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Directed by | |||
| Gregg Araki | |||
Writing credits | ||
| Gregg Araki | (screenplay) | |
| Scott Heim | (novel) | |
Original Music by | |||
| Harold Budd | |||
| Robin Guthrie | |||
Cinematography by | |||
| Steve Gainer | (director of photography) | ||
Film Editing by | |||
| Gregg Araki | |||
Casting by | |||
| Shannon Makhanian | |||
Production Design by | |||
| Devorah Herbert | |||
Art Direction by | |||
| Morgan Blackledge | (as Morgan C. Blackledge) | ||
Set Decoration by | |||
| Erin Smith | (as Erin K. Smith) | ||
Costume Design by | |||
| Alix Hester | |||
Makeup Department | |||
| Michelle Rene Elam | .... | key hair stylist (as Michelle Elam Torres) | |
| Nicole Le Bris | .... | hair stylist: New York | |
| Nicole Le Bris | .... | makeup artist: New York | |
| Fleur Morell | .... | key makeup artist | |
| Eleanor Sabaduquia | .... | assistant makeup artist | |
| Alexis Walker | .... | assistant makeup artist | |
Production Management | |||
| Beau J. Genot | .... | post-production supervisor | |
| Petra Hoebel | .... | production manager: New York | |
| Lisa Looney | .... | production supervisor | |
| Per Melita | .... | production manager: New York | |
| Hans C. Ritter | .... | unit production manager (as Hans Christian Ritter) | |
Second Unit Director or Assistant Director | |||
| Heather I. Denton | .... | second assistant director | |
| Jordan Brendan Finnegan | .... | second second assistant director (as Jordan Finnegan) | |
| Gavin Kleintop | .... | second second assistant director | |
| W. Alex Korp | .... | first assistant director (as Ale Korp) | |
Art Department | |||
| Treven Bedwell | .... | property master | |
| Erin Cabeen | .... | art department intern | |
| Shannon Cabeen | .... | art department intern | |
| Jonathan Dortch | .... | assistant property master | |
| Sally Geier | .... | art department intern | |
| Rob Henning | .... | leadman | |
| Stacy L. Henning | .... | swing | |
| Jennifer Ireland | .... | art department intern (as Jen Ireland) | |
| Mathew Klickstein | .... | on-set dresser | |
| Scott Schutzki | .... | swing | |
| Pete Steinke | .... | swing | |
| Andrew 'Pinky' Swartsel | .... | swing (as A. Corey Swartsel) | |
Sound Department | |||
| Bryan Arenas | .... | sound consultant: Dolby | |
| Steven Avila | .... | sound effects editor (as Steve Avila) | |
| James Bailey | .... | foley artist | |
| Trip Brock | .... | supervising sound editor | |
| Bob Fisher | .... | boom operator | |
| Heather Fox | .... | sound coordinator: post-production | |
| Michael J. Fox | .... | adr supervisor (as Mike Fox) | |
| Michael J. Fox | .... | foley editor (as Mike Fox) | |
| Eric Hoeschen | .... | foley artist | |
| Peter D. Lago | .... | first assistant sound editor (as Peter Lago) | |
| Coleman Metts | .... | production sound mixer | |
| Peter Oreckinto | .... | optical soundtrack: DJ Audio | |
| Jackie Oster | .... | dialogue editor | |
| Mark A. Rozett | .... | sound re-recording mixer (as Mark Rozett) | |
| Elana Saviolis | .... | sound coordinator: post-production | |
| Geordy Sincavage | .... | foley mixer | |
| Geordy Sincavage | .... | sound effects editor | |
| Melissa Strater | .... | sound coordinator: post-production (as Melissa Strater-Brock) | |
| Kelly Vandever | .... | sound re-recording mixer | |
| Randolph Saucedo | .... | sound recordist (uncredited) | |
Special Effects by | |||
| David Waine | .... | special effects coordinator | |
Visual Effects by | |||
| Mark S. Driscoll | .... | visual effects supervisor: Look Effects | |
| Henrik Fett | .... | visual effects supervisor: Look Effects | |
| Chad Buehler | .... | digital compositor (uncredited) | |
Stunts | |||
| Eddie Matthews | .... | stunt driver (as Eddie Mathews) | |
| Lou Simon | .... | stunt coordinator | |
Casting Department | |||
| Jennifer Goldstein | .... | casting assistant | |
| Katya Lidsky | .... | casting assistant (as Katja Lidsky) | |
Costume and Wardrobe Department | |||
| Carla Haupt | .... | costume intern | |
| Prudence Stein | .... | costume intern | |
| Pamela Walt | .... | costumer | |
Editorial Department | |||
| Alex Blatt | .... | post-production coordinator | |
| Alana Greenfield | .... | negative cutter: Viv Kim Negative Cutting | |
| Terry Haggar | .... | color timer | |
| Vivian Hengsteler | .... | negative cutter: Viv Kim Negative Cutting | |
| Eden Williams | .... | negative cutter: Viv Kim Negative Cutting | |
| David Block | .... | colorist (uncredited) | |
Music Department | |||
| Jenée DeAngelis | .... | music coordinator (as Jenee Clark) | |
| Bradford Ellis | .... | score engineer | |
| Bradford Ellis | .... | score programmer | |
| Howard Paar | .... | music supervisor | |
| Ronald J. Webb | .... | music editor (as Ron Webb) | |
| Tracy McKnight | .... | executive soundtrack producer (uncredited) | |
Transportation Department | |||
| Jaime Chapparo | .... | additional driver (as Jaime Chaparro) | |
| Mac 'Buck' Cook | .... | driver | |
| Guy Johnson | .... | transportation captain (as Guy 'Bone' Johnson) | |
| Eli Lozano | .... | driver (as Eli James Lozano) | |
| Sandra Ninham | .... | additional driver | |
| Stephen 'Stevo' Pate | .... | transportation coordinator | |
| Marco Ruiz | .... | additional driver (as Marco A. Ruiz) | |
| Bobby Weaver | .... | driver | |
| Alexander Yurchikov | .... | additional driver | |
Thanks | |||
| Jonathan Bell | .... | thanks | |
| Andrew Bentler | .... | special thanks | |
| Peter Billingsley | .... | thanks | |
| Mary Corbet | .... | very special thanks | |
| Eunice Lee | .... | thanks | |
| Robert Messinger | .... | special thanks | |
| Sigur Rós | .... | special thanks | |
| Warren Zavala | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Amazing. I was expecting another sexually charged adrenaline infused dark comedy a la Doom Generation or an ironic look at relationships in the post-modern world like Splendor. Instead I found a more mature, calmer tale. Still funny, but muted, dark but based on the darker parts of human nature in reality... The performances were unbelievable. Joseph Gordon-Levitt came across with a combination of grit and beauty, anger and happiness that reminded me of Colin Farrell. The cockiness of youth, the sadness of child abuse, and a realistic recognition of prepubescent sexuality. The opening sequence reminded me of something in my youth - nothing specific it just left me with this certain feeling. I hope this is a sign of things to come....