Over a thirty-six hour period in Los Angeles, a handful of disparate people's lives intertwine as they deal with the tense race relations that belie life in the city. Among the players are: the Caucasian district attorney, who uses race as a political card; his Caucasian wife, who, having recently been carjacked by two black men, believes that her stereotypical views of non-whites is justified and cannot be considered racism; the two black carjackers who use their race both to their advantage and as an excuse; partnered Caucasian police constables, one who is a racist and uses his authority to harass non-whites, and the other who hates his partner because of those racist views, but who may have the same underlying values in his subconscious; a black film director and his black wife, who believes her husband doesn't support their black background enough, especially in light of an incident with the racist white cop; partnered police detectives and sometimes lovers...
Written by Huggo
First film bought in a film festival (Toronto) to win best picture at the Oscars.
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Goofs
Revealing mistakes:
Partway through Officer Ryan's rescue of Christine from her overturned SUV, the camera ran out of film, as evidenced by film sprockets appearing in the frame. This is an acknowledged goof from director Paul Haggis.
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Quotes
[first lines]
Graham:
It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something. See more »
Crazy Credits
The film's title isn't shown until all of the opening credits are
completed.
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