| Videos (see all 4) |
| Brendan Mackey | ... | Joe Simpson | |
| Nicholas Aaron | ... | Simon Yates | |
| Richard Hawking | ... | Himself | |
| Joe Simpson | ... | Himself | |
| Simon Yates | ... | Himself | |
| Ollie Ryall | ... | Richard Hawking |
Directed by | |||
| Kevin Macdonald | |||
Writing credits(in alphabetical order) | ||
| Joe Simpson | book | |
Produced by | |||
| Charles Furneaux | .... | executive producer | |
| Robin Gutch | .... | executive producer | |
| Gina Marsh | .... | line producer | |
| John Smithson | .... | producer | |
| Paul Sowerbutts | .... | associate producer | |
| Sue Summers | .... | co-producer | |
| Paul Trijbits | .... | executive producer | |
| Paul Webster | .... | chief executive procuder: FilmFour | |
Original Music by | |||
| Alex Heffes | |||
Cinematography by | |||
| Mike Eley | |||
| Keith Partridge | |||
Film Editing by | |||
| Justine Wright | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Patrick Bill | |||
Art Direction by | |||
| Patrick Bill | |||
Costume Design by | |||
| Patrick Bill | |||
Makeup Department | |||
| Sarita Allison | .... | makeup designer | |
Production Management | |||
| Emma Clarke | .... | executive in charge of production: film council | |
| Peter McAleese | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Nick Laws | .... | first assistant director | |
Art Department | |||
| Giles Asbury | .... | storyboard artist | |
Sound Department | |||
| Tim Alban | .... | sound re-recording mixer | |
| Robert Brazier | .... | foley editor | |
| Felicity Cottrell | .... | foley artist | |
| Richard Davey | .... | assistant sound re-recording mixer | |
| Mick Duffield | .... | sound recordist | |
| Anthony Faust | .... | adr foley mixer | |
| Anthony Faust | .... | foley supervisor | |
| Joakim Sundström | .... | supervising sound editor | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
| Mark Kenna | .... | consultant: dolby film sound (uncredited) | |
Special Effects by | |||
| Martin Neill | .... | special effects | |
Visual Effects by | |||
| Matthias Albrecht | .... | digital film editor | |
| Simon Burley | .... | software and technical | |
| Ben Haworth | .... | digital effects artist | |
Stunts | |||
| David Cuthbertson | .... | climbing stunt double | |
| Rory Gregory | .... | climbing stunt double | |
Camera and Electrical Department | |||
| Oliver Driscoll | .... | second assistant camera | |
| Olly Driscoll | .... | clapper loader | |
| Christian Klehr | .... | grip | |
| Ralph Kulike | .... | gaffer | |
| Dan Shoring | .... | additional photographer | |
| Dan Shoring | .... | first assistant camera | |
| Jeremy Sutton-Hibbert | .... | unit photographer: Alps | |
| Chris Thornton | .... | film recorder operator | |
| Simon Wagen | .... | additional climbing photographer (as Simon Hagen) | |
Casting Department | |||
| Indira Ashton | .... | casting assistant | |
Editorial Department | |||
| Stephen Barker | .... | post-production consultant | |
| Simon Brook | .... | on-line editor | |
| Ben Lester | .... | assistant editor | |
| Vincent Narduzzo | .... | colorist | |
| Kevin Phelan | .... | head of post-production: Lip Sync Post | |
| Jon Thompson | .... | post-production consultant | |
Music Department | |||
| Abi Leland | .... | music supervisor | |
| Andy Richards | .... | score mixer | |
| Bevan Smith | .... | composer: electronic music | |
Other crew | |||
| Olly Allen | .... | climbing support: Alps | |
| Kim Ballard | .... | production financing | |
| Christine Barnes | .... | climbing support: Alps | |
| Christine Baxter-Jones | .... | production team | |
| Hattie Bowering | .... | final delivery and release supervisor | |
| Lesley Brown | .... | production team | |
| Eduardo Shuán Caldúa | .... | climbing support: Peru | |
| Melorie Chilton | .... | legal services for darlow smithson productions | |
| Hugo Milla Chinchay | .... | climbing support: Peru | |
| David Cuthbertson | .... | key mountain guide | |
| David Cuthbertson | .... | safety team | |
| Lucy Daniels | .... | production team | |
| Regine Dura | .... | production team | |
| John Falkiner | .... | key mountain guide | |
| John Falkiner | .... | safety team | |
| Michael Fleisher | .... | business affairs: Channel 4 International | |
| Néstor Morales Flores | .... | trekking leader: Peru | |
| Laura Franses | .... | physical production coordinator: FilmFour | |
| Paul Gardner | .... | archive researcher | |
| Rory Gregory | .... | key mountain guide | |
| Rory Gregory | .... | safety team | |
| Paul Grindey | .... | business affairs: FilmFour | |
| Brian Hall | .... | head mountain guide | |
| Nion Hazell | .... | production coordinator | |
| Andrew Hildebrand | .... | business affairs: FilmFour | |
| Vinnie Holden | .... | head of production finance: film council | |
| Marcelino Milla Huarac | .... | climbing support: Peru | |
| Vicky Jones | .... | business affairs: Channel 4 | |
| Jim Kerr | .... | climbing support: Alps | |
| François Marsigny | .... | climbing support: Alps | |
| Deborah McLaughlan | .... | production team | |
| Jesús Montero | .... | production team | |
| Paul Moores | .... | key mountain guide | |
| Paul Moores | .... | safety team | |
| Pelayo Milla Morales | .... | climbing support: Peru | |
| Fiona Morham | .... | head of physical production: film council | |
| Eloy Salazar Obregón | .... | climbing support: Peru | |
| Rodolfo Reyes Oropeza | .... | climbing support: Peru | |
| Emma Parsons | .... | production team | |
| James Reekie | .... | production accountant | |
| Dr. Martin Rhodes | .... | unit doctor | |
| Tim Rhodes | .... | climbing support: Alps | |
| Faye Richardson | .... | production team | |
| Ollie Ryall | .... | climbing support: Alps | |
| Juan Sánchez | .... | climbing support: Peru | |
| Joe Simpson | .... | additional reconstruction | |
| Joe Simpson | .... | consultant | |
| Sally Steele | .... | film publicist | |
| Gillian Strachan | .... | production team | |
| Ulla Streib | .... | head of production: Darlow Smithson Productions | |
| Gareth Tansey | .... | title designer | |
| Harry Taylor | .... | key mountain guide | |
| Harry Taylor | .... | safety team | |
| Jorge Clemente Vargas | .... | climbing support: Peru | |
| Howard Watkins | .... | title designer | |
| John N. Whittle | .... | key mountain guide (as John Whittle) | |
| John N. Whittle | .... | safety team (as John Whittle) | |
| Marc Wolff | .... | aerial coordinator | |
| Simon Yates | .... | additional reconstruction | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
Thanks | |||
| Richard Hawking | .... | thanks | |
| Adrian Warren | .... | thanks | |
| Paul Webster | .... | thanks | |
| Marc Wolff | .... | thanks | |
| Simon Yates | .... | thanks | |
| Marc Ziegler | .... | thanks | |
|
|
|
|
|
| Alive | Surviving the Wave: A Thailand Story | Titanic | Shikashika | Stardust |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb UK section |
| Add this title to MyMovies |
There are exceptions, but mountaineering movies fall roughly into two classes; overblown, unrealistic cliffhanging (in more than one sense) dramas ('Eiger Sanction', 'K2', 'Cliffhanger', 'Vertical Limit') and rather trite descriptive documentaries often seen as padding for the 'National Geographic' channel schedules, although Jon Krakaur's 'Into Thin Air' managed to combine the worst of both worlds. Both classes have in common (usually) Gortex gear, superb mountain scenery and splendid cinematography. What distinguishes this survival story is that it has (sorry about this) high drama, an understated style and absolute authenticity. The actual principals, Joe Simpson and Simon Yates, and Richard Hawkins the non-climber base camp minder, narrate their story as it is re-enacted, partly at the original site in Peru (though some filming was done in the European Alps), while actors (with very few lines to say) re-enact the saga of the Siula West Face climb. It all hangs together beautifully; and I was rapt from go to whoa. My disbelief was entirely suspended.
Even documentaries are stories rather than fact (whatever that is) and this story is superbly told, for which director Kevin Macdonald can take full credit, though perhaps one should also thank Simon Yates and Joe Simpson for telling us their stories. One critic has taken the director to task in not dwelling on the moral issues involved the cutting the rope bit. No mountaineering drama is without one of these but here it actually happened. That critic has missed the point the approach here is 'be your own judge'.
This film manages to appeal both to mountaineers (a small but highly critical audience) and non-mountaineers. As a (semi-retired) and undistinguished member of the former group, I found few nits to pick, though a more extended explanation of the difference between Alpine-style and Expedition climbing would help to show non-mountaineers that it wasn't a suicide attempt (though speaking for myself I wouldn't have tried it with less than four in the party). And as the film was about a climb that went wrong, the joy of climbing, which is not easy to explain to non-mountaineers was rather overshadowed by Joe's suffering as he dragged himself, leg broken, down the mountain. But never have I seen a more graphic illustration of the adage 'never give up'. Lie down to die and you will die. Joe and the Texan doctor on Everest (see 'Into Thin Air') both should have died, yet they survived. In the doctor's case it seems to have been some primeval instinct (he was not a mountaineer). In Joe's case he seems to have treated survival as a challenge and focused his thoughts accordingly ('I thought, in twenty minutes I'll be at the next rock'). I winced every time his broken leg hit something.
To sum up this is a great film, which will live long in your memory, climber or non-climber.
P.S. Simon was only 20 or so at the time, Joe a more mature 25. Both have kept climbing, though significantly not together.