| Photos (see all 15 | slideshow) | Videos (see all 2 videos ) |
| Johnny Depp | ... | Mort Rainey | |
| John Turturro | ... | John Shooter | |
| Maria Bello | ... | Amy Rainey | |
| Timothy Hutton | ... | Ted Milner | |
| Charles S. Dutton | ... | Ken Karsch | |
| Len Cariou | ... | Sheriff Dave Newsome | |
| Joan Heney | ... | Mrs. Garvey | |
| John Dunn-Hill | ... | Tom Greenleaf (as John Dunn Hill) | |
| Vlasta Vrana | ... | Fire Chief Wickersham | |
| Matt Holland | ... | Detective Bradley | |
| Gillian Ferrabee | ... | Fran Evans | |
| Bronwen Mantel | ... | Greta Bowie | |
| Elizabeth Marleau | ... | Juliet Stoker | |
| Kyle Allatt | ... | Busboy | |
| Richard Jutras | ... | Motel Manager | |
| Kevin Woodhouse | ... | Public Works Guy | |
| Vito DeFilippo | ... | Public Works Guy | |
| Sarah Allen | ... | Sheriff's Niece | |
| rest of cast listed alphabetically: | |||
| Isabelle Champeau | ... | Photojournalist (uncredited) | |
Directed by | |||
| David Koepp | |||
Writing credits(WGA) | ||
| Stephen King | (novella "Four Past Midnight: Secret Window, Secret Garden") | |
| David Koepp | (screenplay) | |
Produced by | |||
| Gavin Polone | .... | producer | |
| Ezra Swerdlow | .... | executive producer | |
Original Music by | |||
| Philip Glass | |||
| Geoff Zanelli | |||
Cinematography by | |||
| Fred Murphy | |||
Film Editing by | |||
| Jill Savitt | |||
Casting by | |||
| Pat McCorkle | |||
| John Papsidera | |||
Production Design by | |||
| Howard Cummings | |||
Art Direction by | |||
| Gilles Aird | |||
Set Decoration by | |||
| Francine Danis | |||
Costume Design by | |||
| Odette Gadoury | |||
Makeup Department | |||
| Nathan J. Busch II | .... | hairdresser: New York (as Nathan Busch) | |
| Réjean Goderre | .... | key hair stylist | |
| C.J. Goldman | .... | special makeup effects artist | |
| Christine Larocque | .... | wig maker | |
| Adrien Morot | .... | special makeup effects supervisor | |
| Patricia Regan | .... | makeup artist: New York unit | |
| Martin Samuel | .... | hairdresser: Mr. Depp | |
| Micheline Trépanier | .... | key makeup artist | |
| George Tucci | .... | special makeup effects artist | |
| Sylvania Yau | .... | special makeup effects coordinator | |
| Patty York | .... | makeup artist: Mr. Depp | |
Production Management | |||
| Manon Bougie | .... | unit production manager | |
| Patrick Legault | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Jesabelle Boileau | .... | additional third assistant director | |
| Pedro Gandol | .... | first assistant director | |
| Linda Perkins | .... | second assistant director: New York | |
| David 'Wex' Wechsler | .... | first assistant director: New York | |
Art Department | |||
| Real Capuano | .... | scenic technician | |
| Martin Chalifoux | .... | construction coordinator | |
| Marcel Pierre Dussol | .... | props | |
| Denis Hamel | .... | property master | |
| Annie Jamison-DeMarbre | .... | construction coordinator | |
| Raynald Langelier | .... | set designer | |
| Brick Mason | .... | storyboard artist | |
| William F. Reynolds | .... | set decorator: New York | |
| Lucie Tremblay | .... | set designer | |
Special Effects by | |||
| Louis Craig | .... | special effects director | |
| Mario Dumont | .... | special effects floor supervisor | |
| Normand Gobeille | .... | special effects technician | |
| André Laforest | .... | special effects technician | |
| Philippe Roberge | .... | special effects technician | |
| Ryan Storm | .... | effects technician | |
| Bernard Guay | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Jacqueline Allard | .... | rotoscope | |
| Christopher Almerico | .... | visual effects coordinator | |
| Arthur Argote | .... | digital compositor | |
| David Bailey | .... | digital matte painter | |
| Joseph Brattesani | .... | digital compositor | |
| Marc Cote | .... | motion control operator | |
| Pierre Couture | .... | visual effects coordinator | |
| Pierre Couture | .... | visual effects producer | |
| Ron Crabb | .... | matte painter | |
| Travis Dutch | .... | scanning and recording | |
| Kevin Fitzgerald | .... | motion control operator | |
| William Higgins | .... | digital effects artist | |
| Lubo Hristov | .... | digital matte painter | |
| Nancy Hyland | .... | digital compositor | |
| Irene Kassow | .... | visual effects editor | |
| Darren Locke | .... | pre-visualization: Keyframe Digital Productions | |
| Tom Lynnes | .... | CG supervisor | |
| Margaux Mackay | .... | visual effects supervising producer | |
| Gray Marshall | .... | visual effects supervisor | |
| Craig Mathieson | .... | digital compositor | |
| Matt McFarland | .... | scan/record manager | |
| Jennifer Mizener | .... | visual effects production office coordinator | |
| Jim Rider | .... | Flame artist | |
| César Romero | .... | digital compositor | |
| Robert Scifo | .... | digital matte painter | |
| Craig Shumard | .... | motion control technician | |
Stunts | |||
| Marcello Bezina | .... | stunt double | |
| Jere Gillis | .... | stunts | |
| Karine Lemieux | .... | stunt double: Maria Bello | |
| David McKeown | .... | stunt coordinator (as Dave McKeown) | |
Camera and Electrical Department | |||
| Jean-François Abran | .... | electrician | |
| Sylvain Bernier | .... | gaffer | |
| Stephane Boisvert | .... | generator operator | |
| François Daignault | .... | camera operator | |
| Mathieu Décary | .... | first assistant camera | |
| Mathieu-Félix Drouin | .... | clapper loader | |
| Lukasz Jogalla | .... | camera operator | |
| Tom Kerwick | .... | key grip: New York | |
| Andre-Pierre Lampron | .... | additional electrician | |
| Patrick Lima | .... | dolly grip | |
| Kenneth MacKenzie | .... | key grip | |
| Pierre Malo | .... | rigging electrician | |
| Charles Marcotte | .... | electrician | |
| Jordi Montblanch | .... | grip | |
| David Reinhard | .... | daily second assistant camera | |
| Alain Rousseau | .... | second assistant camera: "a" camera | |
| Stephane Tanguay | .... | electrician | |
| Abeille Tard | .... | camera trainee | |
| Marco Venditto | .... | rigging gaffer | |
| William M. Weberg | .... | best boy grip: New York | |
| Jonathan Wenk | .... | still photographer | |
| Barry Wetcher | .... | still photographer: New York | |
Costume and Wardrobe Department | |||
| Rosalie Clermont-Bilodeau | .... | assistant costume designer | |
| Roseann Milano | .... | wardrobe supervisor: New York | |
| Lyse Pomerleau | .... | costume supervisor | |
Editorial Department | |||
| Steve Bowen | .... | digital colorist | |
| Adam Geiger | .... | assistant editor | |
| Mo Henry | .... | negative cutter | |
| Berenicci Hershorn | .... | assistant film editor | |
| Jordan Lindblad | .... | editorial production assistant | |
| Chris Regan | .... | color timer | |
| Will Reichel | .... | post-production coordinator | |
Music Department | |||
| Nancy Allen | .... | assistant music editor | |
| Joseph S. DeBeasi | .... | music editor: temp score | |
| Julie Eidsvoog | .... | music preparation | |
| Bruce Fowler | .... | orchestrator | |
| Suzie Katayama | .... | music preparation | |
| Blake Neely | .... | additional conductor | |
| Suzana Peric | .... | music editor | |
| Mark J. Petracca | .... | music consultant | |
| Michael Riesman | .... | conductor | |
| Michael Riesman | .... | music scoring mixer | |
| Alan Elliott | .... | composer: additional music (uncredited) | |
| Steve Kempster | .... | score mixer (uncredited) | |
Transportation Department | |||
| Vincent Brabant | .... | driver | |
| Bertrand Calmeau | .... | driver | |
| Alexandre Juaneda | .... | transportation captain | |
| André Michaud | .... | driver | |
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This is one of the few movies that you will either love or hate. There is no middle ground. The people that have slammed this movie must not have understood a lot of the symbolism. Seriously, some of it is obvious but a lot of it would require you listen to the Director's commentary to catch.
While aspects of the story are predictable, you will never see the last couple minutes coming. Koepp made a film that HE believed in, with a finale that may not sit well with the general public. For this, I applaud him.
As I've noted on the message board, Koepp borrowed a page from Hitchcock's book and relied on our imagination to fill in the gaps during the violent sequences. Some of it is shown but certainly not all. Without question this film tested the limits of the PG-13 rating but Koepp did not take the easy way out and turn this film into an R-rated gore fest. This film proves that PG-13 films can be gritty and poignant.
Depp's performance is amazing, as can be expected. The cinematography is awesome. Watch this film with an open mind, taking to heart each character's motivations.
If you've already seen the film I would strongly suggest you watch the Featurettes and listen to the Director's commentary on the DVD. You may find this to be quite an eye opener.
My Score: 8/10 stars