: Rainmaker | |
| Jeremy Hattingh | .... | lead artist: Double Negative | |
| Barrie Hemsley | .... | visual effects producer | |
| Sarah Hemsley | .... | operations manager: The Senate VFX | |
| David Hewitt | .... | model maker: MMAD | |
| Richard Higham | .... | digital artist: The Senate VFX | |
| Martin Hobbs | .... | head of production: MPC | |
| Kay Hoddy | .... | roto/prep: MPC | |
| Robin Hollander | .... | digital artist: MPC | |
| Vlad Holst | .... | computer graphics artist: MPC | |
| Greg Howe-Davies | .... | roto/prep: MPC | |
| Robin Huffer | .... | digital artist | |
| Claire Inglis | .... | digital artist: Double Negative | |
| Alex Ireland | .... | digital artist: Double Negative | |
| Gemma James | .... | visual effects coordinator: MPC | |
| Lorraine Johnson | .... | scanning supervisor: Cinesite | |
| Phil Johnson | .... | lead artist: Double Negative | |
| Simon Johnson | .... | scanning operator: Cinesite | |
| Tim Jones | .... | lighting and rendering technical director: The Senate VFX | |
| Rafal Kaniewski | .... | compositor: Rainmaker UK | |
| Tomi Keeling | .... | motion control technician | |
| Uzma Khalid | .... | computer graphics artist: MPC | |
| Tom Kimberley | .... | digital artist: MPC | |
| Duncan Kinnaird | .... | digital artist | |
| Jesper Kjölsrud | .... | computer graphics supervisor: Double Negative | |
| Robin Konieczny | .... | digital artist: The Senate VFX | |
| Dean Koonjul | .... | digital artist: MPC | |
| Mathew Krentz | .... | lead compositor: Rainmaker UK | |
| Pedro Lara | .... | digital artist: Double Negative (as Pedro Garcia) | |
| Kirsty Lawlor | .... | digital artist: Double Negative | |
| Tim Ledbury | .... | previs: MPC | |
| Simon Leech | .... | digital artist: The Senate VFX | |
| Jarrod Linton | .... | computer graphics artist: MPC | |
| James Madigan | .... | visual effects supervisor: The Senate VFX | |
| Angela Magrath | .... | matchmover: MPC | |
| Zebedee Massey | .... | visual effects matchmover | |
| Thomas Mawby | .... | digital artist: Double Negative (as Tom Mawby) | |
| Dan Mayer | .... | computer graphics artist: Rainmaker UK | |
| Lindsay McFarlane | .... | visual effects assistant producer (as Lindsay Mcfarlane) | |
| Nakia McGlynn | .... | matchmover: MPC | |
| Alasdair McNeill | .... | roto/prep supervisor: MPC | |
| Jan Meade | .... | projectionist: Cinesite | |
| Naveen Medaram | .... | roto/prep: MPC | |
| Ivan Mena | .... | digital artist: Double Negative | |
| Ian Menzies | .... | motion control supervisor | |
| Evonne Merlicek | .... | digital artist: Double Negative | |
| Matt Middleton | .... | computer graphics artist: MPC | |
| Rick Mietkowski | .... | director of photography: model unit | |
| Neil Miller | .... | digital matte painter: Double Negative | |
| Warren J. Mills | .... | I/O systems & network, The Senate VFX | |
| Mitch Mitchell | .... | head of imaging: Cinesite | |
| Dylan Murray | .... | matchmover: MPC | |
| Dan Neal | .... | digital environments lead: MPC | |
| Joelle Newton-Mold | .... | digital artist: The Senate VFX | |
| Giles O'Brien | .... | digital artist: The Senate VFX | |
| Jonathan Opgenhaffen | .... | computer graphics artist: Rainmaker UK (as Jon Opgenhaffen) | |
| Scott Orge | .... | model maker: MMAD | |
| Dylan Owen | .... | roto/prep: MPC | |
| Anna Panton | .... | visual effects producer: The Senate VFX | |
| Joe Pavlo | .... | digital artist | |
| Simon Payne | .... | matchmover: MPC | |
| Enrico Perei | .... | compositor: Rainmaker UK | |
| Mike Pope | .... | digital artist: The Senate VFX | |
| Tim Pounds-Cornish | .... | visual effects editor: MPC | |
| Thomas Power | .... | model maker: MMAD | |
| Scott Pritchard | .... | digital artist: MPC | |
| Les Quinn | .... | lead computer graphics: Rainmaker UK | |
| Adrian Ratley | .... | visual effects matchmover | |
| Sandra Reis | .... | digital artist: Double Negative | |
| Paul Riddle | .... | digital effects supervisor: Double Negative | |
| John Roberts-Cox | .... | computer graphics artist: MPC | |
| Eric J. Robertson | .... | visual effects supervisor: Brainstorm Digital | |
| Xavier Roig | .... | lead artist: Double Negative | |
| Tom Rolfe | .... | lead artist: Double Negative | |
| Patric Roos | .... | senior technical director: MPC | |
| Campbell Rose | .... | digital artist: The Senate VFX | |
| Stuart Rowbottom | .... | digital artist: The Senate VFX | |
| Jackie Rowson | .... | digital artist: The Senate VFX | |
| Mohamed Sobhy | .... | software development: MPC | |
| Mohamed Sobhy | .... | support: MPC | |
| Richard Stammers | .... | visual effects supervisor: MPC | |
| Robert Stannge | .... | model maker: MMAD | |
| Rainer Stolle | .... | computer graphics artist: MPC | |
| Natalie Stopford | .... | visual effects coordinator: Rainmaker UK | |
| Mark Sum | .... | line-up: Cinesite | |
| Richard Thomas | .... | senior model maker: MMAD | |
| Chris Thunig | .... | digital matte artist: MPC | |
| Luigi Tommaseo | .... | I/O systems & network: The Senate VFX | |
| Leigh Took | .... | model supervisor: MMAD | |
| Dave Tozer | .... | visual effects coordinator: The Senate VFX (as David Tozer) | |
| Tom Truscott | .... | digital artist: The Senate VFX | |
| Liam Tully | .... | studio manager: Double Negative | |
| Miquel Ubeda | .... | digtial artist: MPC | |
| Giuliano Dionisio Vigano' | .... | digital artist: The Senate VFX (as Giuliano Dionisio Vigano) | |
| Victor Wade | .... | lead artist: Double Negative | |
| Niki Wakefield | .... | digital artist: Double Negative | |
| Pieter Warmington | .... | lead artist: Double Negative | |
| Rebecca Waters | .... | digital artist: Double Negative | |
| Danny Webster | .... | hod rigger: model unit | |
| Su Whitaker | .... | visual effects art director | |
| Sheila Wickens | .... | digital artist: MPC (as Sheila Gorman) | |
| Doug Winder | .... | digital artist: The Senate VFX | |
| Scott Winston | .... | compositing supervisor: Brainstorm Digital | |
| Melody Woodford | .... | matchmove supervisor: MPC | |
| Sophie Worley | .... | model maker: MMAD | |
| Trevor Young | .... | digital artist: Double Negative | |
| Anton Yri | .... | digital artist: The Senate VFX | |
| Paul Alexiou | .... | visual effects film editorial: MPC (uncredited) | |
| Chris Armsden | .... | rendering technical director: MPC (uncredited) | |
| Andrew Baggarley | .... | data wrangler (uncredited) | |
| Reuben Barkataki | .... | roto/prep supervisor (uncredited) | |
| Angela Barson | .... | digital compositor: MPC (uncredited) | |
| Tim Barter | .... | roto/prep artist (uncredited) | |
| Julian Blom | .... | rotoscope artist (uncredited) | |
| Christina Boon | .... | camera animator (uncredited) | |
| Steve Bowen | .... | digital film colorist (uncredited) | |
| Nik Brownlee | .... | rotoscope artist: Double Negative (uncredited) | |
| Stuart Bullen | .... | roto/prep artist (uncredited) | |
| Jon Capleton | .... | matchmove artist (uncredited) | |
| Simon Carr | .... | digital compositor (uncredited) | |
| Patrick Clancey | .... | digital opticals (uncredited) | |
| Emma Clifton | .... | roto/prep artist: MPC (uncredited) | |
| Hayley Collins | .... | roto/prep artist: MPC (uncredited) | |
| Shane Costar | .... | digital compositor (uncredited) | |
| Dayne Cowan | .... | previs artist: Double Negative (uncredited) | |
| Donnie Creighton | .... | digital intermediate assistant producer (uncredited) | |
| Dimitri Delacovias | .... | digital matte painter (uncredited) | |
| Amit Desai | .... | render wrangler: MPC (uncredited) | |
| Jason Dowdeswell | .... | production supervisor: Rainmaker UK (uncredited) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
| Jonathan East | .... | render wrangler: MPC (uncredited) | |
| Tim Field | .... | visual effects producer: The Senate VFX (uncredited) | |
| Matt Foster | .... | roto/prep artist (uncredited) | |
| Richard Fox | .... | roto/prep artist (uncredited) | |
| Paul J. Franklin | .... | previs artist: Double Negative (uncredited) | |
| Jami Gigot | .... | digital artist (uncredited) | |
| Lewis Guarniere | .... | data wrangler: MPC (uncredited) | |
| Lionel Heath | .... | roto/prep: MPC (uncredited) | |
| Sean Heuston | .... | digital compositor (uncredited) | |
| Simon Hughes | .... | digital compositor: Double Negative (uncredited) | |
| Marc Hutchings | .... | roto/prep artist: MPC (uncredited) | |
| Ryan Hutchings | .... | roto/prep artist: MPC (uncredited) | |
| Peng Ke | .... | matchmover: MPC (uncredited) | |
| Marta Knapik | .... | visual effects coordinator (uncredited) | |
| Ryan Knowles | .... | data operator (uncredited) | |
| Philip Koch | .... | visual effects consultant (uncredited) | |
| Serena Lam | .... | roto/prep artist (uncredited) | |
| Rick Leach | .... | digital artist: The Senate VFX (uncredited) | |
| Duncan Lees | .... | head of 3D services (Plowman Craven and Associates) (uncredited) | |
| Colin Liggett | .... | digital compositor (uncredited) | |
| Steve Lynn | .... | technical support (uncredited) | |
| Aysha Madina | .... | previs animator (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Steve McGee | .... | digital compositor (uncredited) | |
| Paul McWilliams | .... | roto/prep (uncredited) | |
| Ellen E. Miki | .... | roto artist (uncredited) | |
| John Moffatt | .... | digital compositor (uncredited) | |
| Ryan Mullany | .... | roto artist (uncredited) | |
| Salima Needham | .... | digital compositor (uncredited) | |
| Venetia Penna | .... | scanning operator (uncredited) | |
| Carmen Pollard | .... | digital compositor (uncredited) | |
| John Purdie | .... | roto/prep (uncredited) | |
| Haure Sebastien | .... | senior modeler: MPC (uncredited) | |
| Robert Sethi | .... | previs artist: Double Negative (uncredited) | |
| Daphne Simone | .... | visual effects (uncredited) | |
| Danita Slaughter | .... | digital opticals editor (uncredited) | |
| Mario Spanna | .... | video mix/overlay operator (uncredited) | |
| Mario Spanna | .... | visual effects unit video assist operator (uncredited) | |
| Anthony Stadler | .... | rotoscope artist (uncredited) | |
| Paul Venn Stirling | .... | roto/prep artist: MPC (uncredited) | |
| Christopher Sweet | .... | studio assistant: Double Negative (uncredited) | |
| Scott Taylor | .... | digital compositor: Double Negative (uncredited) | |
| Thomas Ward | .... | pre-visualization animator: Double Negative (uncredited) | |
| Ollie Weigall | .... | film assistant (uncredited) | |
| Paul Wiens | .... | matchmove artist (uncredited) | |
| Chris Wilson | .... | render wrangler: MPC (uncredited) | |
| Oliver Winwood | .... | assistant digital resource manager: MPC (uncredited) | |
| Anna Yamazoe | .... | render wrangler: MPC (uncredited) | |
Casting Department | |||
| Emma Callinan | .... | casting assistant: UK | |
| Alberte Garo | .... | extras casting: France | |
| John Hubbard | .... | casting: UK | |
| Ros Hubbard | .... | casting: UK | |
| Michelle Lewitt | .... | casting associate: US (as Michelle Lewitt Ward) | |
| Randee Price | .... | casting associate: US | |
| Tom Swayne | .... | casting assistant: UK | |
| Colin Azzopardi | .... | casting assistant: Malta (uncredited) | |
| Brendan Donnison | .... | adr voice casting (uncredited) | |
| Bonello Gordon | .... | crowd casting (uncredited) | |
| Kelly Valentine Hendry | .... | casting assistant: UK (uncredited) | |
Costume and Wardrobe Department | |||
| Wyatt Bartlett | .... | dresser: Mr. Hanks | |
| Sarah Bates | .... | costume supervisor: model unit | |
| Nathalie Causse | .... | dresser: Mr. Reno | |
| Nathalie Cercuel | .... | costume supervisor: France | |
| Yvonne Zarb Cousin | .... | costume supervisor: Malta | |
| Andrea Cripps | .... | assistant costume designer | |
| David Crossman | .... | assistant costume designer (as Dave Crossman) | |
| Dan Grace | .... | costume supervisor | |
| Chloé Lesueur | .... | dresser: Ms. Tautou | |
| Nicholas Roche-Gordon | .... | set costumer (as Nick Roche-Gordon) | |
| Mark Sutherland | .... | costumer | |
| Jennifer Alford | .... | costume maker (uncredited) | |
| Suzanne Barnes | .... | costume buyer (uncredited) | |
| Delphine Brunet | .... | dressing room manager: France (uncredited) | |
| Jenny Hawkins | .... | wardrobe mistress (uncredited) | |
| Stephen Kill | .... | costume property maker (uncredited) | |
| Vidya Krishnamurthy | .... | daily costume assistant (uncredited) | |
| Timothy Shanahan | .... | chief costume dyer/ager (uncredited) | |
| Thomas Sjolander | .... | embroidery (uncredited) | |
Editorial Department | |||
| Steve Bowen | .... | digital colorist | |
| Carolyn Calvert | .... | assistant editor | |
| Simon Davis | .... | assistant editor | |
| Tom Elkins | .... | assistant editor | |
| Suzy Gilbert | .... | assistant editor | |
| Robert Komatsu | .... | associate editor | |
| Mindy Weissman | .... | post-production | |
| Ben Estrada | .... | assistant digital intermediate colorist (uncredited) | |
| Perry M. Kimura | .... | digital scanning and recording (uncredited) | |
| Steve Pang | .... | dailies assistant editor (uncredited) | |
| Lawrence Howard Williams | .... | post digital media operator (uncredited) | |
Music Department | |||
| Bob Badami | .... | music supervisor: SPE | |
| Chris Barrett | .... | assistant music engineer | |
| Becky Bentham | .... | score coordinator | |
| Simon Changer | .... | music editor | |
| Al Clay | .... | music mixer | |
| Delores Clay | .... | musician: vocals (as Dee Lewis) | |
| Geoff Foster | .... | music recordist | |
| Fretwork | .... | musician: viols solo | |
| Nick Glennie-Smith | .... | conductor: choir | |
| Isobel Griffiths | .... | musician contractor | |
| Richard Harvey | .... | music conductor | |
| Henry Jackman | .... | music programmer | |
| Jake Jackson | .... | assistant music engineer | |
| Robert King | .... | choir contractor: The Choir of the King's Consort | |
| Hugh Marsh | .... | musician: violin solo | |
| Jenny O'Grady | .... | choir contractor | |
| Sam Okell | .... | assistant music engineer | |
| Daniel Pinder | .... | music consultant: SPE | |
| Hila Plitmann | .... | musician: soprano solos | |
| Graham Preskett | .... | choir arranger | |
| Michael Price | .... | booth reader | |
| Tony Stanton | .... | music preparation | |
| Martin Tillman | .... | musician: cello solo | |
| Mel Wesson | .... | ambient music designer | |
| Mark Wherry | .... | technical score engineer | |
| Lorne Balfe | .... | composer: additional music (uncredited) | |
| Thomas Bowes | .... | musician: violin (uncredited) | |
| James Dooley | .... | composer: additional music (uncredited) | |
| Bruce Fowler | .... | orchestrator (uncredited) | |
| Walt Fowler | .... | orchestrator (uncredited) | |
| Rick Giovinazzo | .... | orchestrator (uncredited) | |
| Nick Glennie-Smith | .... | composer: additional music (uncredited) | |
| Richard Harvey | .... | composer: additional music (uncredited) | |
| Bart Hendrickson | .... | Samples Guru (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| Steven Kofsky | .... | music production services (uncredited) | |
| Cristina Lawson | .... | featured vocalist (uncredited) | |
| Abhay Manusmare | .... | score engineer (uncredited) | |
| Blake Neely | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Nathalie Anselme | .... | transportation coordinator: France | |
| Peter Devlin | .... | transport coordinator | |
| Denis Frezet | .... | transportation captain: France | |
| Darren Litten | .... | action vehicle coordinator | |
| Christelle Bladinières | .... | production driver (uncredited) | |
| Rhonda Edmonds Constantin | .... | transportation co-captain: France (uncredited) | |
| Enyo Mortty | .... | driver: Audrey Taotou (uncredited) | |
| Olivier Suffert | .... | production driver (uncredited) | |
| Harry Taylor | .... | driver: Akiva Goldsman (uncredited) | |
| Tony Wadsworth | .... | driver (uncredited) | |
Thanks | |||
| Sylvie Barnaud | .... | special thanks: Prefecture de Police (as Commandant Sylvie Barnaud) | |
| Ricardo Bofill | .... | special thanks: Auteur du Projet Place du Marché Saint-Honoré (as Architecte Ricardo Bofill) | |
| Olivia Hsu Decker | .... | special thanks: Chateau de Villette | |
| Lady Victoria Leatham | .... | special thanks: Burghley House (as Lady Victoria Latham) | |
| Michel Macary | .... | special thanks: ADAGP copyright - Paris 2006 | |
| Michelle Ong | .... | special thanks: Carnet jewelry design | |
| I.M. Pei | .... | special thanks: Pyramide & Pyramide Inversee du Louvre (as Architecte I.M. Pei) | |
| Philippe Peugnet | .... | special thanks: SNCF Direction de la Communication | |
| Mr. Simon | .... | special thanks: Burghley House | |
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| Der Name der Rose | Hot Fuzz | Federal Agents vs. Underworld, Inc. | Kiss Kiss Bang Bang | Live Free or Die Hard |
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| News articles | IMDb Mystery section | IMDb USA section |
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Last Tuesday, when The Da Vinci Code premiered at the Cannes Film festival, it was met with a chilly reception from the reviewing elite. It has been called "plodding," "stale," and "uninspired," thus, dashing the hopes of many movie goers who were hoping to see one of their favorite novels brought to life by one of their favorite directors, and starring one of their favorite actors. Since I'm not a slave to snobby film reviewers, I went to go see it for myself despite the negative hype. And as the credits rolled at the end of the movie, I felt increasingly unsettled; not because of the quality of the movie, but because one question lingered in my head: What's not to like? Am I crazy for actually being entertained by what I just saw? How could the critics pan what I, and those around me, seemed to enjoy? Okay, so that's more than one question....
First, I have to qualify myself. I read the book and I LOVED it; couldn't put it down. I loved the history, the speculation, the riddles and puzzles, and the masterful blend of fact and fiction. Additionally, I'm not religious, although I was definitely familiar with Christian historical icons such as Jesus, John the Baptist, and Mary Magdelene before I read the book. I also happen to be a big fan of Tom Hanks, Ron Howard, and Ian McKellan.
Having said that, I went in prepared to like this movie, even though I had somewhat lowered my expectations based on the barrage of bad reviews. All of this proved to be a winning formula for me, apparently.
If you're like me and you loved the book and you like the artistic team that pursued making it into a movie, then you'll most likely come out satisfied. You won't mind what many critics have called "overly-long exposition" and historical flashbacks, because that's pretty much what the book consisted of. And in the book, it was absolutely engrossing! So, I personally didn't mind all of the explanation of history, symbols, etc.
Critics have also found fault with Tom Hanks and Audrey Tatou's portrayals of Robert Langdon and Sophie Neveu (respectively), saying that they delivered flat performances. But once again, whoever read the book will remember that both of these characters weren't that dynamic on the written page, either. Of course, Sir Ian McKellan, with the juiciest role of Holy Grail scholar Sir Leigh Teabing, chews up the scenery every time he's shown on screen. Sir Leigh Teabing was also one of the richest characters in the book.
I think that the people who won't like this movie are people who didn't read the book, and are going into the theater expecting a regular movie, which it's not. It's an adaptation of a very wordy, detailed, twisting, speculative novel that blends fact and fiction in a devastatingly effective way, and it's easy to get lost while watching the movie if you don't already know where the story is going. Sure, Ron Howard uses digitized, grainy flashbacks of ancient pagan rituals and societies to move the narrative along and to keep the audience on point, but I can see how it could be overwhelming to those who only know the bare bones of the plot. However, those who found it fascinating in the book will find pleasure in seeing the visual accompaniment to what they've already read.
In short, you go see this movie (or read the book) for how it challenges popularly-held beliefs; not for its rich, engaging character development. It's a quest for the "truth", and in terms of the IDEAS expressed, they did a dag-blasted good job of translating those ideas onto the screen. Those who often complain that movies don't stay true to the books that they're based on will find comfort in the fact that Akiva Goldsman and Ron Howard have stayed incredibly close to the original text when translating it onto the screen. However, this will be to the dismay of those movie-goers who haven't read the book, and are therefore expecting a traditional action thriller with traditional action thriller dialogue.
If you go to RottenTomatoes.com, you'll see the huge disparity between what the critics have said, and what the users have said regarding this film. While the cumulative critics rating is a dismal 22%, the combined user rating is a 74%, which is way above average for the site. That should speak volumes to whoever is skeptical about seeing the movie because of the bad reviews.
The bottom line is that it's definitely a movie worth watching if only to see how the creative team behind it went about turning the best-selling novel into celluloid. It's also a treat to see something in popular culture challenge popular religious ideals so skillfully, even if only in the form of fiction.
My advice: go see for yourself.