Sideways (2004)

User Rating:

7.8/10   

Director:

Alexander Payne

Writers (WGA):

Rex Pickett (novel)
Alexander Payne (screenplay) ...

Release Date:

21 January 2005 (USA)

Genre:

Comedy | Drama | Romance

Tagline:

In search of wine. In search of women. In search of themselves.

Plot:

Two men reaching middle age with not much to show but disappointment, embark on a week long road trip through California's wine country, just as one is about to take a trip down the aisle.

Plot Keywords:

Wine | California | Actor | Writer | Teacher

Awards:

Won Oscar. Another 94 wins & 34 nominations

Cast

Paul Giamatti	...	Miles
Thomas Haden Church	...	Jack
Virginia Madsen	...	Maya
Sandra Oh	...	Stephanie
Marylouise Burke	...	Miles's Mother
Jessica Hecht	...	Victoria
Missy Doty	...	Cammi
M.C. Gainey	...	Cammi's Husband
Alysia Reiner	...	Christine Erganian
Shake Tukhmanyan	...	Mrs. Erganian (as Shaké Toukhmanian)
Shaun Duke	...	Mike Erganian (as Duke Moosekian)
Robert Covarrubias	...	Miles's Building Manager
Patrick Gallagher	...	Gary the Bartender
Stephanie Faracy	...	Stephanie's Mother
Joe Marinelli	...	Frass Canyon Pourer

MPAA:

Rated R for language, some strong sexual content and nudity.

Runtime:

126 min

Country:

USA

Language:

English | Armenian

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

Taiwan:R-18 | Portugal:M/12 | Iceland:12 (video rating) | Iceland:14 (original rating) | Hungary:16 | Malaysia:18SX (DVD) | Malaysia:(Banned) (theatrical) | Japan:R-15 | Sweden:Btl | New Zealand:M | Argentina:13 | Australia:MA (original rating) | Australia:M (re-rating on appeal) | Brazil:16 | Canada:13+ (Québec) | Canada:18A (Alberta/British Columbia/Ontario) | Chile:TE | Czech Republic:12 | Finland:K-15 | Germany:6 | Hong Kong:III | Mexico:B15 | Netherlands:12 | Peru:PT | Philippines:R-18 | Singapore:M18 | South Korea:18 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:14 (canton of Zurich) | UK:15 | USA:R | Norway:11 | Canada:AA (original rating) | Ireland:15 | Indonesia:Dewasa

Filming Locations:

Buellton, California, USA

Company:

Fox Searchlight Pictures

Trivia:

A slapstick scene involving Miles hitting a dog with his car while driving around was cut because it didn't fit the overall mood of the movie and didn't follow animal regulations that Hollywood had on using animals in movies.

Goofs:

Anachronisms: The dance show Miles is watching in the hotel room is MTV's "The Grind," which ran from 1992 until the summer of 1996.

Quotes:

[first lines]
Miles Raymond: Fuck.

Movie Connections:

Referenced in Paintbrush (2008)

Soundtrack:

FEARLESS LOVE

A truly vintage comedy.

SIDEWAYS (2004) **** Paul Giamatti, Thomas Haden Church, Virginia Madsen, Sandra Oh. (DIR: Alexander Payne)

A truly vintage comedy. Paul Giamatti is one of our finest character actors who seems to be neck-and-neck with William H. Macy on cornering the market of portraying losers as a cottage industry and in the latest endeavor of hapless misanthropes he may have found Oscar gold.

Giamatti stars as Miles Raymond, a miserable mope of a man who realizes he is never going to amount to anything especially given the fact that he is his own worst enemy in his highly critical outlook on life particularly on two things he holds dear: his struggling attempts to become a writer of notice and his taste in wine. The latter leads him to a certain road trip to salvation when he embarks upon a few days of r&r away from his stagnant day job as a middle school English teacher with his best friend and former college roomie Jack (Church in easily the career defining role of his life since his hey day on the TV sitcom 'Wings') whose impending nuptials is Miles' wedding gift as the best man. Jack, a long-in-the tooth second-rate soap actor whose 15 minutes are at a close 14:59 is adamant about getting laid for one last time before his commitment to a younger woman who clearly deserves better (and Jack shrewdly knows this).

As the duo drive through the sun-dappled wine country of Northern California in a road trip not unlike two virginal, horny teens looking to pop their respective cherries, they come across two unlikely conquests. One is the shapely and surprisingly-down-to-earth waitress Maya (Madsen in a career comeback of epic proportions shines through the Giamatti gloom) who strikes a fancy to the depressed Miles while Jack has his sights on the sexy wine pourer Stephanie (the sublimely, reassuringly funny Oh, and real – life wife to director Payne) who also is charmed by the blithely feckless Jack. What unfolds is a sweet yet too-good-to-be true few days of bliss and unbridled emotional rescue for the foursome as they take to one another like ducks to water although Miles' hesitancy is deeply reasoned since he is still licking the open wounds of his two-year old divorce.

Payne, one of my favorite filmmakers, doesn't disappoint as he dollops evenly the tragic-comic proceedings with his frequent long-time collaborator Jim Taylor in adapting an unpublished novel by Rex Pickett that has many layers to it and doesn't betray its four intriguing and ultimately human characters with all their flaws and neuroses on full display. Each actor shines with a few moments of soliloquies and dialogue that ring true that will have you laughing til you cry and vice versa (and that my friend is no easy trick)!

The four actors give supremely wonderfully acted turns and all are Oscar worthy as well as the screenplay which mixes misery with hope and some truly funny moments including an anger management golf sequence that feels like an outtake from 'Caddyshack' and Giamatti's drunken phone call to his ex is on par with Jon Favreau's car-accident-in-slow-motion answering machine mishap in 'Swingers' – one for the archives. Church makes his borderline jerk a quasi-pathetic lothario who finally sees the forest for the trees in a surprisingly moving moment of realization in a teary confessional; Oh unleashes the old chestnut of a woman's scorn with no-holds-barred and Madsen is a true welcome back from a seemingly endless string of nothing vehicles into this warm and welcome turn as comforting as a blanket on a wintry night in front of a cozy fire.

While it is so easy to resort to the wine as metaphor – as the film amply does with smart, sharp and pungent dialogue – the film is a full-bodied, never precocious vintage that needs to be savored in a desirable bouquet of cinematic finesse.