| Videos |
| Matthew Davis | ... | Harrison French (as Matt Davis) | |
| James Spader | ... | William Ashbury | |
| Aidan Quinn | ... | Detective Scofield | |
| Peter Coyote | ... | Congressman Henderson | |
| Robin Tunney | ... | Wynn French | |
| Alice Krige | ... | Margie Henderson | |
| Lacey Chabert | ... | Allison Henderson | |
| Sarah Ann Schultz | ... | Genie Bloom | |
| Robert Miano | ... | Mr. Davis | |
| David Selby | ... | Mr. Steve Palmer | |
| David Andriole | ... | Mr. Sawgrass | |
| Andrew Harris | ... | Chris Henderson | |
| Shirly Brener | ... | Janey Sawgrass | |
| Holly Houston | ... | Marcy Stewart | |
| John Grant Phillips | ... | Chief Webb (as John G. Phillips) | |
| Shane Barach | ... | Cop | |
| Heather Black | ... | Secretary | |
| William Shakesbear | ... | Shane the dog | |
| rest of cast listed alphabetically: | |||
| Patrick Treadway | ... | The Patsy (uncredited) | |
Directed by | |||
| Rich Cowan | |||
Writing credits | ||
| Matthew Hollaway | (written by) & | |
| Art Marcum | (written by) (as Arthur Marcum) | |
Produced by | |||
| Jennifer Daly | .... | producer | |
| Boaz Davidson | .... | executive producer | |
| Frank DeMartini | .... | co-producer | |
| Danny Dimbort | .... | executive producer | |
| Lati Grobman | .... | co-producer | |
| Avi Lerner | .... | executive producer | |
| Juan A. Mas | .... | co-producer (as Juan Mas) | |
| Juan A. Mas | .... | line producer (as Juan Mas) | |
| David E. Ornston | .... | producer | |
| Timothy Puntillo | .... | producer | |
| Richard Salvatore | .... | producer | |
| Trevor Short | .... | executive producer | |
| John Thompson | .... | producer | |
Original Music by | |||
| Stephen Edwards | (as Steve Edwards) | ||
Cinematography by | |||
| Dan Heigh | (director of photography) | ||
Film Editing by | |||
| Jeff Douglas | |||
Casting by | |||
| Rosemary Welden | |||
Production Design by | |||
| Vincent DeFelice | |||
Art Direction by | |||
| Mike Cassell | |||
Costume Design by | |||
| Lexi Nikitas | |||
Makeup Department | |||
| Leah Artz | .... | assistant makeup artist | |
| Jayce A. Charlesworth | .... | makeup intern | |
| Sam Debree | .... | additional makeup artist | |
| Brian Goede | .... | assistant makeup artist | |
| Lori Hustad | .... | assistant hair stylist | |
| Trista Jordan | .... | key hair stylist | |
| Trista Jordan | .... | key makeup artist | |
| Jessica Mitchell | .... | assistant hair stylist | |
| Tanya Nguyen | .... | additional makeup artist | |
| Lindy O'Connell | .... | additional makeup artist | |
| Taci Van Leuven | .... | assistant makeup artist | |
Production Management | |||
| Ian Kennedy | .... | post-production supervisor | |
Art Department | |||
| Polly Cassell | .... | set dresser | |
| Larry Conboy | .... | graphics | |
| Bruce Haidle | .... | swing gang | |
| Benjamin Joyce | .... | art department assistant | |
| Samuel Lamport | .... | assistant property master | |
| Justin O'Shaughnessy | .... | property master | |
Sound Department | |||
| Ethan Beigel | .... | adr mixer | |
| Stacey Clark | .... | sound editor | |
| Chris Clifford | .... | sound utility | |
| Nigel Elliot | .... | sound mixer | |
| Mike Fitzsimmons | .... | adr recordist | |
| David Hawkins | .... | foley artist | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Britton Ortize | .... | foley artist | |
| Britton Ortize | .... | supervising sound editor | |
| Shannon Potter | .... | sound recordist | |
| Andy Potvin | .... | sound consultant: Dolby | |
| John Rotondi | .... | sound engineer | |
| Tom Taylor | .... | boom operator | |
| Nick Tibbetts | .... | foley artist | |
| Aaron Breeden | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Josh Hakian | .... | special effects coordinator | |
| Marten Ruskov | .... | special effects crew | |
Visual Effects by | |||
| Fred Pack | .... | optical effects | |
| Casey Sargent | .... | computer graphics | |
Stunts | |||
| Joe Cofer | .... | stunt rigger | |
| Mickey Giacomazzi | .... | stunts | |
| Johnny Martin | .... | stunt coordinator | |
Casting Department | |||
| Jennifer Montgomery | .... | local casting | |
| Becky Reilly | .... | extras casting | |
Costume and Wardrobe Department | |||
| Susan W. Berger | .... | additional costumer | |
| Kirstin Bianchi | .... | wardrobe assistant | |
| Casie Ernst | .... | wardrobe assistant | |
| Jarri Schwartz | .... | wardrobe assistant: Los Angeles | |
Editorial Department | |||
| Tim Maffia | .... | colorist | |
| Jason A. Payne | .... | assistant editor | |
| Bill Scott | .... | color timer | |
Music Department | |||
| Tom Erba | .... | composer: additional music | |
| Tom Erba | .... | music scoring mixer | |
| Scott Marcussen | .... | chief music editor | |
| Jonathan McHugh | .... | music supervisor | |
| Ashley Miller | .... | music supervisor | |
| Marcus Sjowall | .... | orchestrator | |
Transportation Department | |||
| Bart Heimburger | .... | transportation coordinator | |
| Brian Kamp | .... | transportation | |
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| Last Time Forever | The Postman Always Rings Twice | Four Dogs Playing Poker | The Player | Buffalo Soldiers |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb USA section | Add this title to MyMovies |
I felt quite at a loss after this movie. I wondered and wondered, remembering fine details that might contain some important clue for the story. There might be, but I found none. So I concluded either it may be a very intelligent mystery thriller, or it may be just pure crap. So when they showed the film again four days later I began to see it again and found it intolerable after 30 minutes.
I don't know just what the screenwriter was thinking. Same old premises, average locations, predictable camera angles and not-too-bad acting. You can't make a masterpiece out of this. Probably the director or screenwriter set a goal too high. Well, James Spader as an actor is always nice to watch and here's no exception. But the others were below average (especially Robin Tunney). Really, I expected the film not very good, but I didn't know I won't get the story at all.